Examples Of Juxtaposition In Chickamauga

An instance where O’brien’s writing reflects the surreal nature of war is when he tells the story of Rat Kiley killing the baby water buffalo. In the seventh chapter titled “How To Tell a True War

The author of “Chickamauga,” Ambrose Bierce, created this short story as a naturalist visualization of the devastating effects that wars and battles had on the soldiers which fought in them. The short story “Chickamauga” is defined as naturalist literature because of the author’s employment of specific literary techniques which define naturalism, such as the way the author gradually darkens the mood of the storyline as it progresses, the amount of description and attention paid to grisly and macabre details that shed wars in a whole new light, as well as the unfolding nature of the main character as the story

Brianna K. Slone’s poem “Through the Eyes of a Child” serves to convey her recollection of the divorce of her parents with the underlying question of, why? Slone employs pathos, an artistic use of language, and chronology to allow her emotions to permeate, not only to herself, but also to her audience. At the same time, the poem “Three Truths and a Lie” aims to convey the life story of an active duty Coast Guardsman who has been subjected to circumstances that mimic that of Slone’s. The author of “Three Truths and a Lie” implements many of the same rhetorical strategies as Slone; however, attempts to supplement her tactic by adding personal anecdotes and a prevalent rhyme scheme. By utilizing the same tactics as Slone, the author attempts to attain the same sincerity and impact as “Through the Eyes of a Child”.

In the poems of “Dulce et Decorum Est” and “Facing It” written by Wilfred Owen and Yusef Komunyakaa respectively, two entirely different yet similar stories of war are told. “Dulce et Decorum Est” is told through the perspective of our narrator as he’s directly in the middle of a war and of the horrors he sees. From the unforgiving terrain to the description of the already beaten down soldiers, and quickly followed up with a gas attack, it is not a pretty picture. The poem tells of the soldiers scrambling to put their helmets on to shield them from the gas, but not all of them make it. One soldier helplessly fumbles with his helmet and does not manage to put it on in time. The images of his friend choking and drowning are all too real for

It is a well known fact that experiencing war changes people; there is an innocence that is forever lost. In Tim O’Brian’s, “Sweetheart of the Song Tra Bong”, Mary Anne Bell is an unusual example of the innocence that is lost in war because unlike the rest of the soldiers, she is a woman. Mary Anne’s transformation from innocent “sweetheart” to fierce warrior left readers with mixed emotions because although Mary Anne felt at peace with her transformation, she was also disconnected from reality.

The use of the metaphor ‘Dad the Impaler’, accentuates the idea that children saw this term in a very positive manner when in actual fact it has negative connotations. This highlights the brutality of war, and the negative influence of war on children because the children in the poem used ‘Dad the Impaler’ in a heroic manner.

Some of the soldiers were such cowards that they injured themselves just to be taken away in a helicopter and extracted from the war scene. The soldiers “spoke bitterly about guys who had found release by shooting off their own toes or fingers. Pussies, they’d say. Candy-asses” (22). However, deep down inside, the soldiers who did all the mocking “imagined the quick, sweet pain, then the evacuation to Japan, then a hospital with warm beds and cute geisha nurses” (22). The soldiers even dreamt at night about freedom birds. The men were flying on a “real bird, a big sleek silver bird with feathers and talons and high screeching… The weights fell off; there was nothing to bear” (22). The soldiers did not want to be at war, they imagined to themselves “It’s (the war) over, I’m gone!—they were naked, they were light and free” (22).

In war, both violence and fear revokes a soldier’s humanity. These elements of war cause a person to shut down their emotional instincts, which causes the soldiers to mature rapidly by taking innocence along with joy and happiness in life. Through the experiences that the soldiers encounter, their humanity is compromised. Thus, as war strips soldiers of their innocence, they start to become disconnected from themselves and others. In All Quiet on the Western Front, Erich Maria Remarque illustrates the negative effects war has on a soldier’s humanity, through his use of Paul’s books and the potato pancakes by revealing the soldiers loss of emotion that causes them to become detached from society. Through these symbols they deepen the theme by visually depicting war’s impact on Paul. Paul’s books helps the theme by depicting how the war locked his heart to old values by taking his innocence. Likewise the potato pancakes reveal Paul’s emotional state damaged by the war with his lack of happiness and gratitude.

At the same time, O’Brien struggles with destructiveness of the conflicting images of violence and peace in death through the juxtaposition of the imagery of the dead man. While “his one eye was shut, the other eye was a star-shaped hole.” The dead man has one shut eye that resembles a peaceful sleep, while the other side is obliterated by the grenade into a star-shaped hole. The image of the star-shaped hole in the dead soldier’s eye represents the hopes that he once had when he was alive: “He hoped the Americans would go away. Soon, he hoped. He kept hoping and hoping, always” (119). Furthermore, “his right cheek was smooth and hairless,” an image of untouched innocence that contrasts with his left cheek, which was “peeled back in three ragged strips,” destroyed by the violence O’Brien inflicts upon it. The juxtaposition of the butterfly that settles on his chin and the fatal wound on his neck, “open to the spinal cord…blood…thick and shiny” illustrate the complexity and ambiguity of the unnaturalness of war, depicted by the image of the dead man’s wrung neck, contrasted with the ironic peace and naturalism of death in the image of the fragile butterfly. These select images are also those that O’Brien chooses to fixate upon and develop throughout the chapter as he struggles to comprehend the moral implications of his actions. The innocence of the “slim, dead, almost dainty young man” is further reinforced when O’Brien describes his wrists as “wrists of a

In the incredible book, All Quiet on the Western Front written by Erich Maria Remarque, the reader follows Paul Baumer, a young man who enlisted in the war. The reader goes on a journey and watches Paul and his comrades face the sheer brutality of war. In this novel, the author tries to convey the fact that war should not be glorified. Through bombardment, gunfire, and the gruesome images painted by the author, one can really understand what it would have been like to serve on the front lines in the Great War. The sheer brutality of the war can be portrayed through literary devices such as personification, similes, and metaphors.

Often times war is depicted in a victorious, triumphant manner when in reality war is chaotic; full of destruction and death. In Stephen Crane’s “A Mystery of Heroism” and Ambrose Bierce’s “An Occurrence At Owl Creek Bridge,” we witness the harsh reality of the war and the common human reaction to the havoc. Fred Collins simply wants water, but the well is on the other side of the battlefield. Peyton Farquhar, a loyal civilian to the South, just wanted to help in the war but instead was hanged for his good-intentioned attempt to destroy the bridge to help the Confederates. Ambrose Bierce and Stephen Crane wrote “An Occurrence At Owl Creek Bridge” and “A Mystery of Heroism” to show the natural human condition in adverse situations.

Ambrose Bierce's Chickamauga is a disillusioned child's awakening. Literally, a six year old deaf boy is thrown into a most horrifically traumatic series of events. His story is relayed in the third person omniscient perspective through the eyes of the child as well as an elder. It takes place during the Civil War in a southern town. Chickamauga begins with the boy's entrance into the forest where he goes to play solitarily. With him he carries a toy wooden sword with which he battles imaginary enemies to their deaths. Lost in his adventure the boy grows tired and falls asleep between two rocks deep in the woods. While he is a sleep a battle occurs unbeknownst to him. Several hours later the child wakes up and notices alien

The author writes of many different human beings, showing that each one thinks war is ultimately, the worst thing. While in the war, Billy is in the hospital during his imprisonment by the Germans. There is an old general there who was a teacher before joining in the war efforts. One day, in a conversation with Billy and another older man in the hospital, the general starts to talk about what he thinks of the war. He says, "You know-- we’ve had to imagine the war here, and we have imagined that it was being fought by aging men like ourselves. We had forgotten that wars were fought by babies. When I saw those freshly shaved faces, it was a shock. "‘My God, my God----’ I said to myself, ‘It’s the Children’s Crusade’" (p. 106). This general feels that war is nothing but babies being murdered by one another. He is disturbed by the thought of war and the fact that so many young people are dying for its cause.

Chickamauga: The Battle of all Battles The child is often looked passed in today's world. There is no room for foolish childish behavior in the adult world. Children are protected from traumatizing events to protect the children's inner thoughts and emotions. Through "Chickamauga", Bierce demonstrates how a war can strip a young boy of his innocence.

This image is important in that it shows that war, though thought in common culture as the supreme occasion of grandeur and bravery, also of subjugation, is really nothing more than a child’s exploit in the frightening unknown—frightening to the child who ventures into it, not because nature is itself frightening. Bierce is showing America as a child who cannot function in the natural world.