Examples Of Creon In Antigone

His pride chooses his path for him, and fate shows that his pride causes more pain for himself—he realizes his actions before his misfortune. In the play, Creon states, “I will go.––Bring axes, servants: Come with me to the tomb. I buried her, I will set her free” (Sophocles 874-877). Creon realizes that his actions are the cause of his suffering.

Most people encounter heroes on a daily basis. Some of these heroes can be real life heroes such as the firemen who saved the cat, or the teacher helping with a struggling student while others can be found in forms of media or literary works. A specific type of hero that is often found in many Greek tragedies is called a tragic hero. A tragic hero often possesses a tragic flaw, experiences a sudden reversal of fortune, and finally come to a realization that the reversal of misfortune is resulted from his or her own actions. In Sophocles’ tragedy Antigone, written in 5th century BCE, the protagonist Creon is an excellent example of a tragic hero.

In the play Antigone by Sophocles, Creon the king is presented as a tragic hero due to his aggressive, powerful, and ruthless actions. Creon's tragic fall lies in his actions, which lead him to make some malicious decisions. Even with his intended purpose to maintain law and order in his kingdom, he fails to recognize the consequences of his actions and eventually faces a tragic downfall through his actions and character traits: ruthlessness, powerfulness, and aggressiveness. These traits Creon represents are the elements of a tragic hero. To start, Creon is a tragic hero because of his ruthlessness.

The qualifications of a tragic hero vary between Aristotle and Shakespeare. Aristotle thinks of a tragic hero as someone who is a noble character by choice and makes his/her own destiny, while Shakespeare sees a tragic hero as someone who is born of nobility and born to be important. Although both tragic hero's end in a tragic death that effects many people, not all tragic hero's fit perfectly into both categories. In Sophocles’ Antigone, Creon is considered a tragic hero. Creon follows Aristotle's definition of a tragic hero by being a noble character by choice, having important potential, and falls due to "miscalculations" with circumstances that are beyond control.

Creon realizes the prophet has never been wrong before, and as he grapples with what to do the chorus urges him to go, even though they know what lies ahead for his family and his citizens. Creon’s realization that his pride got in the way of the law of the gods, “The laws of the gods are mighty, and a man must serve them To the last day of his life!” (V.109-111). This acceptance that his law was wrong, allows him to realize his pride has hurt many, including the fate of some, “I cant fight against what is destined I must personally undo what I have done. I should not have tried being unorthodox I’ll stick by the established laws in the future” (V.95-99).

Throughout the play, Creon shows many examples of how he is imperfect. One example would be how he believes that the state is primary to his family and relationships, “If this is your pleasure, Creon, treating our city’s enemy and our friend this way … the power is yours, I suppose, to enforce it with the laws, both for the dead and all of us, the living,” this quotation said by the leader of the chorus describes how the elder people of Thebes respect their family more than the state, but they held back on their opinions, knowing of what Creon, the leader, wanted to hear (235-240). Another example of how Creon shows the audience of how he is imperfect is when, Creon meets with Haemon. Creon argues with Haemon about how people should act towards the country which they reside in, “But whoever steps out of line, violates the laws or presumes to hand out orders to his superiors, he’ll win no praise from me. But that man the city places in authority, his orders must be obeyed, large and small, right and wrong,” Creon believes since he has the highest throne in his country, that he should be obeyed whether the circumstance (745-751). Lastly, Creon demonstrates to the audience that he is imperfect by wanting to protect his country too much. This is visible when Creon sentences Antigone to a slow death, because of burying her brother, who was outcasted as a traitor. Creon put the state over his family which will lead to the complete

A tragedy, as defined by Ms. Tozar, is “the story of a falling from a high place to a lower place by a character.” In other words, a tragedy is a story of an individual who starts in a high position and descends throughout the story to end in a position that is lower than original position. The individual who makes the descent is known as the tragic hero. The tragic hero, as defined by Ms. Tozar, is “the character who falls from grace as a result of fate and/or a weakness. In the drama, Antigone by Sophocles, one could argue that there are many tragic heroes. However, the one who stands above them all is that of the character of Creon. Creon is understood by most as the tragic hero in Antigone as evident in his

Creon orders the guards to take Antigone away not caring for his son's feelings, since she is his fiancée. Creon feels the law should stand despite the fact that Antigone was his niece or how moral her act was. "Bring her [Antigone] out! Let her die before his eyes..." (Scene 3, 130). This quotes shows that Creon took his position as king seriously to the point where in he was willing to sacrifice the feelings of his own son. He was willing to be the cause of son's destruction just to prove that he is the king and always right. "I will go... I buried her, I will set her free" (scene 5, 102,104). Not only does this quote show leadership but also stubbornness he was risking his relationship with his son to prove that he was the leader of Thebes. Creon says another quote which shows his loyalty to his kingdom, "I call to God to witness that if I saw my country headed for ruin, I should not be afraid to speak out plainly," (Sophocles, scene 1,24-26). It shows his strong sense of leadership which catches up with him in the end causing destruction.

Due to his unwavering pride and refusal to see through the eyes of others, Creon falls from his position of immense power and wealth which in the end doesn’t matter because all his loved ones and family are now dead.

Every Greek tragedy must have a tragic hero. In Sophocle’s play, Antigone, the most tragic hero is Creon. He is an essentially good man of high position who takes pride in his role as king. He possesses the tragic flaws of excessive pride and an oversized ego. This causes the tragic reversal that leads to his emotional ruin and eventual remorse and repentance.

Aristotle, an ancient Greek philosopher, defines a tragic figure as one who represents goodness, superiority, a tragic flaw, and a realization of their tragic flaw and inevitability. A tragic figure is normally someone of royalty, or importance, and also experiences a great devastation. A big flaw of a tragic hero is usually their pride. The figure will experience an ironic plot twist, where they realize things are not what they expected, and then are to face the reality of their fate. In, The Theban Plays, by Sophocles (translated by E. F. Watling), the characters Creon and Antigone represent tragic figures. In the play “Antigone,” Sophocles depicts the character Creon as a tragic hero. Creon portrays many characteristics of a tragic figure. His tragic story begins when makes the decision of becoming a hubris. A hubris is one who ignores the gods, and follows their own path. When Creon does this, his decisions greatly affect the fate of his loved ones; his son, wife and Antigone. Along with Creon, Antigone portrays a tragic hero in as well. Antigone’s tragic fate comes from her loyalty to her family and the gods. She chooses to stick to her own beliefs, rather than having obedience towards the king, and this was the cause of her downfall.

     Finally, Creon is a dynamic character. He undergoes changes in emotion throughout the work. He realizes his mistakes when Tiresias forecasts the future. Thus, Creon attempts to correct himself by releasing Antigone. But he is too late. He is forced to live, knowing that three people are dead as a result of his actions. This punishment is worse than death. Although Creon’s self-righteousness and inflexibility did not change until the end of the play, his motivations traveled from patriotic ones to personal ones. This created a major portion of the

He feels that Haimon is too young to know what he is talking about especially when it comes to Antigone. Creon believes that Haimon is blinded by love. Creon wouldn’t even take anything that Haimon said into consideration. He also did the same thing with Teiresias, a blind prophetwho has always been right in other situations. Teiresias told Creon that his actions have angered the Gods and that it would be in his best interest to let Antigone go free, otherwise his family would be cursed and he would suffer a great deal. Creon, whom was obviously in denial, didn’t believe a word Teiresias said and accused him of lying and taking bribes from the people.

There has always been a great debate over who is the true tragic hero in Sophocles' Antigone. Many scholars would stake claim to Antigone possessing all the necessary characteristics of a true tragic hero, but many others would argue that Creon holds many qualities as well. It is hard to discount Antigone as a tragic hero, because in fact, the play bears her name, but from careful reading, Creon meets Aristotle's criteria exactly and fits perfectly into the role. In order to determine whether or not Creon is the true tragic hero, one must answer the question: 'What is a Tragic Hero?' In Aristotle's Poetics, he discusses the basic criteria regarding a tragic hero. Aristotle

Despite the play being named after Antigone, Creon is the tragic hero of the story because he has a more complete set of tragic elements in his character. Generally, it is more tempting for reader to choose Antigone as the tragic hero because she is the protagonist and a good person who is obedient to the gods, unlike Creon who is defiant to the laws of the gods making him a bad person in the story. However, an antagonist can be the tragic hero just as a bad person can be the main character in a movie, so as long as the bad person has the main role and is involved in more parts of the story. In this context, Creon does fit the role of a tragic hero, since he seems to be at the center of all conflicts: Creon vs. the gods, Creon vs. Antigone, Creon vs. Haemon, Creon vs. Tiresias, Creon vs. Eurydice, and Creon vs. the sentry. Finally, with many readers repudiating his actions, Creon seems to have a conflict with the audience as