Examples Of Defeat In The Old Man And The Sea

In the book The Old Man and the Sea, Ernest Hemingway uses the flashback technique in order to characterize Santiago and develop key themes of the novel, such as Santiago’s connection with nature and what it means to be a hero. Hemingway employs several flashbacks as an effective technique that develops Santiago’s character as he recalls past occurrences in order to renew his strength of will. There are three flashbacks in particular that are critical to the development of this story. The first flashback describes a time when Santiago associated himself with the marlins. The second flashback occurs when Santiago arm-wrestled the town’s strongest

But he doesn’t just lose his luck, he also loses Manolin, because of his parents thought that the old man was salo. Manolin’s parents believed that Santiago was unlucky and they didn’t want him to pass it on to their kid. They thought that if Santiago’s bad luck rubbed off on to Manolin, their whole family would get bad luck. After that, Santiago started doing something he rarely did and that was doubting himself. “He didn’t beat you. Not the fish.” (Hemingway 124). When I first heard this quote I thought that the old man thought that the fish got away alive, but as I read on I started thinking he was talking about the

The Old Man and The Sea, is a tale of an old man named Santiago who is a fisherman. He hasn’t had any luck with fishing, resulting in the other town members viewing him as a lame old man. A boy who used to fish with him inspires to change up his usual fishing tactics resulting in him catching a great huge fish. After fighting the fish for a couple days in his tiny boat he ties it to the side, headed for shore. On the way in sharks eat his entire catch leaving a skeleton to show for his work. The reader can see a clear metaphor painted by Hemingway. The fish

Santiago’s attitude seems to be that although he faces difficulties, he finds the strength inside of him to be able to overcome them. Once he hooked the marlin, Santiago comes to a realization that he cannot kill the fish quickly. Though he is faced with a problem, the old man is able to find the best of the situation. He begins to form a bond with the marlin, as he repeatedly

Throughout The Old Man and the Sea , Santiago’s connection with nature is a favorable one . He considers his “principal friends” to be flying fish , refers to the marlin as brother , and is sympathetic towards the treatment of the turtles due to his feelings that they have similar hearts . However , this relationship does not stay consistently pleasant . His marlin is demolished by shovel-nosed sharks , who symbolize the aggressive side of nature . They counter the marlin , who Santiago felt was a worthy opponent , and are able to destroy his success . Yet they do provide a challenge that he again faces with resolution . Without the sharks , Santiago’s determined mindset of reaching his goal , even if it results in death , would not be reinforced .

Rocky Balboa once said “It ain’t about how hard you hit. It’s about how hard you can get hit and keep moving forward; how much you can take and keep moving forward.” Countless people coward away from defeat, they lose interest after a loss, they never pursue when their goal is in arm’s reach, they quit because it’s the “easy” way out. Defeat is just as valuable as a victory. It’s not easy to recover from a loss, it’s hard to overcome a loss and become victorious. But the value you gain from getting back up on your feet and going back at it. Is worth more than any victory. A.C. Grayling, a present day renowned philosopher writes an essay on defeat in his book titled Meditations for the Humanist. A series of essays that takes a different view on an individual’s ethics. Which really makes you reflect on how you interpret defeat.

Within the book, strong and enduring Santiago battles the marlin for days, although he has nothing but his hands to hold the line, and, then, fights against the fish with his knife and his old hands. When the Mako shark comes and eats the flesh of the marlin that is tied to the side of the boat, Santiago continues to fight for the marlin; however, the shark takes much flesh from the marlin. The sharks symbolize destruction in Santiago’s life; however, The Old man perseveres as Hemingway pulls out his thoughts, “But I killed the shark that hit my fish, he thought. And he was the biggest dentuso that I have ever seen. And God knows that I have seen big ones.”(pg103) Here, Hemingway exemplifies that even when the Old Man has experienced destruction, he overcomes

In Ernest Hemingway’s The Old Man and the Sea, Santiago says, “A man can be destroyed but not defeated” and throughout the book it is a reoccurring theme. It is my opinion that Santiago is physically destroyed but not defeated. To me defeated means to accept that you have been beaten and will no longer continue to seek victory. As seen throughout the book, Santiago’s drive, courage and pride push him to keep going and never giving up despite all his injuries and fatigue. I believe that one cannot consider him defeated because of his determination and his belief in himself.

“But man is not made for defeat," he said. "A man can be destroyed but not defeated. (Hemingway 103).” This quote, written by Ernest Hemingway in the short story The Old Man and the Sea, captures the theme perseverance in numerous ways. This quote describes when the old man Santiago was struck down physically, with the injuries of his hands and the pain of staying awake for a number of days. However, he mentally kept pushing forward, leading to his ultimate survival and his arrival home. Ernest Hemingway wanted the readers of this story to learn about the rewards of perseverance because of the hardship Santiago and the marlin had to endure, rather than themes such as luck, pride, and suffering.

It is ambiguous whether the old man succeeds or fails. At first, it seems that if Santiago has failed. “He sailed lightly now and he had no thoughts nor any feelings of any kind” (Hemingway 119). It is almost like he has lost everything that he has worked for. The old man accepts defeat as is, without mourning or grief Fortunately, after all the damage has been taken, he keeps fishing. He built some sort of relationship with the marlin, but was later broken. He has since moved on.

After catching the marlin and attaching it to the side of the boat Santiago saw that sharks smelled blood from the fish and were chasing him so he had to figure out a way to kill them with items on the ship. “The line showed clearly on the top of his brown head and back where the brain joined the spinal cord and the old man drove the knife on the oar into the juncture, withdrew it, and drove it in again into the shark’s yellow cat-like eyes. The shark let go of the fish and slid down, swallowing what he had taken as he died” (Hemingway, 2003, p. 108). The old man tied his knife to his boat’s oar to stab the sharks that were quickly coming for the fish. His method worked, however, his “weapon” eventually broke and he had to use another object to kill other sharks. Santiago killed sharks before they took his fish and killed him, thus making him successful because he accomplished

In Ernest Hemingway’s novel, The Old Man and the Sea, Santiago demonstrates the traits of the code hero. The Hemingway’s code hero covers the principal ideals of honor, courage, and endurance in a misfortune life. Throughout the novel, Santiago shows a contrast between opposite attitudes and values which associate his behavior with the guidelines of the code. In this case, the depiction of conflicting values, such as dignity despite humility, perseverance despite despair, and victory despite defeat are aspects that help to describe and understand the role of Santiago in the novel, and reflect the reason why this character is perfectly suited to the heroic conduct established by Hemingway.

In the Old man and the sea, Santiago says, “A man can be destroyed but not defeated. (Page 93)” The true statement can be referred to throughout the novel. Santiago is in the end physically destroyed, but mentally he is not defeated. Santiago’s courage and pride pushes him forward throughout the novel, even when it looks like hope is lost, but is never defeated.

Over and over again he is remarked to be a strange old man, and he himself is the one to glorify that. He seems to struggle with the fact that he must prove himself to the other fisherman who mock him and believe him to be a fallen hero. He sets off to sea in his boat one day, but what he does not know that it will be the three most tiring days of his life. He first catches a smaller fish and instead of turning back, he decides to go farther out into the ocean to see what he can catch with that fish. He soon is dragged all over and back by a shiny purple marlin, that is two feet longer than his skiff. The response to Santiago’s poor decision or lack of creativity to harpoon the marlin instead of try to kill it another was as to not attract mako sharks was confusing. He is shown to be a man of intelligence and greatness, yet his decision to kill the marlin in this manner knowing what could happen proves that he had a distinct motive for harpooning the fish. By the words of Gery Brenner, “that motive is self validation-the need to prove himself”(Brenner 55). In the end, after the three day struggle, when Santiago returns to the dock, he is told by Manolin later that he was said to be lost at sea, and everyone was completely taken away by the length of the mangled carcass that he brought in. The take many get from Hemingway’s novel is

Throughout the book, The Old Man and the Sea, Hemingway uses a writing style known as stream of consciousness which entails using uninterrupted thoughts and feelings of the main character. This writing style shows through the character Santiago while he is at sea. Santiago talks to himself which essentially correlates to how he feels at that moment. The usage of the technique stream of consciousness engages the reader into how the character feels during that moment making the reader connected to the character. Hemingway uses this technique to its fullest in the novel when the author shows Santiago talking to himself about DiMaggio and to then eventually thinking that he wanted to be the marlin.