Examples Of Lost Relationships In Fahrenheit 451

They should be the best partner to each other. However, when Mildred is with that TV wall everyday, That TV became her the second unreal family and more interesting. She was addicted to TV, Montag became not essential any more. She just “enjoyed’ that TV shows everyday. And she still wanted to use all Montag’s money to get another TV wall. That’s ill for me and Montag. Montag trusts Mildred every time, he tries his best to get Mildred out of the dependent for TV shows. Montag saved her wife’s life from over using sleeping pills. He did the most dangerous thing at that time to the person who he trusts the most: share a book with Mildred and read to her and her friends. Why? Because Montag trust her as his family, family is the closest unit on the earth. But it seems like Mildred had another opinion for that. She called the fireman to burning her house, I think the funny reason must be she did not want to get any trouble because of Montag. Mildred’s everyday plan was just watching TV shows and live. She does not care anyone around her, she doesn’t care if Clarisse is died or not, or Appreciate to the people who saved her life! That’s the selfish showed right

Furthermore, this leaves Montag to ponder on why she is so empty and not active in their marriage. In Fahrenheit 451, Bradbury writes, “How do you get so empty? He wondered. Who takes it out on you? And that awful flower the other day, the dandelion! It had summed up everything, hadn’t it? ‘What a shame!’ ‘You’re not in love in with anyone!’ ‘And why not?’” (44) To begin with, Mildred is only in love with her television ( Parlor walls ) whom she insists are her true and real family. Montag wonders who was responsible for creating her empty and distant personality. He does not comprehend why and how she can be

Mildred is the wife of Montag. She has many different interests than Montag does which makes them foil characters. There is nothing very spectacular about Mildred. She is very bland and is obsessed with television. She believs that her family is the television shows. Montag on the other hand is appreciates books. Mildred says to Montag, “See what you are doing to us? You’ll ruin us!” (76). This quote shows that Mildred does not appreciate what Montag wants. She does not respect his interests and does not want to be married to someone who is doing illegal acts. Montag sees the books as a good thing and as an innspiration. Mildred sees them as

Montag feels at the begining of the novel that the communication is greatly lacking in society. People are becoming very ignorant and turning reallife realationships aside. They now turn to their "tv families". One victim of neglecting real life realtionships is Mildred, Montag's wife. Montag truley hates this. "Nobody listens any more. I can't talk to the walls because they're yelling at me. I can't talk to my wife; she listens to the walls. I just want someone to hear what I have to say. And maybe if I talk long enough, it'll make sense. And I want you to teach me to understand what I read." (2.125). Montag hopes that his wife and him can rejoin their connection through the books, but is sadly wrong and must find some one else, Faber.

Montag’s Wife, Mildred, is a negative influence on him, trying to push him away emotionally and physically. She does not know who she really is and lives in an illusionary world with her obsession of television shows and believing they are real. He is so confused because she tries to ignore it ever happened thinking about all the bad things; “fire, sleeping tablets, men disposable tissue, coattails, blow, wad, flush...Rain. The storm. The uncle laughing...The whole world pouring down..." (19). After this incident he looks at Mildred in a different light and is someone who he can’t relate to. Another way she separates herself from Montag is through her "family", which is a television show. Montag constantly asks Millie “[if that] family loves [her]… love [her] with all their heart and soul" (83). Her world isn’t based in reality; they are clearly on different paths. Hers is one of illusion and his is becoming that of a totally self-aware person. She blocks everything and everyone out that is around her and lives within the show. Mildred opens Montag 's eyes to the real world and shows him that most people are uncaring and narcissistic.

Ultimately the basis of a relationship is undermined, since there is no true human connection. The ramifications of this ignorant lifestyle is articulated in Ray Bradbury's Fahrenheit 451. The primary relationships in this novel is between Montag and his wife Mildred. Throughout the story, we see Montag change his perception of the world he lives in and his purpose as a fireman. With this newfound realization, Montag tries to introduce Millie to books and the pursuit of knowledge.

Montag’s wife, Mildred tried to kill herself by taking “sleeping tablets which had been filled with thirty capsules and..now lay uncapped and empty” (10). The spouses relationship is drastically in trouble, considering Mildred’s attempt to take her own life, willing to leave Montag alone in the world. Mildred does not care about anything but watching television, not paying much attention to her own husband besides asking for things and now requesting for him to get their “fourth wall torn out and a fourth t.v wall put in” only leading to more distance between the two (18). She would rather spend her time alone, only thinking to please herself, rather than being with Montag, this lack of communication is leading is them nowhere but down. One of the few times the couple times actually communicates, Montag asks Mildred “when did we meet and where” but neither of them

115-116). Mildred got Montag caught, she wouldn’t even help out one of her loved ones. However when Mildred just got Montag in trouble and is leaving him, “Mildred, you didn’t put in the alarm.”(pg 114). This shows how Mildred doesn’t care about montag much, get him in trouble, and then just leaves

Mildred is Guy’s wife which loves to watch TV and hates to express herself. She tried to commit suicide and can't even acknowledge it. Montag says, “‘You took all the pills in your bottle last night.’ Mildred responds quickly “Oh I wouldn't do that’”(19). Masking your pain will get you far away from happiness. You need to acknowledge and change for the better. Since Mildred never wanted to talk about her relationship with Guy. This makes Guy angry and can not clear his mind about something they do not talk about as well as Mildred, senselessly that is a part of her pain. It will not go away till she confronts it. Guy says, “No one listens anymore. I can't talk to the walls because they’re yelling at me. I just need someone to hear what I have to say, it’ll make sense. I just want to learn how to read”(14). This goes to show that he has been distracted by the fact that she is obviously miserable and is crying out for help with her attempt of suicide. Montag is realising that the books might make him closer to his happiness.

There is a difference between Mildred and Clarisse when they interact with Montag. When Montag and his wife have a conversation, it usually ends with Mildred being disinterested with what he is saying. It even makes Montag think “Well, wasn’t there a wall between him and Mildred, when you came down to it? Literally not just one wall but, so far three! And expensive, too! And the uncles, the aunts, the cousins, the nieces, the nephews…” (44). There seems to be no real connection between Montag and Mildred because she is busy watching the parlor walls. Whenever he tries to make an effort to talk to her, she seems to want to end the conversation as quickly as possible. Meanwhile, Clarisse and Montag’s conversation flows and continues. Ever since they met, the talks that they have had with each other always keeps them both intrigued. When Montag and Clarisse were discussing what he does for a living she could sense that something was wrong and just before

In the first half of the book Bradbury demonstrates the theme through showing the emotions of others regarding to other people, focusing on Mildred in particular. In the beginning of the book Montag runs into Clarisse, a person who is not like the rest and cares about the deeper meanings. He grew fond of her, later to find out that he would never see her again, since she was dead. The news was given by Mildred in a way that seemed unpresented sympathy, “‘Four days ago. I’m not sure. But I think she’s dead. The family moved out anyway. I don’t know. But I think she’s dead,’” (44). Mildred delivers the news late and without any sympathy, instead she is unsure if her information is true. She was ignorant to how Montag felt about Clarisse; numb to the pain and this was only a product of society and their need to hide this stress in order to preserve contentment. For instance they programmed behaviors into the different ‘families’ that other homeowners own, to normalize happier emotions while sadder, melancholic emotions were discouraged to the point that it was a surprise that people felt this way in any other setting than the presence of an illegal action. This false idea of what is human became

“That’s awful! ...Why should I read? What for?”(Bradbury, 73) Mildred hates the fact that her house and her ‘family’ would burn down if Beatty and the other firemen found out about Montag and his books. Mildred doesn’t understand why Montag wants to reason with her and what he finds so special in books. Mildred is a selfish woman who cares only about herself and her friends. As long as nothing happened to her ‘family’, she’d be fine.

Her bland, limited and vacant persona shows she is the epitome of someone in dystopia. Her physical appearance also alludes to this. She was described as having abnormally pale skin and chemically fried hair- this is symbolizing the twisted beauty standards that were placed on women such as her in this society. As horrible as it sounds, Mildred, with her obsession and addiction to the simplistic, electronic-based lifestyle, closely resembles the lifestyles of many people in the present-day. Because of all this, she and Montag were completely incompatible. Unsurprisingly, Mildred betrays her husband in “Burning Bright.” She does this by reporting him and his stash of illegal books, which resulted in Montag being forced to burn his house to the ground. In this scene, Mildred symbolizes the fear of the demanding government. She feared severe consequences, just as anyone in the society would. This shows how strong of a grasp the horrible government has over its people.

In conclusion, Montag and Mildred is very different in not only one way it is way more than just one

Firstly, before one can understand how Mildred is misinterpreted, common misunderstandings have to be debunked. Because a single opinion of Mildred has become accepted as fact, any available information about her offers a one-sided, unflattering view, leaving little space for different interpretations. While popular reference sites often at least suggest that Mildred might not be entirely two-dimensional, they are closed to further exploration. Shmoop is the best example of this, referring to Mildred as “The epitome of the status-quo” (Shmoop Editorial Team) and “kind-of dumb” (Shmoop Editorial Team). These claims are easy to disprove. Despite her “stupidity”, when Montag goes off on a tangent that nearly exposes his book-harbouring to several guests, Mildred plans the same cover-up as Faber (a respected professor), except full seconds faster. This is exhibited in the following quote: