Examples Of Diction In Jane Eyre

Jane is desperate for love and therefore her vibrant passion creates her vivid personality. Charlotte Bronte’s writing style is complex, and emotion filled. Her sentences are contain numerous adjectives and sensual images. Brontes unique style is powerful and strong and filled with emotion and imagery as we captures in the life of Jane eyre. Jane is a strong willed and a strong-minded individual which shines through even at her earliest years. Living a Gateshead, Jane displayed her strong nature. For example, Charlotte writes about Jane after she was hit by her cousin, “my blood was still warm; the mood of the revolted slave was still bracing me with its bitter vigor." (p. 22)

Ascher also uses valuable description and imagery to reflect on the nature of solitude. She uses specific details to interpret her observations effectively. Ascher expresses the Box Man’s behavior with much detail. She shows us how high his collar was by stating, “His collar was pulled so high that he appeared headless…” as well as specifically telling us how the Box Man preferred his boxes by stating, “...he began to sort through the boxes, picking them up, one by one, inspecting top, insides, flaps… dropped it in a doorway.”. Ascher displays imagery by using figurative language to describe the many characteristics and actions of the Box Man and she details all the observations she has made about the Box Man’s night. The author wants us to perceive how happy one can be in solitude like the Box Man by specifically describing the events that took place and using imagery so the reader can construe her vision clearly. Moreover, Ascher shows us the women who eats soup’s nightly venture. She says in much details exactly how the women orders her dinner and how the she eats the soup by taking the extra Saltine crackers she receives and breaking

One literary device that he chose to used in order to capture the woman’s situation was Irony. The Irony is created by the woman’s house. One would expect that if she wanted to leave her house and explore the world beyond the one she knew, she would be

In the first paragraph, she describes the cold weather and claims that it is impossible to walk outside. She applies imagery to illustrate that she is trapped inside and there is not outside activity. Another example of imagery is in the last paragraph, "...were the clear panes of glass, protecting, but separating me from the drear November day." The glass panes illustrate a barrier and represent how she feels imprisoned

In the novel "Jane Eyre" the atmosphere is conveyed through the author's use of syntax. Charlotte Bronte description of the surroundings portray the feelings of constraint and imprisonment. Thus, she implements imagery and dialogue to resemble Jane's internal feeling by the use of diction. Notably, Bronte began by describing the day's weather. For example, she conveys an atmosphere of dullness by stating,"... the cold winter wind had brought with it clouds so somber and rain so penetrating... outdoor exercise was... out of the question..."

In life, a person can be constrained and imprisoned both physically, and mentally. In the novel Jane Eyre, an orphan girl by the name of Jane experiences both of those methods of constraint and imprisonment. The author communicates this to the reader through the implementation of diction and imagery. In the beginning of the text, the author's employment of diction helps to illustrate how the unfavorable weather confines jane into staying indoors.

Throughout the novel Jane Eyre, holds a masterful command of syntax, and makes frequent use of imagery within her text. Bronte’s fanciful and intricate descriptions and linguistic imagery serve to establish setting, build tension, and provide a realism to her characters. Bronte delights in crafting a world within the reader’s mind so realistic that one falls under the impression they are alongside Jane in the world of Thornfield and Lowood. Not holding back, Bronte’s imagery seamlessly slides from one page onto the next, often spending more time establishing a depiction of the setting and sensory description than actual plot and dialogue. Bronte’s heavy reliance on sensory description within her novel serves to draw the reader into the world

Charlotte Bronte’s novel Jane Eyre incorporates vibrant descriptions of nature and weather, which intertwine literally and metaphorically throughout the novel to reflect the protagonist’s state of mind. Furthermore, Bronte’s meticulous description of everyday objects and experiences provide a world that is both real and tangible to the reader. The novel defies the expectations of social-class, and gender, and transcends various literary genres, while the setting purposely enhances the characters inner feelings and emotions meritoriously, allowing more freedom for commentary, and the expression of taboo topics than solely through the dialogue of the characters.

It is so puzzling. It keeps me quiet by the hour” (752). She is confined to her room and the garden, fearing to upset the lifestyle she is forced to carry out by Jennie and John. Yet by night, she transforms into a frantic woman, spending all of her energy watching the moonlight change the wallpaper. When it is dark she begins to see her own prison: “At night in any kind of light, in twilight, candle light, lamplight, and worst of all by moonlight, it [the wallpaper] becomes bars! The outside pattern I mean, and the woman behind it is as plain as can be” (752).

Brontë, Charlotte, Fritz Eichenberg, and Bruce Rogers. Jane Eyre. New York: Random House, 1943. Print.

Throughout Jane Eyre, as Jane herself moves from one physical location to another, the settings in which she finds herself vary considerably. Bronte makes the most of this necessity by carefully arranging those settings to match the differing circumstances Jane finds herself in at each. As Jane grows older and her hopes and dreams change, the settings she finds herself in are perfectly attuned to her state of mind, but her circumstances are always defined by the walls, real and figurative, around her.

Setting explores the main idea of disempowerment and isolation and aptly allows the audience to contrast it with the life of the main character. From the story, we are told that the setting is in a newsagency shop in a country town near a harbour. We are also told that the country town has a smelly harbour breeze. By using the country town as the setting, the author has placed us as readers to imagine isolation and places being far away, making it easier to convey ideas of the story. The isolation of the country town illustrates the life of the main character. She is isolated and stuck in the shop and town where she has no power to leave due to her parents. For example, “Once a day the big Greyhound rolled past going north to the city” and “Sometimes she would bicycle out to the edge of town and look along the highways”. Using the word city, the author is creating an atmosphere of adventure and the highway creates a sense of belonging. Through setting, the author is able to covey the main idea of isolation and disempowerment effectively and letting us as readers connect the relationship between the setting and the main character’s life.

She has been confined to the former nursery in her family's colonial mansion to cure her of hysterical tendencies, a medical condition she was diagnosed with after the birth of her son (Gilman 1997: 1f.). The woman confides in her secret journal how her contact with the outside world has become strictly limited on account of her Doctor's recommendations, and how the treatment forces her to spend her days in a barely furnished room with only her own mind and the objects around her as companions (Gilman 1997: 1f.). One of the main objects she actively engages with during this period of isolation, other than the nailed down bed and her secret journal, is the old yellow wallpaper covering the walls around her (Gilman 1997: 1f.). While the woman's condition worsens gradually over the course of the entries she makes in her secret journal, her growing isolation and inactivity make her start to see movement in the patterns and holes of the old wallpaper (Teichler 1984: 61, Gilman 1997: 1f.). The character becomes absorbed by what she thinks she sees, and begins to directly interact with the things she sees in the paper, until she rips the paper to shreds, and violently frees what she sees, and subsequently, also herself from captivity (Teichler 1984: 61, Gilman 1997:

Charlotte Bronte’s “Jane Eyre” has captivated readers for generations. As with all coming of age novels, young adults can relate to the struggles and triumphs of Jane. Jane’s setting influences and parallel her emotions. A reader can see the novel through her eyes and perspective. In Bronte’s “Jane Eyre,” the location often parallels Jane’s emotional growth through the tone presented by the environment, resulting in the different places she lives revealing her journey through depression. Jane’s behavioral patterns and thoughts suggest clinical depression that affected her choices throughout the novel and her life at Gateshead, Lowood, Thornfield, Marsh End, and Ferdean.

Charlotte Bronte’s Jane Eyre emerges with a unique voice in the Victorian period for the work posits itself as a sentimental novel; however, it deliberately becomes unable to fulfill the genre, and then, it creates an altogether divergent novel that demonstrates its superiority by adding depth of structure in narration and character portrayal. Joan D. Peters’ essay, Finding a Voice: Towards a Woman’s Discourse of Dialogue in the Narration of Jane Eyre positions Gerard Genette’s theory of convergence, which is that the movement of the fiction towards a confluence of protagonist and narrator, is limited as the argument does not fully flesh out the parodies that Charlotte Bronte incorporates into her work. I will argue that in the novel