Examples Of Isolation In The Chrysanthemums By John Steinbeck

In The Chrysanthemums, Elisa is a woman who is trapped at her husband Henry’s ranch by her gender and society’s idea of what a woman can manage. She is a very strong, capable woman who works all day to make the house spotless and the garden thrive. Elisa is good at her work, “behind her stood the neat white farm house… it was hard swept looking little house, with hard-polished windows, and a clean mud-mat on the front steps”. That show just how much work she puts into keeping the house clean. Elisa knows she is capable of successfully accomplishing any number of what society labels as men’s work and being held back makes her bitter and resentful. In an attempt to feel freedom, Elisa gifts some of her chrysanthemums to a traveling solicitor. She is devastated when she spots the flowers dumped on the road on her way to town with Henry. Elisa, like her flowers, feels discarded and devalued by men and society.

John Steinbeck's "The Chrysanthemums" shows the true feelings of the main character, Elisa Allen, through the use of setting and her interactions with other characters in the story. By way of vivid descriptions, Elisa's feelings of dissatisfaction over the lack of excitement in her life are portrayed. Her role as a mere housewife and then the subsequent change to feelings of a self-assured woman are clearly seen. These inner feelings are most apparent with the portrayal of Elisa working in the garden with the chrysanthemums, the conversation she has with the man passing through, and finally, when she and her husband are going out to dinner.

Elisa shows isolation from society as she is not connected to people in the village. Steinbeck introduces the setting by saying,“The high gray-flannel fog of winter closed off the Salinas Valley from the sky and from all the rest of the world. On every side it sat like a lid on the mountains and made of the great valley a closed pot” (1). Steinbeck describes Elisa’s home as secluded from the rest of the people in town. Isolation is shown by how Steinbeck uses the word closed. Elisa does not receive many visitors to the farm which is shown as her house looks pristine: “a clean mud-mat on the front steps” (1). The clean mud-mat can show that people don't visit the house because if it was dirty it would be an indication people visited. Steinbeck says that “Elisa, squatting on the ground, watched to see the crazy, loose-jointed wagon pass by. But it didn't pass” (3). Elisa expected the person was going to just pass by and was surprised that the tinker didn't pass by as that is what she is used to. The secludedness makes Elisa lonely as she is not close to the people in the town.

John Steinbeck’s short story, “The Chrysanthemums” features many themes: themes of gender suppression, love, passion, and betrayal. This short story revolves around the character Elisa Allen who has a strong love and a great passion for her flowers, for her beloved chrysanthemums. However, when a mysterious man arrives towards the end of the text Elisa’s love and passion for the chrysanthemums weakens and she feels betrayed by one of the things she loves most. Steinbeck uses the unlikely encounter between the Tinker and Elisa, as well as, the encounter between Elisa and her husband as a way to express the theme of love and betrayal.

Steinbeck introduces Elisa, the main character, as a masculine young woman with a “face lean and strong” (Steinbeck 209) and “her figure looked blocked and heavy in her gardening costume, a man’s black hat...clod-hopper shoes.” (Steinbeck 209) He lets the chrysanthemums symbolize Elisa’s true beauty. She feels that her husband does not see her as beautiful woman. All he can see is a house wife and a gardener. He shows little interest in the chrysanthemums. When Henry says, “You’ve got

“Loneliness and the feeling of being unwanted is the most terrible poverty,” said Mother Teresa. Humanity has struggled against being left alone and being lonely for a long time. As a result, humans formed a society where they could be together. On the other hand, there are still people who are left out of the society. In other words, there are still people out there who are marginalized, not accepted fairly to the society. John Steinbeck shows the marginalized people’s lives in his novel, Of Mice and Men. In his novel, characters such as Lennie, George, Candy, Curley’s wife, Crooks, and even the ranch workers, are marginalized from the society. Ranch workers like George, Candy, and Lennie have nowhere to go, and they do not have anybody to care for them. Especially for Lennie, he is mentally challenged, too. Crooks, being the colored man, suffers from discrimination. Curley’s wife is constantly surrounded with loneliness. In Of Mice and Men, marginalized people who are neglected from the society, create a society of their own; they share their dreams and help each other out although they are all different from each other.

“Want me to tell ya what’ll happen? They’ll take ya to the booby hatch. They’ll tie ya up with a collar, like a dog” (Steinbeck 72). Discrimination plays a large role to feeling lonely. In the novella Of Mice and Men by John Steinbeck, characters endure attempts by society to make them “invisible.” These include racism, ageism, sexism, and isolation. More specifically, three of these characters experience loneliness from acts of discrimination. Factors contributing to their loneliness include ageism, disability discrimination, and racism. Each of these characters are migrant workers during the Great Depression who are discriminated against in different ways. Thus, through Candy, Crooks, and Curley’s wife, Steinbeck reveals the powerful

Elisa, also a housewife, usually had activities involved in routine housework and maintaining her flower garden, that was filled with chrysanthemums. She took care of the chrysanthemums as if they were her children, and being a farmers’ wife, she had more free time than her husband, Henry. When the tinker, also known as the tin man, came up to Elisa for work he tried to manipulate her into giving him some work to do. When the tinker saw there was no way Elisa would give him work, he tried to work her. “What’s them plants, ma’am?” (Steinbeck, 208). Tinker asked Elisa about the plants probably so he could influence her about chrysanthemums- that way they bond on the subject of the flowers and from there Elisa started to explain the importance of these flowers. Elisa doesn’t realize she’s being played with until near the end when tinker finally leaves she waves goodbye to him but her voice drops as she says the word “Goodbye to goodbye”, finding that the tinker threw Elisa’s chrysanthemums away (Steinbeck, 210). This quote showed the attachment for the chrysanthemums Elisa had, and the minute the tinker threw away those flowers, it broke Elisa’s heart. This makes Elisa thinks about how a man can get what he wants while Elisa

In conjunction with the symbolic representation of Elisa’s life, the dramatic description of the environment can also be seen as a unique representation of the relationship conflict between husband and wife. Steinbeck’s foggy description demonstrates conflict through the following statement, "a time of quiet and waiting." This description is interesting because the fields are personified as waiting for rain, however, “rain and fog do not go together” therein lies the conflict just as Elisa waits for a positive change in how her husband treats her (Palmerino, Gregory J). Gregory P. further points out that, “The natural elements of the foothills ranch seem as unwilling to confront each other as the characters that inhabit its environs. Hence, fog and rain can be seen as the female and male equivalents to Elisa and Henry.” This only further solidifies the deep rooted troubles within Elisa and her relationship with her husband. The setting of the story is personified to act as a symbolic representation of the couple’s relationship (Steinbeck, John 337-338).

Primarily the idea of limitation or confinement is presented as the story begins: "the high gray-flannel fog of winter closed off the Salinas Valley from the sky and from all the rest

"The Chrysanthemums", one of John Steinbeck's masterpieces, describes a lonely farmer's wife, Elisa Allen. Elisa Allen's physical appearance is very mannish yet still allows a hint of a feminine side to peek through. John Steinbeck brings symbolism into play to represent Elisa Allen's frustrations and hidden passions. Isolation is another representation through symbolism found in "The Chrysanthemums." Elisa's failing detached marriage is represented through two symbols. The two reoccurring symbols are the chrysanthemums and fences. John Steinbeck draws pity from the reader for Elisa Allen who desperately wishes to experience the passions of a fulfilling marriage and the stimulation of

She does not help with the ranch or the cultivation of the orchard, but rather tends to her own garden. Her reportedly stellar chrysanthemums represent her delicate side. By maintaining and ensuring a yearly exemplary flourish, Elisa sustains and nourishes her suppressed womanly essence. Although Steinbeck reveals that, “The

Steinbeck uses chrysanthemum’s to symbolize Elisa’s strength and power in order to show how societal standards cause women to miss out on opportunities and become frustrated with the confinement of their expression. “[Elisa] was cutting down the old year's chrysanthemum stalks with a pair of short and powerful scissors. She looked down toward the men by the tractor shed now and then. Her face was eager and mature and handsome; even her work with the scissors was over-eager, over-powerful.” Chrysanthemum stalks require a great deal of force to be cut down, which is highlighted through Elisa’s use of “powerful scissors.” Ordinarily, flowers are portrayed as beautiful and delicate; however, chrysanthemums are sturdy and tough. Steinbeck chose specifically to use chrysanthemums because they symbolize the strength Elisa has; she is confident, empowered, and masculine, but all of her strength is confined within the standards of society just as the chrysanthemums are confined within the walls of her garden. Elisa, as a woman, is unable to express herself as strong, masculine, and proud because that was not the standard that women were held to during that time; her expression is confined to her work in the garden with her chrysanthemums, and it is frustrating for her to miss out on the opportunities that would showcase her strength and let it be appreciated by her husband and the mender because of the standard of delicacy and beauty that women are held to.

The chrysanthemums is a symbol for Elisa love and emotions and her happiness. The chrysanthemums give her so much love and happiness that her husband couldn’t give her. The chrysanthemums is a symbol for her broken heart and her pains of being neglected by her husband. Her husband never for once praises her or her chrysanthemums. Elisa always working hard on her garden because the love she has for her chrysanthemums is been happy. One of the theme in the story was i think it was the way her husband treating her like she is not his wife, she work and try to please her husband but he always turn and treat her like trash."The right kind of life for a woman" (344). According to what I understand about this statement is that her husband is too blind to see the beauty in his wife. “You watch your fingers work. They do it themselves... They know. They never make a mistake" (343-4). This means that the way she working on her garden trying to make sure everything is on their places. In this story there were a lots of symbols that Elisa using to take care of her beauty garden. One of the symbols is her pot where she always put her Chrysanthemums seeds whenever she wanted to plant on her garden. She is a very strong woman who always tries to make herself happy by working on her beautiful flower.

John Steinbeck, in his short story "The Chrysanthemums" depicts the trials of a woman attempting to gain power in a man's world. Elisa Allen tries to define the boundaries of her role as a woman in such a closed society. While her environment is portrayed as a tool for social repression, it is through nature in her garden where Elisa gains and shows off her power. As the story progresses, Elisa has trouble extending this power outside of the fence that surrounds her garden. In the end, Elisa learns but does not readily accept, that she possesses a feminine power weak for the time, not the masculine one she had tried so hard to achieve through its imitation.