Examples Of Diction In Jane Eyre

|“This room was chill, because it seldom had a fire; it has |10 |The red room is significant to Jane, because it admonishes her|

On page 83, Mr. Rochester has a “massive head”, “granite-hewn features” , “great dark eyes” and fine eyes too”. The reader is supposed to think of him as someone who is a predator towards Jane because of his mean looking and dark features and because of Jane’s past experience with men in power. Readers are supposed to be wary of Mister Rochester.

Throughout Charlotte Brontë’s novel, Jane Eyre is afflicted with the feud between her moral values, and the way society perceives these notions. Jane ultimately obtains her happy ending, and Brontë’s shrewd denouement of St. John’s fate juxtaposes Jane’s blissful future with St. John’s tragic course of action. When Jane ends up at the Moor House, she is able to discover a nexus of love and family, and by doing so, she no longer feels fettered to Rochester. Moreover, Rochester is no longer Jane’s only form of psychological escape, and thus Jane is in a position to return to him without an aura of discontent. At the end of the novel, Jane is finally able to be irrevocably “blest beyond what language can express” (Brontë 459) because she is “absolutely bone of his bone, and flesh of his flesh” (459).

In the novel Jane Eyre, the author Charlotte Bronte utilizes devices to represent that she feels trapped. Bronte uses diction and imagery to represent her feelings to illustrate that she feels imprisoned.

In Bronte’s writing, the message is at times, quite clear, and at other time, relatively subtle. Jane questions the status of woman. Yet, she does so mainly through her writing. A woman, at that time, should not be free to have opinions and to manifest her feelings. However, through her writing, she is able to treat certain taboo subjects, at times quite openly and at other times in a subtler way. A woman is expected to follow the path which has been carved out for her. There is no room to be passionate and to have opinions. Bronte, however, allows Jane to do so. The description of the weather in several instances reflects the protagonist’s state of mind. The beginning of the novel is a perfect example to illustrate the way in which the narration sets the tone for what is to be expected by the reader:

In life, a person can be constrained and imprisoned both physically, and mentally. In the novel Jane Eyre, an orphan girl by the name of Jane experiences both of those methods of constraint and imprisonment. The author communicates this to the reader through the implementation of diction and imagery. In the beginning of the text, the author's employment of diction helps to illustrate how the unfavorable weather confines jane into staying indoors.

is trapped in the room with no escape route. Also, the room to Jane is

Over the course of the novel it becomes clear that Jane is two separate people one practical and honest, the other simply a lonely girl looking for a place to belong. The question becomes how she will resolve the tension between each of these Jane’s who seem to be at odds with one another. This divergence is represented by her struggle to leave Thornfield, and when making that choice we see a distinct conflict between her conscious and passion. She refers to her conscience as a “tyrant” taunting passion and threatening it with agony. (335) Moreover, Jane also says that it has an “arm of iron” which alludes to its strength and foreshadows which of the two will eventually win. (335) Once she realizes what she needs to do she explains the reasoning mechanically using words that are plain and free from emotion such as, “law,” and “principles” as

Charlotte Bronte’s “Jane Eyre” has captivated readers for generations. As with all coming of age novels, young adults can relate to the struggles and triumphs of Jane. Jane’s setting influences and parallel her emotions. A reader can see the novel through her eyes and perspective. In Bronte’s “Jane Eyre,” the location often parallels Jane’s emotional growth through the tone presented by the environment, resulting in the different places she lives revealing her journey through depression. Jane’s behavioral patterns and thoughts suggest clinical depression that affected her choices throughout the novel and her life at Gateshead, Lowood, Thornfield, Marsh End, and Ferdean.

The relationship between the environment and characters in literature played a large role in Victorian novels. This relationship is extremely evident in Charlotte Brontë’s Jane Eyre, where Jane’s journey to freedom is reflected by her environment. However, Jane’s goal of freedom and equality symbolizes Victorian women struggling to gain these same values. According to Jennifer D. Fuller in “Seeking Wild Eyre: Victorian Attitudes Towards Landscape and the Environment in Charlotte Brontë’s Jane Eyre”, Jane’s passion for freedom is reflects the passion for freedom in Victorian women who have not achieved equality yet. Although Jane’s environmental surroundings symbolize Jane’s future, Fuller effectively asserts that the weather instead symbolizes the harsh constraints of women’s gender roles in Victorian society.

The first passage is from when Jane Eyre is locked in the attic room by force by Abbot and Bessie. Despite her just being punished, along with her earlier treatments, young Jane sees this room as a “jail.” She feels trapped. Unable to express herself in the ways that she sees fit without being tormented by John, or scorned by Mrs. Reed, Jane is forced to accept and take the abuse. When she passes the mirror, she sees a tiny white figure. “All looked colder and darker” to her “than in reality.” She was looking at herself. It is a case of Jane’s internal feelings reflecting on her external appearance and situation. Jane wants to break free and express herself, but feels restrained by her body and her restrictions. The “glittering eyes” that she describes represent her will to be free. It shows a shimmering of hope that she holds on to. The description of “moving while all else was still” also shows how Jane is the only one in the house that is capable of this type of expression. Everything else in comparison to her

Thomas Foster encourages readers to look at authors’ works with inquisitive lenses, observing and analyzing small details. In Jane Eyre, readers note Charlotte Brontë’s dramatic descriptions of the weather, each scene’s climate tailored to the intended mood, which help readers predict and connect to the novel. Many scenes open with vivid descriptions of the weather before introducing characters or dialogue. These passages do more than set the scene; they are heavily symbolic. In Jane Eyre, Charlotte Brontë deliberately uses weather to set the mood, mirror Jane Eyre's emotions, and as a means of foreshadowing.

Great feminist writers, such as Zora Neale Hurston and Betty Friedan, have been openly outspoken against misogyny in their societies. Charlotte Bronte, a prisoner of the strict and proper Victorian society, speaks out against gender inequality in a subtle manner, as her environment limits her voice. Bronte illuminates the misogynistic and sexist attitudes of the Victorian era in Jane Eyre through the relationships between the protagonist, Jane, and the male characters in the book, through the treatment of madwoman Bertha Mason, and through the inner monologue of Jane herself.

Jane Eyre is a story of a quest to be loved. Jane searches, not just for romantic love, but also for a sense of being valued and belonging. However, this search is constantly hindered by her need for independence. She starts of as an unloved orphan who is desperate to find love and a purpose. For example, Jane says to Helen, “to gain some real affection from you, or Miss Temple, or any other whom I truly love, I would willingly submit to have the bone of my arm broken, or to let a bull toss me, or to stand behind a kicking horse, and let it dash its hoof at my chest”. However, over the course of the novel, Jane learns to gain love without harming herself in the process. Although she is despised by her aunt, Mrs. Reed, she finds parental figures throughout the book. Miss Temple and Bessie care for Jane and give her love and guidance. However, Jane does not feel as though she has found

All throughout the novel Charlotte Brontë uses her life and what she experienced to influence her novel Jane Eyre. By including similar situations from Brontë’s childhood life and her job as a governess and applying them to Jane Eyre’s life, it gave the novel a more realistic feel. Also by doing this it seems to help Brontë live out some fantasies through Jane that she would have never experienced during her