Examples Of Gayity In Victor Frankenstein

Victor Frankenstein’s moral ambiguity lies in good intentions with bad results. Victor evolves from an intellectually curious, innocent and blameless man to being remorseful, secluded and obsessed with the

Through psychoanalysis of the character Victor Frankenstein, it is clear that Victor exhibits latent homosexual tendencies. This is not to say the protagonist engages in the creation of the creature simply as an outlet for his sexual inclinations. Rather, his desire to procreate through means other than common human reproduction suggests his desire for legacy, but his aversion to the opposite sex. Victor’s latent homosexuality explains why he destroys the female creature, delays his marriage with Elizabeth, and spends his honeymoon looking for the creature. Victor chooses to suppress his homosexuality because of strict punishments for this sexual orientation in the Victorian Era.

Shelley uses situational irony when describing the appearance of the monster. Victor envisioned his 8-feet creature built with “[h]is limbs were in proportion, and I had selected his features as beautiful” (page 42). Victor’s original intention was to create a lovely companion, but instead, Victor grew terrified of his masterpiece and abandoned the monster. The irony is Shelley cast Victor obsessed with this project for two long years and neglected society, his physical appearance, and his health. He inflicted suffering upon himself "deeply engaged in one occupation that I have not allowed myself sufficient rest" (page 45). Shelley’s purpose is to give the reader an understanding of Victor’s characteristics and strong ambitions, of how diligent he his and drastic measures it will take for him to complete his task.

This is when Frankenstein decides to do the right thing and not create a female monster for his creation to be with. When Victor is faced with a question on the subject, he thinks about his morals and says that the monster, “may render him the most miserable of men, but (the monster) shall never make base of him in his own eyes.” (129) This shows that Victor might actually have some heart after all, at least for himself, if not the ones he cares about. He believes that if he were to, “create another like (the monster), their joint wickedness may desolate the world.” (129) Ceding to the monster’s demands would be unethical because of two reasons: another monster to wreak havoc upon the world, and the potential for “monster babies”, which is to be feared for obvious reasons. Therefore, Victor is correct in refusing to grant the monster’s demands.

In classical Freud’s psychoanalytic theory, “Child’s identification with the same sex parent is the successful resolution of the Oedipus complex; key psychological experiences that are necessary for the development of a mature sexual role and identity” (Bullock 705). In Frankenstein, Oedipus complex makes Frankenstein have pains and joys, affecting his character and fate. In the following discussion is divided into two parts: first, the desire of Victor Frankenstein to his mother, followed by his rivalry toward his father.

Shelley addresses romantic conventions in Victor to convey his loss of identity. Victor is impatient and restless when constructing the creation, so much, that he does not think about it’s future repercussions. One of the great paradoxes that Shelley’s novel depicts is giving the monster more human attributes than to it’s creator [p. 6 - Interpretations]. This is true as the monster seeks an emotional bond, but Victor is terrified of it’s existence. The monster later reveals, “I, the miserable and the abandoned, am an abortion, to be spurred at and kicked and trampled on [Shelley, p. 224].” Victor’s lack of compassion is rooted from the inability to cope with his reality. He distances himself from others and is induced with fainting spells [Shelley, p. 59]. From this, the nameless creature exemplifies Victor’s attempt to abandon his creation to escape his responsibilities. His creation is described as, ‘wretched devil’ and ‘abhorred monster,’ eliciting that the unobtainable, pitied identity [Shelley, p. 102]. The act of not naming the creature reveals Victor as hateful, and unnaturally disconnected to his own created victim.

Frankenstein’s close-mindedness can definitely cause the reader to think of the creature as a “demon” and a “monster.” From Frankenstein’s perspective, the creature is ugly and vile. However, when the reader finally gets to understand the creature’s struggles, he or she is able to empathize with the creature. For instance, when the creature exclaims “’All men hate the wretched; how, then, must I be hated, who am miserable beyond all living things!’” the reader is able to comprehend that people continuously judge him based on his appearance (113). The creature wants nothing more than to be loved and accepted, but instead he is “miserable” because of the “barbarity of man” (123). The creature cannot foster relationships with people because society

Victor Frankenstein's characterization is slowly fed to the audience by indirect characterization, meaning we learn more about Victor through his thoughts and actions as well as how other character's act towards him. During the first few chapters, Victor is introduced to the audience as a doted upon he was "their plaything and their idol, and something better—their child, the innocent and helpless creature bestowed on them by heaven, whom to bring up to good" (31). This creates an more distance between everyone else in the novel and Victor, Shelley is already establishing that Victor is higher placed than the majority of others in the novel. Yet Victor is also a curious child he details his "vehement" passions "turned not towards childish pursuits

In Mary Shelley’s book Frankenstein the creature created by Victor Frankenstein is often misunderstood and mistreated because of his appearance. The people around him around him hurt him and make him filled with anger, causing the creature’s character to flip and out lash and swear vengeance on anyone he sees. This makes the reader see the creature as a morally ambiguous character because he constantly switches between both categories of good and evil. The creature being an ambiguous character helps support the meaning of the work as a whole which is good character can be manipulated by outside forces.

Though the conclusions arrived at here are of the same theoretical place as the philosophical minds had deliberated before, the explanations had by Burke and Shaw circumvented parallel processes of thought, to more rely upon their similar conclusions, both rooted in historical precedent. With Frankenstein, however, Shelley stays committed to its endgame in practicing metaphorical weight and symbolic meaning, not only for setting the classical arguments incorporated here, in definite terms. This isn’t even in creating some microcosm of a singularized case in which man had sought to defy the natural barriers, and replicate the things he saw, and experienced. Instead, interactions between characters and unfolding conflicts set upon them, are to represent both these spheres converging. They are depicted less as staunch absolutes, but more so met with being altered, and changing the perceptions drawn up all along. Conferred later in an accounted byproduct of a more recent mindset, this nonetheless stands for lessons at the underpinnings of how we have grown as a society in general, which Shelley would seem to remind us of. As opposed to some alleged “Modern Prometheus,” Victor’s pursuit comes up barely mythicized, and as Bate says, “is a healthy disorientation… to realize that the Western man may not after all be the master of all things” (Bate 480). Likewise, the creature takes on a role within the self-fulfilling prophecy, subject to the maltreatment of human benefactors, and,

Most characters within Frankenstein have a sense of full conformity, while a select few feel full disregard. Victor Frankenstein has the best-and the worst-of both worlds as he possesses outward beauty and conformity while having inward regrets and questioning. Frankenstein had many benefactors that had contributed towards his outward acceptance; on the other hand, he had his inner demons that had placed him in a position of questioned deposition. Victor Frankenstein, truly, is a piece of the puzzle with regards towards the entire understanding of his society and its other human inhabitants. The theme of outward appearance and inward regret drives the character of Frankenstein to home base with obvious examples, implicit reading, and a full-circle

“ They might even hate each other; the creature who already lived loathed his own deformity, and might he not conceive a greater abhorrence for it when it came before his eyes in the female forms?” ( Shelly 121) Victor thinks about what would happen if the monster was created and the negative effects. Victor gets all the possibility of negativity of creating a new that could start a whole new race. “ She also might turn with disgust from him to superior beauty of man; she might quit him, and he be again alone, exasperated by the fresh provocation of being deserted by one of his own species.” (Shelly 121) This quote explains how victors thinks of the monster that he is going to create it, He thinks what s the monsters hate each other and don't like each

	Near the end of the novel, the Monster requests from Victor to create for him, a female counterpart. When the Monster says, "You must create a female for me, with whom I can live in the interchange of those sympathies necessary for my being. This you alone can do; and I do demand it of you as a right which you must not refuse to concede"(140). The Monsters longing for a person he can communicate with is very important. It

This need of power led Victor to create what he believed would be a beautiful human being. But he failed to see that combining the most beautiful human features does not necessarily create a beautiful human being. He was inspired by scientists who ...acquired new and almost limitless powers... (Shelley, Frankenstein, P. 47). Victor sought this unlimited power to the extent of taking the role of God. He not only penetrated nature, but also he assumed power of reproduction in a maniacal desire to harness these modes of reproduction in order to become acknowledged, respected, and obeyed as a father. While bringing his creation into the world he was himself alienated from society, and isolated himself from the community. Isolation and parental neglect cause viciousness within man. Because of his upbringing, Victor had no sense of empathy, and therefore could not realize the potential harm he was creating towards himself and his creation. The sole purpose of his project was an attempt to gain power, but instead of power Victor realized that a morally irresponsible scientific development could release a monster that can destroy human civilization.

One of the threats of creating a mate for the monster lies in the female’s physical ability to procreate. Victor is afraid that the female and the monster will produce children, with or without his approval. Through her feminine body, the female could unleash "a race of devils … who might make the very existence of the species of man a condition precarious and full of terror" (Shelley 144). She is the crucial element in naturally bringing about such offspring, for without the female, the monster is rendered impotent, unable to cause any more harm than he alone can inflict. If the female chooses to accept the role as mother and mate, together she and the monster can produce a generation of offspring taught to despise mankind as deeply as their predecessors. Victor recognizes the power the female has over man solely through her ability to bear children, because through this ability the female can do just as Victor does -- create life, naturally