Examples Of Manipulative Persuasion In William Shakespeare's Othello

Rhetorical strategies are continually used to get a point across or to manipulate another. Iago uses many devices to put false accusations into Othello’s head. In lines 330-447 in Act 3 scene 3, Iago uses rhetorical question, imagery, and sarcasm. He questions Othello and makes him think the worst between Cassio and Desdemona, and then his use of words adds color and a picture, so it has to be right. Last his sarcasm creates the assurances Othello needed to be duped.

Iago is very notorious for his villainous acts throughout the play “Othello”, by William Shakespeare. Iago’s motives drive him to manipulate and deceive other characters so his “monstrous” (I, iii, 395) plot would succeed. Iago manages to con Roderigo to take his money. Iago also tries to ruin Othello and Desdemona’s relationship by using Cassio as a bait. In this passage, Iago explains how he will manipulate Rodrigo, Cassio and, most importantly, Othello to achieve his goals.

Othello’s race and regression of speech (from calmness to rudeness), Iago’s victims (Othello, Desdemona, Cassio, Roderigo, etc.) being unravelled with manipulation and slyness, Desdemona’s struggling voice and false blame, etc., all participate in the damage the “power of language” causes. Therefore, by exploring the three language devices – “words as power”, “words as character” and “words as conversation” – it is possible to conclude that the language devices are used significantly in the play, “Othello”, because the human behaviour of the characters (Othello, Iago, Desdemona, etc.) is either positively or negatively influenced, and their characteristics and destinies are

In Shakespeare’s Othello, Iago represents the transformational style of leadership because he is influential, assertive and inspires a shared vision. Iago’s desires are to change and or transform individuals throughout the play. He illustrates this concept as he deceived Roderigo into thinking that Desdemona holds affection for him. The purpose of which is to motivate his mate to cooperate in his plan. Iago has his own jealous motives for hating Othello and Cassio, yet he strongly drags Roderigo to his side. He develops feelings of hate and revenge. He gets Roderigo to dislike Cassio by making Roderigo jealous of Cassio's chances with Desdemona, he states, “Desdemona is directly in love with him, didst thou not see her paddle with the palm of his hand? Didst not mark that?”(II.i.214-215,246-246). Iago emphasizes his belief that Roderigo

Throughout this passage, Iago’s main techniques of deception include lies, syntax and diction, and hoodwinking Othello into thinking his way. By quickly averting his conflict with Othello at the start of the scene, he easily avoids confrontation

In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins

If used too often, the approach turns from rhetoric into reality, and the speaker truly is set apart. This method of appeal is used in many places by Othello, sometimes in regular conversation, which leads to the feeling that he actually believes it. Later on, when Iago needs to prey upon a weakness in our hero, this self-doubt turns out to be just the key to instilling distrust and jealousy.

In each case, Iago manipulates Othello into seeing and believing what he wants him to, rather than the reality of what is actually happening. In this way, Iago becomes a kind of ‘director’.

In the play Othello, the Moor of Venice, Iago shows the catastrophic effects of rhetoric. He skillfully manipulates ethos, pathos, and logos to destroy the reputations and lives of many characters. Iago also shows mastery over the art of persuasion, which is known as rhetoric. Iago seeks revenge on Othello for appointing Michael Cassio to lieutenant. However, Iago’s plan will end in many lives lost.

Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.

Words embody power, giving people enough credibility to destroy or uplift others. In Othello, words are the prime weapon used to destroy Othello and his future. Iago refers to Othello as “Such a thing as thou…,” “knee-crooking knave,” and “abuser of the world” (Shakespeare I.ii.57, I.i.22, I.ii.62). Iago uses these words against Othello, even though he is simply Othello’s advisor, to create a power over him. Iago manipulates people and situations with words, destroying them in the process. Iago uses his words to make people feel a certain way. Iago tells Othello, “I see this hath a little dash’d your spirits…In faith, I fear it has . . . But I do see you’re moved. (III.ii. 166ff). Iago wants bad news

William Shakespeare’s Othello, the Moor of Venice is a play of great manipulation and jealousy. Iago is the antagonist character of the play Othello. Iago becomes irate and filled with jealousy when Othello names Michael Cassio as his lieutenant, because Iago believed he should have been the one promoted not Michael Cassio. By manipulating everyone around him, Iago portrays himself as an honest noble man whom can be trusted. Iago being known for the honest man he earns everyone’s trust and therefore learns their weakness for his ultimate plan of destruction. Iago’s greatest skill is disguising his manipulative schemes of destroying and betraying the ones around him with what he leads people to believe as honesty. Iago uses their

Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs

355,] By playing on his hopes, Iago is able to conjure money and jewels from Roderigo, making himself a profit, while using Roderigo to further his other plans. He also thinks stealthy on his feet and is able to improvise whenever something unexpected occurs. When Cassio takes hold of Desdemona's hand before the arrival of the Moor Othello, Iago says, "With as little a web as this will I ensnare as great a fly as Cassio." [II, i, 163] This language demonstrates the evil inside Iago’s goals of retrieving absolute power. He actually even says of himself, "I am an honest man...." [II, iii, 245] Iago slowly corrupts the character’s thoughts, creating ideas in their minds without implicating himself. His "medicine works! Thus credulous fools are caught...." [II, i, 44] "And what's he then that says I play the villain, when this advice is free I give, and honest," [II, iii, 299] says Iago. In turn, people rarely stop to consider the fact that old Iago could be deceiving and manipulating them; yet they are convinced that he is "Honest Iago." From these quotes from “Othello” it is proven that the dialogue used between Iago and the others is manipulative causing an evil outcome.

Today’s society is overly familiar with deception and lies; whether it is from their family, friends, media, or politicians. Historically, there has been an abundance which still carries on today. Behind every lie, there is a motive for doing so. In Shakespeare 's Othello, Iago is no exception to this rule. He is living a dual life of lies. On one face Iago is a trustworthy friend who is attempting to set up Roderigo with the love of his life. His other face is the one whose main goal is to be the Lieutenant of the Venetian Army. In order to reach that status he must ruin the relationship of Cassio and Othello. Iago uses each other character against others and against themselves using his knowledge of their habits and lives. His vast array of manipulative strategies gives him an extraordinary advantage over his peers. A few weak points that Iago targets are Roderigo 's desire for Desdemona, Othello 's self image and Cassio 's trust.