Examples Of Film Techniques In Shutter Island

Hitchcock makes use of a number of techniques in Vertigo and brings them together to make a film that is considered to be one of his greatest masterpieces. Through the use of colour, lighting, camera movement, dialogue and characterisation, Hitchcock produces a film that fascinates and intrigues us.

Spike Lee does many fascinating things from a directorial standpoint, which makes his film (dare I say, joint), Do the Right Thing so interesting to watch. Writer, director Lee makes much use of the high and low angle shots. He does this to draw clear contrasts between the two elders of the block, Da Mayor and Mother Sister and to make conflict more apparent.

‘The Castle’ directed by Rob Sitch, is a 1997 Australian comedy, starring Michael Caton and Anne Tenney. The film showcases what being a true Australian is like from the love the Kerrigan family share for their home, each other and their communications to their neighbours and family. Daryl Kerrigan, the main character within the film epitomises as a true Australian, close up shots of Daryl before he was going to court about his house. Shows the emotional and dedication he has in himself. Following this, multiple close up shots of Daryl, to show his guilt he feels towards his family and friends.

Connell utilizes the strength of the story by combining the setting with mood to observe the reaction of the characters when the environment around them changes. For example, as the "poisonous [air]'; engulfs the yacht, it gives Whitney "a mental chill; a sort of sudden dread'; as Rainsford and him sail precariously towards the island (62). Whitney, frightened by the grim nature around him, feels like a wounded bird fighting for its life among the hungry predators hiding in the unknown. The shroud of darkness completely surrounds not only Whitney, but the entire yacht which leaves him in a state of anxiety because of what lies in cover amid the dreadful island. Furthermore, as the eyes of Zaroff scatter over the island, searching for Rainsford, "Rainsford froze there, every muscle tensed'; afraid that the eyes will see (73). With shelter high above in the trees, away from Zaroff, Rainsford awaits for the perfect moment where he will jump down from among the sky and pounce on Zaroff like a leopard killing its prey. Consequently, while Rainsford keeps repeating the moment of victory inside his mind; the self-confidence, overflowing out of his veins, develops into uncertainty. Since Zaroff possesses the island and with his military expertise, scouts the island for any advantages in hunt; Rainsford fears that Zaroff will counter the surprise attack and kill him, making the hunter become the prey. When Connell interweaves setting into mood, the method he uses touches

The film Shutter Island depicts the story of a World War 2 veteran Andrew Laeddis and his experience with mental illness, specifically portraying the memory phenomena of repressed and recovered memories also known as dissociative amnesia and dissociative fugue (Kikuchi et.al. 2010). The illness is triggered by a psychologically traumatic event, which included discovering his wife had murdered his three children, and in response, he killing his wife (Kikuchi et.al. 2010). Additionally, the portrayal exhibits many of the criteria for a diagnosis of Post Traumatic Stress Disorder (PTSD) (Friedman et.al. 1994). The DSM-V now classifies dissociative symptoms as an additional subcategory of PTSD diagnosis, however, the film concentrates

The setting of the movie is just as important as any other aspect of the film. The fact that it takes place in a mental hospital/institution on a remote island surrounded by rocky cliffs, huge waves, caves, steeps along with a creepy lighthouse, where it is said cruel experiments take place, screams suspense and thrill. The island is surrounded with tall brick walls laced with electric fencing and only one port to leave and arrive. The facility itself gives off an eerie feel with its creepy architect. Inside, the buildings are littered with labyrinth style spaces that seem to almost consume its inhabitants. Flickering, somewhat, unreliable lighting and approaching storm adds to sketchy scenery. I feel this makes the audience feel at unease throughout the film, as if

The extraordinary film The 400 Blows (Francois Truffaut, 1959) skillfully uses cinematic devices appropriately within the context of the theme. Part of the underlying theme of this movie as explained by Truffaut himself is, “... to portray a child as honestly as possible...”(Writing About Film, 1982). It is the scenes in this movie that are most helpful in disclosing the overall theme of the film. Within the scenes, the camera angles in this film play an important role in accentuating the emotions behind the scene. The camera angles used in this film will be the primary focus of this paper. The high angle shots utilized in The 400 Blows are effective in helping to develop the overall feel of a scene. This movie

In the film V for Vendetta, the director, James McTeigue uses symbolism, costume and dialogue to emphasise the idea of everybody having a right to individuality, and the right - and duty – to resist forced conformism.

How has the composer of the contemporary text used the earlier text to say something new?

The Help is an inspiring movie, centralized on themes of showing courage in the midst of adversity and racial desegregation. The selection of actors with specific attributes, lighting/camera angles, and music, allows the movie to entertain in detail, and highlight the prime issues of the 1960s. With the movie being directed with these specifities in mind, the author, Kathryn Stockett, is able to successfully relay her message in the screenplay.

'Shawshank Redemption' directed by Frank Darabont is a compelling film about the life of one of its prisoners, Andy. many film techniques were used through out the film as a clever way of conveying main themes. This essay is going to examine how Darabont used camera angles and colour effectively in this film to portray the idea of power.

The movie Shutter Island presents wrenching twists and turns from a psychological state of mind. The author of the story, Lehane, makes it certain that the psychic mind of the main character helps to enhance the plot of the story. The darkness of the story is based off of the year nineteen fifty-four to drive the setting of the story. Throughout the film, clues are given that eventually give way to the realization of reality. When the story begins in medias res, it helps engage the audience and jumpstart theories. Manipulation is a present factor used throughout the story with both the audience and the characters to create a thrilling story.

“St.Vincent” is a great film full of a bunch of mysteries involving mostly Bill Murray who plays Vincent in the movie. He is a very unusual character and you really have to get deep into the picture of it to really understand all his problems and why he acts certain ways. It is a great movie that keeps the audience at the edge of their seat waiting for what will be the next scene to come up in this thrilling comedy film.

I utilize two scenes from the movie American Beauty, the two office scenes including Lester (Kevin Spacey) and Brad (Barry Del Sherman).The cinematic techniques are identified with mise-en-scene, which is the term used to portray everything 'put into the scene'. I concentrate on decor, lighting and props, costumes, body language (e.g., posture, gestures and facial expressions) and composition. I additionally take a gander at how these components are confined as far as camera stature, camera point and camera separate, all of which fall under the class of cinematography. The scene seems right off the bat the movie. Toward the start of American Beauty, the hero, Lester Burnham is disappointed with his life. At home he and his materialistic, aspiring

Just in the same way as isolation affects the mental state of characters, disturbing elements in their surroundings can lead to this outcome in the narrative. In Stetson’s short story, the description of the room indicates that the “windows are barred […] and there are rings and things in the wall” (250). Additionally, the wallpaper “is stripped off in great patches all around the head of [her] bed, about as far as [she] can reach, and in a great place on the other side of the room low down” (251). These details symbolize how troubling the environment is for Charlotte as she expresses antipathy, especially about the wallpaper by pointing out that “[she] never saw a worse paper in [her] life” (251). In contrast, Lehane depicts guards using a powerful hose to calm the agitated patients: “the guards [got] the hose working and fired a blast, blew the guy off the bars, pushed him across the floor” (231). The hose is used as a tool to tranquilize critical situations in Shutter Island, however, as “some men […] moaned, moans so deep and abandoned they could have come from a battlefield” (231)