Examples Of Likeability In Death Of A Salesman By Arthur Miller

At one point in the play, Willy says, “Biff is a lazy bum”(16). Moments later in the same conversation with Linda, Willy adds, “There’s one thing about Biff, he’s not lazy”(16). Even when confronted by his boys, Willy is unable to deal with the truth, that his sons won’t amount to very much at all. He ignores reality very well, and instead of pointing out that Biff hasn’t established himself yet, Willy tells Biff, “You’re well liked, Biff….And I’m telling you, Biff, and babe you want…”(26). The boys are clearly aware of their status and the status of their father, and Happy is found putting Willy’s personality in a nutshell, “Well, let’s face it: he’s [Willy] no hot-shot selling man. Except that sometimes, you have to admit he’s a sweet personality”(66). Obviously, Willie’s failure to bring up his children effectively, and his delusional thinking including denial of reality helps fortify his depleting condition and confusion.

Throughout his life, Willy Loman thinks of himself as well-liked in the play "Death of a Salesman" by Arthur Miller. It is the most important attribute to him. Willy lived his life thinking he had thousands of friends all over the New England territory and that he would be recognized anywhere he would go. He boasts this to his sons and they think he is the greatest man on Earth. He raises his two sons, Biff and Happy, to be well-liked and Willy does not care about their grades. He believes they will be better prepared for the business world if they are well-liked, and does not think education matters as much as personality, appearance, and physical skill. Although he has set high standards for sons, his morals are being well-liked, he

While Biff is in some ways desperate to impress his father, he is also conscious about the fact that Willy has failed his attempt to be successful in his career. He considers his dad’s dreams materialistic and unreachable. As a matter of fact, in the Requiem, even after his father’s death, Biff says: “He had the wrong dreams. All, all wrong.” Unlike Happy and Willy, Biff is self-aware and values facts; Willy never was a successful salesman and he never wanted to face the truth. On the other hand, Biff is conscious about his failures and the weaknesses of his personality. During an argument with his father, Biff admits that his dad made him “so arrogant as a boy” that now he just can’t handle taking

He realizes that these values are not true, and is not too concerned if he does not come out on top. He wants to be able to know who he is. Happy, on the other hand, continues to believe in Willy’s ideas, even after his father’s death, and decides that Willy’s name will succeed.

The father-son conflict between Willy and Biff is complex. First of all, there is a strong personal attachment. He wants Biff to love him. He remembers the fondness shown for him by Biff as a boy, and he still craves this. At this point, however, relations are strained. Although Willy shies away from remembering so painful an episode, he knows in his heart that his affair with the Boston woman left the boy bitterly disillusioned. Feeling some sense of guilt, Willy fears that all of Biff’s later difficulties may have been really attempts to get revenge. In other words, Biff failed to spite Willy. Although outwardly resenting such alleged vindictiveness, Willy still wants to get back the old comradeship, even if he has to buy it dearly. For instance consider when he asked Ben, “Why can’t I give him something and not have him hate me?” and his final moment of joy and triumph occurs when he exclaims, “Isn’t that remarkable? Biff… he likes me!”

In the play, Death of a Salesman, Arthur Miller establishes Charley, a humble and successful salesman as the foil to Willy Loman, a prideful and arrogant man. Charley is the perfect character to help depict Willy’s flaws. Although the two contrast with each other, their characteristics help maintain a balance between them. Willy Loman lives in his own world, where he believes that in order to be successful, one must be well liked with a great appearance. “The man who makes an appearance…is the man who gets ahead” (Miller 1568). These are obvious words from Willy which proves that he does not believe in hard work. He instills within both of his children that looks and personality are all that matters. The characteristics of Willy allow us to grasp the idea that he lives within a false reality. He is a man living within a child’s fantasy based off of the life of Dave Singleman. The very words he spoke against his neighbor Charley and his son, Bernard, are the very words that prove him wrong.

        Willy is like an impetuous youngster with high ideals and high hopes.  Children always have high hopes for their

Willy’s biggest issue with his son is that he let him down by not being any more successful than him. He feels like Biff is failing on purpose just to make him look bad. Although, he has no decent job and is single; Biff has become disoriented about life. Earlier in the play Biff tells Happy, “I tell ya Hap, I don't know what the future is. I don't know - what I'm supposed to want” (Miller266). Biff once looked up to his father as a role model, but lost all faith in him once finding out that he was having an affair. Ever since he has rejected Willy’s commitment of being a husband and also a father. To add to his ruins are Willy’s ideas of how Biff should get ahead in life. Willy taught Biff that popularity was the right way to get to the top, rather than hard-work and dedication. Trying to live by his dad’s standards caused Biff to fail high school and become unable to put forth the effort to become

Willy Loman could honestly take no pride in the values he had instilled in his two sons. Case in point: As he preaches that likeability, above all, is the ultimate goal of mankind, he neglects to qualify his statements by adding that one should be liked for being himself, not by adapting like a chameleon to whatever the surrounding circumstances dictate. The following passage superbly demonstrates Willy’s twisted perceptions of what it means to succeed in life.

Willy’s clear-cut expectations of his son can be evidently seen even in the early stages Biff’s life, which end up creating a lot of tension between Willy and Biff when Biff doesn’t meet his father’s expectations. Even when Biff is an adult and still hasn’t become successful in his father’s eyes, Willy’s expectations persist, as in a heated argument between the two Willy tells grown-up Biff that “the door of [Biff’s] life is wide open!” (132). Even though Biff will clearly never become successful in his father’s eyes, Willy still forces his unreasonable expectations on Biff, creating hostility between the two. Although Biff initially attempts to fulfill his father’s definition of success by working as a shipping clerk, Biff realizes that he will never fulfill his father’s unrealistic expectations: “Pop, I’m nothing!

Willy's close friend Charlie on the other hand, despite his seemingly ordinary lifestyle, enjoys far better success compared to the Lomans. Charlie differs to his friend considerably: he is financially secure whereas Willy can barely afford to pay the next gas bill. Similarly, Charlie never indoctrinated his son, Bernard, with the same enthusiasm as Willy. Subsequently, Charlie stands for different beliefs to Willy and, ironically, ends up far more successful. He is a voice of reason for his friend but is only useful if Willy follows his advice. Instead, Willy's proud and stubborn nature ensures that he will never accept Charlie's many

This is what Willy has been trying to emulate his entire life. Willy's need to feel well-liked is so strong that he often makes up lies about his popularity and success. At times, Willy even believes these lies himself. At one point in the play, Willy tells his family of how well-liked he is in all of his towns and how vital he is to New England. Later, however, he tells Linda that no one remembers him and that the people laugh at him behind his back. As this demonstrates, Willy's need to feel well-liked also causes him to become intensely paranoid. When his son, Biff, for example, is trying to explain why he cannot become successful, Willy believes that Biff is just trying to spite him. Unfortunately, Willy never realizes that his values are flawed. As Biff points out at the end of the play, "he had the wrong dreams."

    In Arthur Miller's play, Death of a Salesman, Miller probes the dream of Willy Lowman while making a statement about the dreams of American society. This essay will explore how each character of the play contributes to Willy's dream, success, and failure.

Willy believes education is not important for his son's future. Although Biff is failing his math course and Bernard is passing Willy still accepts the fact that his son will achieve success. Being handsome, popular, and excellent in sports adds to this belief. Willy does not realize that an individual must work hard to accomplish success. He also feels he is higher in status than Bernard's father Charley because "Charley is not-liked. He's liked, but he's not-well liked." (1257) Even though he feels this way he is also jealous of Charley's business success. Willy felt too proud to even accept a paying job from Charley after his boss, Howard Wagner, fired him. The audience can see Willy's definition of success defined in the conversation he holds with Charley in Act II:

Arthur Miller begins his play with an excellent description of the setting of the play. This makes it easy for the reader to imagine themselves actually watching the play and causes the reader to be able to better relate to the play. Because Death of a Salesman can be considered an emotional play, it qualifies as being a timeless work of literature, especially because it has the ability to touch the human heart. Willy Loman is a salesman, who lives in New York City with his wife Linda. From the beginning of the play, Miller makes it obvious that Willy struggles with many obstacles, such as anger and even confusion since there are many times throughout the play where Willy becomes severely confused. Many characters throughout the play,