Examples Of Injustice In Antigone

In the dialogue between Creon and Antigone she also defends herself when he questions her as to why an enemy should be honored. She responds by saying she loved her brothers and her family, and they are not her enemies. Creon also asked Antigone why she was the only one defying him. She answers him by saying that there are many others who do not speak out because they fear him. (lines 508-509) Antigone offers one last argument in stating that she loves her family and will welcome death because she

In our society filled with social injustice and violence, is it safe to protest unjust actions by the public? As seen in many current events and fictional representations, the world around us still suffers many social issues. When people are faced with injustice, every individual has the should protest and fight for their rights, but not without considering the consequences.

Later in the play, Antigone was captured for being caught in the act of burying her brother and is now conversing with King Creon about her decision made to revolt. On page 783, Creon is surprised when he says, “…you dared defy the law,” to Antigone due to boasting her rebellious actions. In this demonstration, Antigone does not deny her guilt, but declares all of the information, provided by the guards, true. Antigone does not care for the consequences, which is death; she knew what she would create for herself when she chose to bury her brother. A second example of this is on page 784 when Antigone states, “There is no guilt in reverence for the dead.” By what Antigone said, she believes it should not be against the law to have reverence or lamentation towards the dead, especially if the deceased is part

Her blatant disrespect and sarcasm toward Creon shows how she really feels toward him. Antigone does not respect Creon as the king of Thebes. This gets further proved when Antigone says, “It wasn’t Zeus, not in the least, who made this proclamation–not to me” (Sophocles Antigone, 499-500). This is a very telling moment for the reader, Antigone is saying she did not listen to Creon’s decree not only because she does not respect him, but also she will only listen to the gods rules. This moment tells Creon that Antigone will never respect him as a ruler. Antigone is very stubborn, and when she is very passionate she will speak her mind, “And if my present actions strike you as foolish, let's just say I’ve been accused of folly by a fool” (Sophocles Antigone, 523-5). In these few lines she is talking to Creon about how she does not regret burying her brother. She tells Creon, the person who holds her fate in his hands, that he is a fool. Antigone’s hubris finally comes back to ruin her, “We took his orders, went and searched, and there in the deepest, dark recesses of the tomb we found her… hanged by the neck in a fine linen noose” (Sophocles Antigone, 1344-7). The ‘her’ the messenger is speaking of is Antigone. Antigone is so prideful and spiteful her last act on Earth was a smug reminder to Creon that if she was going to die it would be on her own terms, by her own hand. Antigone is one character that perfectly showcases how hubris can lead to ultimate demise.

Antigone shows her recognition of and homage to the gods in every scene she is in. While sharing her plans of burying Polynices to Ismene, Antigone says “I know that those approve, whom I most need to please” (Sophocles 4). Ismene is arguing that Creon would be outraged if Antigone were to bury her fallen brother; Antigone responds by stating her actions are to please the gods who’s law over rules that of Creon. As Antigone is being marched to her death for preforming executing the sacred

Lastly, Antigone recognizes her tragic flaw. In scene four she proclaims "To me, since it was my hand that washed and clean and poured the ritual wine: and my reward it's dead before my time." This quote shows how she not only realizes that it was her own doing that caused her demise but also takes responsibility for it. However, once Antigone realizes her flaw it is too late. Creon had already sentenced her and by the time he changed his mind she had already killed herself. Antigone lost everything because of her

Like Creon, Antigone also never falters in standing up for what she believes in. Although Creon fights for stubborn pride, Antigone is trying to promote what is right and shows her higher reverence for God’s law rather than for Creon’s laws. In the eyes of the townspeople, Chorus, Choragos, and Haimon, Antigone is sacrificing herself to give her brother Polyneices the rightful honors due to the dead. Many side with this brave, honorable girl because she would rather suffer persecution and even death rather than give into Creon’s illogical demands. In the play, the chorus says about her, “You have made your choice, Your death is the doing of your conscious hand”. Antigone knew of the consequences before she acted and in doing so she chose her fate. At the time, she pleaded her sister Ismene to help her bury Polyneices but was rejected. Despite being alone in trying to rebel and perhaps she may have been afraid, Antigone goes out of her way and puts her life on the line to bring her brother respect.

The author relies upon literary devices such as diction and allusion to convey Antigone’s pitiful and foreboding state of mind. A feeling of pity is suggested by the author’s use of diction. Sophocles uses certain phrases such as, “Look upon me, friends, and pity me”, and “I feel the loneliness of her death in mine” to portray Antigone’s tone of pity because of her current situation. In the first paragraph, the chorus describes Antigone being led to the chamber where she will meet her death sentence. The line that says: “I can no longer stand in awe of this, nor, seeing what I see, keep back my tears” also conveys a feeling full of sorrow because it gives the reader a greater sense of the tragic trial Antigone must face.

Antigone wants to be redeemed in the afterlife through her act of burying Polyneices. This is especially clear when she decides that she will bury him and die before she has even appealed to Creon. The only route she can see is one that results in her death. Not until she is directly confronted by her uncle does she attempt to dissuade him from dishonoring Polyneices. Even then, she seems to be simply defending her own actions rather than accusing him of being wrong, as she so adamantly has done with Ismene. He needs to implore her to “Speak!” (166, 442), and when she does, she is flippant and prideful. Antigone only engages in real dialogue with him when he forces her to. This could be interpreted as her simply understanding his position and accepting it, but I find that unlikely. She clearly fundamentally disagrees with him and his interpretation of the gods, but instead of trying to persuade him to recant his decree and bury her brother, she capitalizes on the position she’s in and thrusts herself into martyrdom. Even by the gods’ standards, this does not seem to be justice or “rightness”. Her surface level loyalty to her family may initially appeal, but I find it insincere and not right when I explore it more closely.

“And obviously there is nothing about me that could please you either” (600-601). Antigone acknowledges that she is going to die, but is not willing to convince Kreon that she deserves to live. She understands that Kreon is not pleased with her, but does nothing about

Antigone, has to cope with her brothers death from a deadly battle he was fighting. Antigone feels the need to address her brothers death in a way other than letting him lay to rot in the battlefield. She sticks up for her dead brother by defying her kings orders when she claims, “And if you think I’ve done a foolish thing, perhaps you see it with a foolish eye.” (Sophocles lines 28-29). Antigone is accusing her king of being a cruel man for not caring about the horrific death.

Antigone has a possible flaw in that she is too stubborn and persistent to obey Creon’s order; “I know my duty, where true duty lies” (Antigone, 128). Her punishment then encourages feelings of pity from the audience because her deed was honorable and respectful towards her brother Polynices. The chorus supports this view by bidding her a respectful farewell when she is taken away, “But glory and praise go with you lady” (Antigone, 148). Antigone is also very proud, and this may have contributed to her death. Even when she is caught she remains strong and defends herself by claiming that the chorus thinks that her act was honorable, “All these would say that what I did was honorable” (Antigone, 139). This causes Creon to remain angry with Antigone, “you are wrong, none of my subjects think as you do” (Antigone, 140). If she had been more patient and less defensive, Creon may not have been as harsh in the punishment he set for her.

When questioned about committing treason, Antigone’s lack of denial illustrates her rashness in decision-making, as she has nothing to gain from death. Instead of disclaiming the lowly guard’s words, she proudly states: “I say I did it and I don’t deny it” (Antigone 443). By admitting her role in the burial, Antigone seals her fate. Furthermore, the notion of her death does not faze her as she tells Creon: “I knew I must die - how could I not?” (460). Her acceptance of her death, while honorable, is unnecessary, because her objective of giving her fallen brother a respectful and honorable burial is already achieved. If she had not mentioned her role, there was a chance that she could have survived. In addition, Antigone does not even factor in the feelings of her sister Ismene and her fiancé Haemon, showing how inconsiderate she is of her impact on others. This irrational approach can only be described as foolishness; if she had been wiser, she would have buried her brother and survived to tell the tale. Her lack of judgement results in her downfall and the misery for those around her.

Antigone realizes she can hear the voice of death; she suffers in wonders “What law of the mighty gods have I transgressed?” (106); she now feels she is left alone and claims “I alone, see what I suffer now / at the hands of what breed of men – / all for reverence, my reverence for the gods!” (107) ; she commits suicide and Creon finds her dead body.

Not only is Antigone courageous and highly motivated by her morals by standing up for her political and religious beliefs, she also protects her personal ones when she buries her brother. Antigone places family above her own life, and she refuses to let a man stand in her way of maintaining her ideals. She buries Polynices out of her own loyalty to her brother even after her sister, Ismene, refuses. Antigone is cruel to her for not taking part in illegally burying their brother. Instead of being caring and considerate, she becomes irate and at the end of their conversation says, "Go away Ismene: I shall be hating you soon, and the dead will too, for your hateful words," Antigone's flaw was her headstrong behavior and her stubbornness, which ultimately brought about her downfall and the downfall of those around her. Her persistence of course, is what forces Antigone to rashly take matters in to her own hands. Creon then decides to take Antigone's life "Away with her at once, and close her up in her rock-vaulted tomb. Leave her and let her die". To everyone's surprise Antigone does not run from her death sentence suggesting a great trait of braveness, which the chorus recognizes before her exodus from life. The notion that a person has no say in the affairs of their loved ones and the fact that those laws were defied deserves