Examples Of Insecurity In Othello

Othello or The Moor of Venice by William Shakespeare is a tragedy of race. Shakespeare creates a hero who does not fall under a racist stereotype, Othello is a nobleman, a decorated soldier, very well respected by his men (with the exception of Iago). One of the few characteristics that harms, rather than helps him, is that he is dark-skinned in a society utterly dominated by men prejudiced against those with dark skin. At the start of the play, he appears confident that, "My parts, my title, and my perfect soul / Shall manifest me rightly." (Shakespeare, 1, 2, 36-37) But Iago makes sure to use Othello's race against him as much as possible. As a brave soldier from Africa and recently instated supreme commander of the Venetian army, Shakespeare still allows Othello to succumb to the subtle racism that surrounds him. Most of it comes forward through the dialog, and is directed toward Othello. Shakespeare makes no effort to hide this colorful language, nearly every character uses a racial slur to insult Othello at some point in the play. Even Emilia, who doesn’t trust her own husband, sinks to the level of insulting Othello based on the color of his skin. Though the main character to make racist remarks in Othello is Iago, making him a representation of white supremacy. The effect of racism on Othello is quite evident and is one of the main causes of his insecurity about his marriage. These black stereotypes show up in the play and lead to the problem with trying to produce

Othello's Jealousy is mostly a figure of his imagination made from all of iago's lies and being mislead. The ironic part about that is that iago said to othello”beware, my lord, of jealousy! It is the green-eyed monster which doth mock, The meat it feeds on”(III,iii,195-198). Iago is warning Othell that nothing good can come from jealousy.Then Iago starts to question desdemona's loyalty but othello gets mad and says”No, Iago; I'll see before I doubt; when I doubt, prove; And on the proof, there is no more”(III,iii,220-223). Othello wants evidence of his claims before he finally decides if she was cheating on him with Cassio.

Shakespeare’s Othello is a play consistently based on jealously and the way it can destroy lives. One is quick to think this jealously is based on Othello’s lack of belief in Desdemona’s faithfulness to him or his suspensions over Desdemona’s affair with Cassio, Othello’s honorable lieutenant. Upon closer inspection of the jealously that exists throughout the play it becomes clear that his jealously is not the sole start and reason for all of the destruction that occurs. Iago, a good friend of Othello, is not who he appears to be. Iago’s own jealously of those around him pushes him over the edge. He begins to deceive all those who believe he is a true, honorable, and faithful man. Throughout Othello, Iago incites his own jealously in

Once a seed of suspicion or doubt is planted in a person’s mind, the noxious effect of jealousy is soon to ensue. Jealousy and suspicion are Othello’s flaws hubris throughout the play and foreshadow to the audience his imminent downfall. He believes what Iago tells him so strongly that he compromises his close relationship with his best friend and his love for his wife. Iago manipulates Othello through the use of extortion, literary techniques, and his keen judge of character. His syntax and diction are so simple yet so powerful because he uses the correct rhetorical questions and addresses Othello with respectful terms such as “my lord.” He allows Othello do most of the talking

The theme of jealousy is portrayed through various characters within the play. Iago increases Roderigo’s jealousy of Othello. By reflecting on the jealousy he bears within himself, Iago brings out the jealousy in others. Roderigo sees Othello as an opponent, which he has to compete against in order to win Desdemona’s heart. He expresses his emotions towards Othello when he states, “What a full fortune does the thick-lips owe,/ If he can carry it thus!”(1.1.67-68). Roderigo says that Othello only got Desdemona out of luck and he will not be able to carry it off. It is because of this jealousy that Roderigo continues to seek Iago’s assistance. Iago tends

You act like it’s you against the world, but it’s really just you against yourself (Thingswesay). In the play Othello by William Shakespeare, Iago showcases various insecurities produced by personal and sexual issues that upbring his duplicitous character. These insecurities play a key role in the development of the play and the making of Othello's catastrophe. Iago is an unreliable man that is spurred by his own particular insecurities.

Evidence of jealousy in Iago is more prominent and very evident in the beginning of the play when he explains to Roderigo that Othello has moved Cassio to lieutenant (the position Iago desires) although three of Venice’s most noble nobleman have informed Othello and Iago has fought in front of Othello in Rhodes and Cyprus (Shakespeare 1.1. 10 - 30). Iago’s sly behavior and ability to use other character’s roles and trust such as Othello’s love for Desdemona, Cassio’s pride in serving as Othello’s trustful lieutenant, and Rodrigo's over commitment to win over Desdemona from Othello allows his plan to fall through. His motive throughout the play is to get Cassio demoted from the

Roderigo is envious towards Othello because he wants his wife, Desdemona, for himself. When Roderigo finds out Othello had secretly married Desdemona he quickly goes to her father to tell him the news, “your fair daughter… Transported with no worse nor better guard… To the gross clasps of a lascivious Moor” (I.i.). Roderigo informs Brabantio of this for his own selfish reasons not to do a good deed. Jealousy affects Roderigo in a big way because he cannot live his life happily knowing he is not with Desdemona, making him a bitter and evil person. Jealousy does not only make him wicked but it makes Roderigo misperceive the current situation, which causes him to not be able to determine what is reasonable and what is not. This makes him commit very foolish decisions.

Jealousy is a powerful drug. When someone is jealous, one can only imagine how far someone would go because of it. In the play Othello by William Shakespeare, there were several characters that went through different ways of processing their jealousy. Iago’s jealousy provokes his idea to get back at the people he felt was not deserving enough of the things they had or their happiness. His plans succeeds but by the end, no one wins. Iago’s jealousy forms at the beginning of the play which causes Othello’s jealousy towards the end and because of it, it results in people hurt mentally and physically.

The play, Othello, is certainly, in part, the tragedy of racism. Examples of racism are common throughout the dialog. This racism is directed toward Othello, a brave soldier from Africa and currently supreme commander of the Venetian army. Nearly every character uses a racial slur to insult Othello at one point in the play. Even Emilia sinks to the level of insulting Othello based on the color of his skin. The character that most commonly makes racist remarks in Othello is Iago. It is very apparent that Iago uses racism as a scapegoat to hate and blame Othello. Societal racism takes its toll on its victims. The effect of racism on Othello is quite evident and is one of the main causes for

Othello is a play about jealousy’s causes and effects. Each character in the play had different reasons to be jealous and each of them chose to deal with it a certain way. All three characters Iago, Othello, and Roderigo had such cases and in the end dealt with different conflicts and outcomes. It’s important to understand that their actions in dealing with their jealousies were a reflection of their characters, and persona.

The play “Othello” by William Shakespeare was written in 1604 during the Elizabeth era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success in the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that causes his downfall is jealousy. This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy which

Jealousy of power is first displayed through Iago, a solider under Othello’s command. ”One Michael Cassio, a Florentine, a fellow almost damn'd in a fair wife, that never set a squadron in the field”(Act 1, Scene 1). Iago is consumed by jealousy of Cassio, which he masks with hatred of Othello, because Othello took up Cassio as lieutenant and not Iago. In this same scene, we are also introduced to Roderigo, a wealthy Venetian, who is desperately in love with Desdemona, Othello’s wife. This scene is significant because it crafts Iago as the perfect villain. He plans on exploiting Othello’s insecurities in exchange for his own vengeful agenda.

Othello’s jealousy is responsible for the death of his wife and of Othello himself. His jealousy consumes him so much that he even falls into epileptic shock at one point. Jealousy’s effect on Othello is most obviously seen when he rambles on saying,”Handkerchief! Confessions! Handkerchief! To confess, and be hanged for his labor. First to be hanged, and then to confess—I tremble at it. Nature would not invest herself in such shadowing passion without some instruction. It is not words that shake me thus. Pish! Noses, ears, and lips. Is ’t possible? Confess! Handkerchief! Oh, devil!”(78). Right after saying this Othello collapses and falls into a trance. The amount of jealousy is so prominent in Othello that he can no longer think straight as he contemplates all of the suspicions at once. At this point, Othello was not able to think straight whatsoever and the idea of murdering both his best friend and his wife was

saying he will “tear her all to pieces” and he tells Iago to let him