Examples Of Existentialism In The Metamorphosis By Franz Kafka

Once I’ve got together the money to pay off the parent 's debt to him— that should take another five or six years—I’ll do it for sure. Then I’ll make the big break.”(pg.5) In other words, Gregor is working so much for his parents and the debt that he needs to pay off. As a result of that, Gregor is overworked, he never really goes out, and spends his time reading the newspaper or looking at the bus schedule. Kafka writes, “The young man has nothing in his head except business. I’m almost angry that he never goes out at night. Right now he’s been in the city eight days, but he’s been at home every evening. He sits there with us at the table and reads the newspaper quietly or studies his travel schedules.” (pg. 15) Gregor has lost his sense of humanity and spends his time thinking about business. He has also lost all sorts of creativity he had before he started working so much. He is pretty much used to a routine based lifestyle, which lacks creativity because he has a set schedule that he follows almost everyday. This resulted into his metamorphosis. His parents relied on him to work so much, they forgot that Gregor is human just like themselves. Gregor is human who needs basic human essentials. Like going out with his friends, relaxing, and learning to appreciate the things and people around him. He could not do so because he was stuck paying off debt with a job that he hated.

In his novel The Metamorphosis, Franz Kafka describes his own life through the life of his protagonist Gregor Samsa.  Careful study of Franz Kafka's life shows that Kafka's family, workplace, and reaction to the adversity in his family and workplace are just like those of Gregor.  So we might ask why Gregor was transformed into a bug since Kafka obviously never turned into a bug.  The absurd image illustrates how Gregor lacks self-respect and feels like he's a bug in the eyes of his family and society.  Franz Kafka was unhappy and never found his place in life, either.  Therefore, he might have felt just like Gregor, like a bug.  Furthermore the novel describes Kafka's expectations of his own future and he was partially

     Throughout the story there is a metamorphosis that is taking place in his home. He has traded places with the family and is now living the life they had previously embelished in. His father begins to work along with his sister and his mother must now work and do the cooking and cleaning. Gregor on the other hand does nothing but daydream, crawl, and nap through his days. One ironic statement from his sister “He must go, if this were Gregor he would have realized long ago human beings can’t live with such a creature, he’d have gone away one his own accord. This creature persecutes us, drives away our lodgers, obviously wants the whole apartment to himself, and would have us all sleep in the gutter.” How selfish of her, had he not taken care of them and he was not the only one working

Gregor was betrayed by society turning its back on him due to the transformation from human to a human-sized bug. After the metamorphosis, Gregor was pondering the idea of what people would think of him in his new form. He had high hopes that society would still accept him. "A man might find for a moment that he was unable to work, but that's exactly the right time to remember his past accomplishments and to consider that later on, when the obstacle has been removed, he's

Our sinful human nature leads us to judge everyone we meet, our first glances tend to be the appearance we base our first judgements off of. This holds true in Gregor’s case, when his family and boss find him transformed into a bug they scream and run from him. “He was still preoccupied with this difficult movement and had no time to pay attention to anything else, which he heard the manager exclaim a loud “Oh!”… pressing his hand against his mouth and moving back slowly” (Kafka, 147). The manager took no time to stop and try to help Gregor’s family out, considering Gregor was the only working soul in the house. Gregor was never late to work, a hard working employee and was trying to pay off his debt he owed to the boss. “I’m really indebted to Mr.Chief- you know that perfectly well. On the other hand, I am concerned about my parents and sister. I’m in a fix, but I’ll work myself out of it again. Don’t make things more difficult for me than they already are”

Gregor’s role in his family characterizes him as an altruistic individual whose nature made him ignorant to his family’s manipulation. Gregor endures most of his hardships without complaint and puts the needs of his family firmly above his own. Upon realizing his transformation at the beginning of the novella, his first thoughts were not of alarm but of great concern about being late to work because it is his only means of taking care of his family (Kafka 6). After his father’s business failed, Gregor “work[ed] with special ardor” (27) doing laborious work as a traveling salesman, not only to “pay off [his] parents’ debt”(4), but to also spend what little money he has to give Grete the opportunity to perform violin professionally (26). With all these responsibilities, it’s inevitable for Gregor to be under great stress, which can infer that Gregor’s transformation is a result of his willful desire to escape the pressures his overburdened life. Gregor struggled between remaining a steadfast provider or following his desire for independence, however, his metamorphosis freed him from a job he detests. Now that it is impossible for Gregor to work, Mr.Samsa reveals that “he possessed more money than Gregor knew about” (#). This is a significant event where Kafka uses the motif of betrayal to emphasize the corruption in familial infrastructure represented through Gregor’s sacrifice and interaction with his family, as well as to socially comment about how people in society use

Gregor maintains submissive personality and does not defend himself. Gregor’s physical change into a bug is the only aspect of him that changes. Gregor continuously allows himself to be abused. Upon Gregor’s transformation, he is unable to go to work. Therefore, the chief clerk visits Gregor to force him to come to work. Gregor remained locked in his room and would not leave for work. So, the clerk became extremely impatient. The frustrated clerk divulges into a cruel and demoralizing speech. He maliciously accuses Gregor of hiding because of unethical involvement in cash receipts. Later, Gregor’s family and the clerk become restless and want to see Gregor. The door to Gregor’s room is unlocked to open and reveal Gregor in his insect form. Gregor’s family and the clerk react with horror. The clerk and Gregor’s mother run away from him in fear. Gregor’s father grabs a stick and a newspaper and dashes toward Gregor, herding Gregor back into his bedroom with prods and fierce language. Gregor injures himself badly while trying to fit back through the doorway. Gregor’s door is slammed shut behind him and he his left alone, frightened and injured, in his room. The events subsequent to Gregor’s transformation exhibit his passive nature. Clearly such passivity was not useful to Gregor.

"A picture of my existence... would show a useless wooden stake covered in snow... stuck loosely at a slant in the ground in a ploughed field on the edge of a vast open plain on a dark winter night”. — Franz Kafka

When Gregor inexplicably becomes an insect his family is primarily worried about how this will affect them, and their financial security. The morning Gregor awakes as a ‘monstrous vermin' is the first day he has missed work in five years; his family's immediate concern is for Gregor's job. His father begins to admonish him before he can even drag himself out of bed. When Gregor hears his sister crying at his door he thinks, "Why was she crying?? Because he was in danger of losing his job and then his boss would dun their parents for his old claims?" This is very significant to their relationship; he considers himself close to his sister, but feels her emotion spent on him is related to money. Gregor has been the sole breadwinner for years; working at a job he abhors only to pay his fathers debts. The family leads an extremely comfortable life of leisure; the father sits at the kitchen table and reads all day, the sister wears the best clothes and amuses herself by playing the violin, and all even take a mid-day nap. Gregor is extremely pleased and proud to provide them with this lifestyle; however, his generosity is met with resentment by his father and indifference by his sister and mother. Once the family grew accustomed to this lifestyle they no longer felt the need to be grateful, "they had grown used to it, they accepted the money, but no particularly warm feelings were generated any longer." At one point Gregor is deeply

In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of

Throughout the novella, Gregor’s deeply rooted sense of guilt transitions from having the power to drive his actions to merely plaguing his thoughts. Immediately after his transformation, Gregor reveals that he has to “deal with the problems of traveling, the worries about train connections, irregular bad food, temporary and constantly changing human relationships…” (Kafka 4), in his daily work. Although he appears to hate his job, Gregor does not quit, as he has both intrinsic motivation to provide and extrinsic pressure from his family to keep them afloat. Rather than reflecting on his feelings and emotional baggage attached to his job, Gregor focuses on grievances set in reality, and allows this to occupy his conscious mind. After Gregor’s transformation, his

Since Gregor put so much of his energy towards his family’s well-being rather than his own, he never formed a unique identity. After waking up as a cockroach and regretting that he wouldn’t be able to attend work, he thinks of his unhappy work life and says, “If I didn’t hold back for my parents’ sake, I would have quit long ago” (4). In sacrificing the time that he spends at work to support his family, Gregor shows the lengths he is willing to go to allow his family to survive. Gregor recognizes that his work is uninteresting, but he decides it is more important to support his family than to follow his own desires, essentially letting his parents control his life. Another example of Gregor admitting to putting his parents’ needs above his own is when he admits that a lot of his unhappiness comes from the fact that he is just a subordinate of the boss and he has no real power. As a travelling salesman, all he has to do is go from door to door trying to sell items that people don’t want. As Gregor continues to think about his life at work after his transformation, he recognizes: “He was a tool of the boss, without brains or backbone” (5). Gregor sees that he is lacking “brains or backbone”, which is recognition that he does not need individuality to perform his job. However, after his transformation, his lack of a “backbone” is externalized since, as a cockroach, he literally lacks a backbone. Gregor can see that he is a drone, since

In the opening lines of German author Franz Kafkas’ short story narrative “The Metamorphosis”, the protagonist Gregor Samsa a disgruntled traveling salesman who lives with and supports his parents and little sister, awakens from a night of unpleasant dreams to find that he has been metamorphosed into a cockroach he calls a “monstrous vermin” (Kafka, page 89). This particularly strange opening sets the stage for in my opinion, a very strange and very vague play. I say this because throughout the whole story we never find out much less are given any clue of how or why he managed to be metamorphosed into this insect. Not to mention what the moral of the story is or the fact that this whole book reads like one big

Gregor had accepted the fact that he would forever provide everything for his family, working himself to death to make sure that they ate and that they had everything that they needed. He fights his new destiny tooth-and-nail; he doesn’t want to accept

In Franz Kafka’s “The Metamorphosis” the character Gregor Samsa is transformed into a giant bug while he is sleeping. Although it is never said why he turns into an oversized insect, the characters never seem to wonder why or how this has happened. It is ironic that even after undergoing something dramatic and life changing as becoming a vermin, Gregor does not question his transformation; his reaction undermines the situation entirely. Irony in “The Metamorphosis” is a reoccurring theme that affects each of the characters in the story. Gregor, who was once a genuine hard working, family orientated man, is now a beetle who feels guilty about not being able to help his family anymore. Gregor’s family sees him as a burden. Their bitterness towards him instead of sympathy through his ordeal is greatly satirical.