Examples Of Deceiving Others In A Doll's House

Although Nora is secretive about the crime she committed, which is forging her father’s name in order to borrow money; she does it to save her husband. During Act I when Nora is speaking to Mrs. Linde about someday revealing to Torvald about the secret loan Nora exclaims: “One day I might, yes. Many years from now, when I’ve lost my looks a little. Don’t laugh. I mean, of course, a time will come when Torvald is not as devoted to me, not quite so happy when I dance for him, and dress for him, and play with him.” (Act I, pg. 12). This quotation shows that even early on in the play Nora understands the reality of her marriage, and her existence to Torvald. Therefore, Act I is merely an introduction to the overall overarching theme of independence. Act I shows the obedient side of Nora, until later scenes when she reveals her independence. Torvald attempts to oppress his wife, but his actions do not stop Nora’s independent thoughts from forming.

When Torvald finds her hairpin stuck in the keyhole of the letter box, Nora tells him it must have been their children trying to get into it, not willing to admit that she had tried to break into his things. Although the truth about her is about to be discovered, Nora wants to preserve the last bits of dignity that she has left, finally worrying about herself before anyone else. This last lie however, leads up to her finally speaking the truth and expressing that she no longer feels that she loves Torvald. Her husband is furious at her, insulting her, and fails to see that every lie that she told was for his sake. Realizing that Torvald can’t see her side of things and will only find fault in what she did, she comes to her decision to leave her family. Nora states that she is not happy and never really was, her marriage to Torvald was as fakes as a doll house according to her. Rather than lie, she is completely honest now and states that she wants to become her own person and learn that which she doesn’t know despite what society might think.

Throughout A Doll’s House, Torvald views Nora’s actions as being deceiving not only towards him but also towards her family. However, Nora gain her perspective on her own actions and begins observing it differently than Torvald’s. The play states, “ It was me they told that his life was in danger...well, well, I thought, you’ve got to be saved somehow. And then I thought of a way-,” (Ibsen 35-36). Within Nora’s and Mrs. Linde’s private conversation, Nora conveys that her manipulation of money revealed how she deceives her husband even though it was in good intent to save his life. In addition, this demonstrates Nora’s willingness to think about others, such as her husband, before realizing for herself that there were going to be consequences for her later on. Within the play, Nora states, “ You have never understood me. A

Even when eating macaroons, Nora assures Torvald, "You know I could never think of going against you" (A Doll’s House 1242). Nora is a doll, a helpless little "lark", a "songbird", and over the course of their relationship, Nora has been molded into thinking she must be all those and does not want Torvald to think otherwise (A Doll’s House 1242). Because helpless songbirds did not save lives on their own, Nora could not let Torvald find out about her use of forgery to obtain money, because it would hurt his "masculine pride" and "just ruin their relationship”.

In A Doll House, authored by Henrik Ibsen, honesty is one of the key concepts in a relationship. Honesty is an important aspect of life in general. If honesty is not present and hidden, when the truth actually does come to the light, it can damage you more than intended in the beginning. Ibsen uses the character Christine to open the door to the lies that are kept in secret in the marriage. Ibsen also uses Christine to show that honesty is important in life in general to get you farther, not just in relationships. When Christine first arrives in the home, Nora confesses that she has hidden secrets while still keeping a few things hidden. With Christine being her friend, I believe that Ibsen sketched her up to want the best for Nora.

While Mrs. Wright lashes out against her perceived cage, her gender role, by killing Mr. Wright, Nora’s character ultimately decides to trip the latch, to fly free from the bars. Nora’s complex personality proves to be difficult to predict to the very end, when she decides to shirk her duties to her husband and children to focus on herself, to serve her own needs for individuality, a decision that was not entirely popular with readers and audiences alike. Indeed, Nora quite easily refuses to be the “doll” in Torvald’s house, and abandons her loving, though misguided husband, and her children. She feels driven to do this once she realizes that she and Torvald had never exchanged a serious word in

Nora begins to take offence to the words of Torvald. He refers to her as his most “prized possession”, and continues to say that he often imagines her as though she is his mistress, and she is a temptress. Nora continues to get offended, telling Torvald she doesn’t want any of this. Nora begins

A Doll’s House, by Henrik Ibsen, portrays a young married woman, Nora, who plays a dramatic role of deception and self-indulgence. The author creates a good understanding of a woman’s role by assuming Nora is an average housewife who does not work; her only job is to maintain the house and raise the children like a stereotypical woman that cannot work or help society. In reality, she is not an average housewife in that she has a hired maid who deals with the house and children. Although Ibsen focuses on these “housewife” attributes, Nora’s character is ambitious, naive, and somewhat cunning. She hides a dark secret from her husband that not only includes borrowing money, but also forgery. Nora’s choices were irrational; she handled the

When Krogstad threatens to expose the truth, Nora must use her craftiness to distract Torvald and sway him into letting Krogstad keep his job. Unfortunately, she is not able to change his mind, but she does succeed in diverting his suspicions of her motives. She praises him and lulls him into a false sense of security by telling him that "[n]o one has such good taste as [he has]" and then goes on to ask him if he could "take [her] in hand and decide what [she is] to go as" for the dance. She confesses to him that she "can't do anything without [him] to help [her]". These statements lead him to believe that he is the one to "rescue" her, when it is in fact Nora who is trying to rescue him from dishonour. Later on, when Krogstad puts a letter in Torvald's mail, explaining everything that Nora has done, Nora uses her charms once more. She pretends that she has forgotten the tarantella so that Torvald will spend all his time with her and think nothing of the mail that awaits him. Nora truly believes that by deceiving her husband, she is protecting him from worry. Because of Nora's deception, the person that Torvald believes her to be is quite different from the person she actually is. He believes that she is a "spendthrift," infatuated by expensive things when in reality, she saves her money to pay back Krogstad and buys cheap clothing and gifts. Torvald

In the story “Doll House” Nora had been previously scolded by her husband and finally informed Torvald, “I’m saying we’ve never sat down seriously and got to the bottom of things” (936 MLM). Nora was done being treated as a child by Torvald. He shielded her from the world, like her father, and would never let her form an opinion stray from his own. He wouldn’t let her talk of the serious matters in life, from morality to simple decisions with money, that had to do with being her own person with her own mind. This led Nora to leave and find herself as Torvald would not let her just be with his grown instinct that love from a husband must have a controlling nature over the wife in the marriage, not an equality between the

Throughout the play Nora’s family is referred to as a doll house. Hence the name of the title, but why is it a doll house? Nora and her kids are like dolls in Torvald’s game. It is like her family is always playing house. It seems to Nora that her life is being used as a game instead of actually getting to live happily. She and her husband have more of a father and daughter relationship, rather than a husband and wife relationship. “The child shall have her way (Ibsen 2.385).” When Torvald says this he sees his wife as a child and not an adult. He does not see her as capable as himself, therefor he does not share responsibilities. This makes him treat her like a child, and he tries to play her into doing what he thinks the story would be best doing. She even says “Surely you can understand that being with Torvald is a little like being with papa (Ibsen 2.217).” She even refers to her relationship with her husband being like her relationship with her dad. It shows that she has respect for her husband like her father, and that she listens to any command he may bark at her.

A doll house is based on Nora understanding how she feels about her relationship with her husband Torvald. The play opens up with Nora arriving home from Christmas shopping, excited to show her husband what she has purchased. Torvald will be getting a promotion at his bank so Nora feels that she gets to splurge a little on gifts. Torvald calls Nora a child, spendthrift, and a lark for her actions on spending a lot of money. Torvald teases Nora and compares her to her father by saying the following:

Here, Nora pulls together the tragic circumstances. She sees that she was never truly happy in the house, just content. Her father kept her as a child would a doll, and Torvald continued this when they were married. They formed her opinions for her, set expectations to which she was supposed to adhere, and wrote a vague script of how she was supposed to act. She was like a puppet, with no thoughts or actions of her own. When she finally realizes the injustice being done to her, she decides to free herself.

In “A Doll House” by Henrik Ibsen was created during 1800s time period. This play helps shine a light on the gender roles of the 1800s while also creating a twist that was uncommon for this period. During this time period, women were left home to oversee the domestic duties, while men went to commuted to work (Hughes). Men were seen as physically superior but morally inferior to women; which is also portrayed within this book (Hughes). This play marks the beginning of Henrik Ibsen’s realist period, which he explored the ordinary lives of small-town people (Kirszner and Mandell 881). This “modern tragedy” helped make Ibsen famous internationally because of the real-life story it captured (Kirszner and Mandell 882). Henrik Ibsen uses an array of literary devices to help keep the reader captivated from beginning to end. Three of the most prominent literary devices used by Henrik Ibsen are symbolism, foreshadowing, and an array of themes. These literary devices help transform a basic play into a complex story of lies and deception.

Using new criticism, it was easy to read A Doll’s House, pointing out all of the important literary devices and analyzing how they all connected to one another. Starting with the metaphors that showed the inequality between Nora and Torivald, all the way down to the dramatic irony of Nora paying for the trip to Italy that saved Torivald’s life. At the end of the play, the reader is left wondering if Nora is now happy. Nora gets what she wants; she gets her freedom, but will she truly be happy out in the real world without her dear husband and