Examples Of Dialect In Their Eyes Were Watching God

In Zora Neale Hurston’s Their Eyes Were Watching God uses figurative language to demonstrate that love is not always how it seams. Janie Crawford is a young woman trying to find her voice or the first time but counters many obstacles growing up as a child to an adult. Zora Neale Hurston through a world of mss leading of love as well as sadness. The author uses different types of figurative language to describe Janies fairy tail love is not what it really seems to be.

Speech and silence have a critical role in the background of the novel written by Zora Neale Hurston, Their Eyes Were Watching God. This novel takes a journey through the life of an African American woman named Janie Mae Crawford as she strives to discover her place in the world. There are many examples of the ways speech is used as the story follows Janie’s life. The first of these can be found near the beginning of the novel when Janie is only a teenager.

The fictional story follows Janie's life experiences and gives us an idea of how life was for African Americans back in this time period. One of the first examples shown from the novel is when Phoebe is talking to Janie. She says “Ah see you is.. Gal. you sho looks good”

Zora Neale Hurston, author of Their Eyes Were Watching God, uses diction in order to depict Janie’s self-possession over her life and hope for her future. While flirting with Janie, Tea Cake convinces her that “Nobody else on earth kin hold uh candle tuh you, baby. You got de keys to de kingdom” (104).

Tea Cake returns home after Janie has a panic attack regarding the two hundred dollars she thought he stole. She assumed he had run off, but he returned with it. This sets up trust between the two parties. Additionally, there is understanding between the two of them, as Tea Cake accepts that she wishes to accompany him to future events. This also sets them up to spend time with each other instead of Janie being isolated like she was with Jody.

Janie Crawford is surrounded by outward influences that contradict her independence and personal development. These outward influences from society, her grandma, and even significant others contribute to her curiosity. Tension builds between outward conformity and inward questioning, allowing Zora Neal Hurston to illustrate the challenge of choice and accountability that Janie faces throughout the novel.

The final stage in Janie’s development as a woman is her marriage with the twelve years younger Tea Cake. Both are totally in love with each other and Janie lives a live she has never lived before. She experienced a big change when she moves from her formal live as “Mrs. Major” (43) in Eatonville to the Everglades where Tea Cakes teaches her how to farm, fish and hunt and introduces a totally new rural life to her. Janie described her lifestyle in these days with "...we ain't got nothin' tuh do but do our work and come home and love" (127).

The story of her life begins to unfold as she sits with Phoebe Watson, her friend for decades that brought her some mullato rice. I think Phoebe shows signs of hypocrisy because although she defended Janie when the other women spoke badly about her, prior to Janie’s arrival she accompanied these women daily as they gossiped about other people. Sheep don’t stay in the presence of wolves for too long. “Well, nobody

When Janie walks back into town after nearly two years her neighbors begin to grow curious as to why she is dressed like some lower social classmen and not in her

One day while she is in the shop, a man walks in and starts talking and joking with Janie. She finds out his name is Tea Cake and starts to flirt with him. After he sits around and talks to her after a while, he starts to teach Janie how to play checkers. While they are playing Tea Cake makes a move and they are saying” Ah got uh right tuh take it. You left it right in mah way.” “Yeah, but Ah wuz lookin; off when you went and stuck yo’ men right up next tuh mine. No fair”(96). This little act of playfulness shows that Tea Cake wants Janie to be involved in other things besides running a store. Janie then goes to Jacksonville to be with Tea Cake and marry him. They meet there and get married, but Janie doesn’t tell Tea Cake that she hid two hundred dollars in her dress in case he didn’t have the money to pay for things that night. Then, the next morning Janie wakes up to see that Tea Cake and the two hundred dollars are gone. She is worried but not about the money but that she had trusted a man that just wanted her for a quick hit and then leave. But Tea Cake came back and explains what happened. When he gets back he says “Ah see whut it is. You doubted me ‘bout de money. Thought Ah had done took it and gone. Ah don’t blame yuh but it wasn’t lak you think. De girl baby ain’t born and her mama is dead, dat can git me tuh spend our money on her”(121). Tea Cake proves that he really does love Janie and won’t leave her. He also show later how he will do what he says he’s going to do, like when he says he’s going to win Janie’s money back and he does. This shows that Tea Cake truly loves Janie and wants to be with her no matter where they

Janie starts off the novel as a adolescent and experiences her first relationship. It is an arranged marriage because the man has a high status in the colored community. He is known as Logan and is much older

All through the novel Janie travels through valuable life experiences allowing her to grow as a woman. Janie at first has a difficult time understanding her needs rather than wants, but as she continues to experience new situations she realizes she values respect. Janie’s first two marriages turned out to be tragic mistakes, but with each marriage Janie gained something valuable. When Janie is disrespected in her second marriage with Joe Starks, he publicly humiliates her, disrespecting her as a wife and woman. This experience forced Janie to come out of her comfort zone and stand up for herself.

Tea Cake was Janie's third husband.  He was a simple person who returned kindness for kindness.  He saw women as equal human beings and told them that.  He was very passive in thought, but smart in his own ways.  His desire in life was to love and be loved.

Janie is a black woman who asserts herself beyond expectation.  She has a persistence that characterizes her search for the love that she dreamed of since she was a girl.  Janie understands the societal status that her life has handed her, yet she is determined to overcome this, and she is resentful toward anyone or anything that interferes with her quest for happiness. "So de white man throw down de load and tell de nigger man tuh pick it up. He pick it up because he have to, but he don't tote it. He hand it to his womenfolks. De nigger woman is de mule uh de world so fur as Ah can see, "(Page 14)  laments Janie's grandmother as she tried to justify the marriage that she has arranged for her granddaughter with Logan Killicks. This paragraph establishes the existence of the inferior status of women in Janie's society, a status which Janie must somehow overcome in order to emerge a heroine in the end of the novel.

Despite the rather inherent significance of a protagonist in a literary work, there are certain novels in which a second character plays the pivotal role. This character, who often serves as a means of support and counsel, is known as a confidante. In the novel Their Eyes Were Watching God, author Zora Neale Hurston writes from the perspective of protagonist Janie Crawford, as told to her confidante, Pheoby Watson. In doing so, Hurston seeks to differentiate between the intolerance of society and the comfort and relief that a trusted friend can bring. Pheoby is also used as a mirror of sorts. Throughout Janie’s journey, the rhetorical appeals, symbols, and themes that Hurston uses Pheoby’s character to represent enable the story to be both reliable and relatable, and portray Janie in a more positive light.