Examples Of Figurative Language In Their Eyes Were Watching God

Various novels can be classified as “coming-of-age” texts, this means that these are stories about a protagonist’s transition from childhood to adulthood or just growing up even as an adult. These novels show their growth and change in character over the length of the text. Novels such as The Catcher in the Rye by J.D Salinger, The Perks of Being a Wallflower by Stephen Chbosky, and Their Eyes Were Watching God by Zora Neale Hurston are all examples of coming-of-age novels. In Zora Neale Hurston’s Their Eyes Were Watching God the story is focused on Janie Crawford and her growth over the course of the book.

“Their Eyes Were Watching God” had Janie face several conflicts throughout the book, conflicts that relate to the real world and real world human rights issues. “Their Eyes Were Watching God” covers human rights issues such as gender inequality, the right to marry the person you love, the right to be an equal within a marriage, and racism. The novel’s ending, where Janie returns back to Eatonville after having to kill Tea Cake, is surprising, to say the least, and creates a sense of shock and slight confusion within the reader. The resolution of the novel shows that the author intended to show each of the aforementioned human rights issues, and how none of the issues are guaranteed to have a happy ending. Zora Neale Hurston also seems to imply,

In Their Eyes Were Watching God, Zora Neale Hurston uses Janie to show that one must have a voice in order to have a sense of who one is and have control over oneself. Janie is a dynamic character and other characters in the novel contributes to her attributes because each of them control specks of her life. To develop as a character, Janie undergoes quests to find her identity and retain it. It is arguable that Janie hangs onto pieces of who she is as she discovers more about herself and gain control over those aspects because Hurston sets the novel up as a frame story. With a frame story, there are reflections happening, so in turn, she must have learned from what she experienced between the beginning and the end of the novel. In addition

In both the novel Their Eyes Were Watching God by Zora Neale Hurston, and the poem “Girl” by Jamaica Kincaid, young girls are lectured on who they should be in life and how they should act.

Zora Hurston’s Their Eyes Were Watching God follows protagonist Janie Mae Crawford’s journey into womanhood and her ultimate quest for self-discovery. Having to abruptly transition from childhood to adulthood at the age of sixteen, the story demonstrates Janie’s eternal struggle to find her own voice and realize her dreams through three marriages and a lifetime of hardships that come about from being a black woman in America in the early 20th century. Throughout the novel, Hurston uses powerful metaphors helping to “unify” (as Henry Louis Gates Jr. puts it) the novel’s themes and narrative; thus providing a greater understanding of Janie’s quest for selfhood. There are three significant metaphors in the novel that achieve this unity: the

In Zora Neale Hurston’s novel, Their Eyes Were Watching God, she utilizes an array of symbolism such as color, the store, and her husbands to solidify the overall theme of independence and individuality. Their Eyes Were Watching God is considered by many a classic American Feminist piece that emphasizes how life was for African Americans post slave era in the early 1900s. One source summarizes the story as, 1 ”a woman's quest for fulfillment and liberation in a society where women are objects to be used for physical work and pleasure.” Which is why the overall theme is concurrent to independence and self.

Zora Neale Hurston was an influential African-American novelist who emerged during the Harlem Renaissance. (Tow 1) During the Harlem Renaissance Hurston’s novel "Their Eyes Were Watching God, was written in southern dialect so that the African American audience can relate, mainly because Hurston could only write about what she knew. “In the case of Hurston, dialect, as a regional vernacular, can and does contain subject, experience emotion and revelation.” (Jones 4) when Hurston's novel first was released many people didn't not accept the writing for what it really was. “When Their Eyes Were Watching God first appeared in 1937, it was well-received by white critics as an intimate portrait of southern blacks, but African-American reviewers rejected the novel. (Telgen, Hile 1) In this modern day the novel is well accepted and has been called "a classic of black literature, one of the best novels of the period" (Howard 7) In "Their Eyes Were Watching God", Janie takes on a journey in search of her own identity where each of her three husbands plays an important role in her discovery of who she is.

In Zora Neale Hurston’s Their Eyes Were Watching God, the protagonist, Janie, endures two marriages before finding true love. In each of Janie’s marriages, a particular article of clothing is used to symbolically reflect, not only her attitude at different phases in her life, but how she is treated in each relationship.

      Human beings love inertia. It is human nature to fear the unknown and to desire stability in life. This need for stability leads to the concept of possessing things, because possession is a measurable and definite idea that all society has agreed upon. Of course, when people begin to rely on what they know to be true, they stop moving forward and simply stand still. Zora Neal Hurston addresses these general human problems in her novel Their Eyes Were Watching God. Hurston, however, does not present the reader with the nihilistic hopelessness of Fitzgerald or Hemingway, but rather offers an understanding of the basic human aspect that causes us to fear emptiness. Janie, the

In Their Eyes Were Watching God, Zora Neale Hurston emphasizes that respect empowers. When Janie’s respect for Killicks dwindles, so does Killicks’ power over Janie. Killicks’ lack of power in his and Janie’s relationship is evident in Janie’s fearless refusal to be Killicks’ workhorse. Killicks’ desperate desire to control Janie’s love for him (or lack of love) manifests into verbal abuse, through which he tries to cut down Janie’s sense of security in herself by telling her that there aren’t “no mo’ fools” who would be willing to work and feed Janie, especially after her attractive body loses its youthfulness (30).

It’s quite common for an individual to undergo an internal and external battle within ones self. Outwardly, many people plaster on a facade to conceal an unpleasant or discreditable reality, while inevitably suppressing those feelings inwardly. In the novel, Their Eyes Were Watching God, Zora Neale Hurston uses symbolism and metaphors to convey the complexity of Janie’s experience.

The world of Janie Crawford in Their Eyes Were Watching God was one of oppression and disappointment. She left the world of her suffocating grandmother to live with a man whom she did not love, and in fact did not even know. She then left him to marry another man who offered her wealth in terms of material possessions but left her in utter spiritual poverty. After her second husband's death, she claims responsibility and control of her own life, and through her shared love with her new husband, Teacake, she is able to overcome her status of oppression. Zora Neale Hurston artfully and effectively shows this victory over oppression throughout the book through her use of

Janie, in Their Eyes were Watching God by Zora Neale Hurston, was a unique individual; as a half-white, half-black girl growing up in Florida in the early 1930's, a lifetime of trials and search for understanding was set for her from the start. As the main character she sought to finally find herself, true love, and have a meaningful life. Growing up, in itself, provides a perfect opportunity for finding that essential state of self-realization and ideal comfort. Michael G. Cooke reviews Their Eyes Were Watching God in his article "The Beginnings of Self-Realization"; within the article it is falsely criticized that every time Janie is negatively impacted she grows to become more

In the novel The Eyes Were Watching God by Zora Neale Hurston, the main character Janie deals with judgment from the people in her town. In the very beginning the ladies that were sitting on the porch noticed Janie as she walked into town. The ladies on the porch were talking about what she was wearing. Janie came into town wearing overalls and the women thought that was absurd. “What she doin coming back here in dem overalls? Can’t she find no dress to put on?” The women on the porch were so concerned about Janie and what she was wearing, not considering her feelings, they judge her before listening to her. Another moment when Janie is judged is when Janie’s grandmother would judge her based on who she thought was handsome and would decide

Their Eyes Were Watching God was a book that presented the world with a new look on writing novels. Zora Neale Hurston’s experience in what she has seen through research was embodies in this novel. She demonstrates what data she has collected and intertwined it into the culture within the novel. While being a folklorist/anthropologist, and inspired by her life experiences, she developed a character who dealt with the issues that were not yet uncovered, female empowerment was one of them. Zora Neale Hurston defined this topic of female empowerment throughout the character Janie in Their Eyes Were Watching God.