Examples Of Mediocrity In The Rising Of Bella Casey

Siering states this in her article as she is breaking down female sexuality in the novel, Twilight. The simple fact in her statement is that Bella cannot resist Edward and cannot control her sexuality and lust for him. Both Siering and Kilbourne relate to each other through different forms of writing by implicitly agreeing that media portrays women as if they cannot make their own decisions and that women have no self control.

Women who had no claim to wealth or beauty received the harshest of realities in America’s Victorian era. Author Charlotte Bronte – from America’s Victorian era – examines and follows the life of a girl born into these conditions in her gothic novel Jane Eyre (of which the main character’s name

The Modernist skepticism is vivid in Woolf's portrayal of a woman, Isabella, who has not conformed to society's accepted norms and would seem to be - at first glance - all the better for it.  But, upon closer inspection it is with a sigh of resignation that Virginia recognizes the illusion that her fanciful exploration created for her.  Isabella (possibly representative of Virginia herself or of womanhood in general) is elevated and

Social competition is a very important central theme in the short story, “Bernice Bobs Her Hair”. F. Scott Fitzgerald does an excellent job portraying social competition when it comes to females and competition between popularity and acceptance. Girls can be quite viscous and its quite evident in this short story; one example, in particular, is the competition between Bernice and Marjorie. Bernice and Marjorie engage in competition with each other over many things including; Fitting into society, the values of a woman, boys, and each other’s reputation. F Scott Fitzgerald’s short story becomes a ruthless competition of a “new woman” between two main characters. Who will win? You’ll just have to keep on reading…

The author uses clear diction when she depicts the unique metaphors of the Angel in the House. By telling the story of the Angel of the House, she showed extreme disgust for the woman who were ever in her situation in which she was “bothered” and “tormented” to ignore her calling. Although the Angel was ultimately “pure” Woolf killed her. Woolf symbolically kills the Angel in the House and tells her audience that all women must take responsibility for killing her too. “Had I not killed her she would have killed me. She would have plucked the heart out of my writing.” Saying this empowers her audience, and Woolf achieves one of her foremost goals of the speech in informing women that they have the power to extricate themselves from patriarchy. Men are not going to consider women as human beings until women are willing to fearlessly assert themselves.

Does deviating from one’s gender norms inevitably doom one down a spiral of moral corruption? Tim O'Brien, author of “Sweetheart of the Song Tra Bong” and Ernest Hemingway, author of “The Short Happy Life of Francis Macomber”, certainly seem to hold this view, as evident by the fates of the major female characters in their respective works. The deviance of the major female characters in both works appears to corrupt not only themselves, but also pollute their partners, causing them to suffer injury or harm as a result. The degree of injury ranges from negligible, like Fossie’s demotion and broken heart, to fatal, like the bullet that rips through Macomber’s skull. It begs the question, are these stories meant to serve as cautionary tales for their female readers, or possibly for their husbands, so they may recognize gender deviance and stop it in its tracks before their wives transform into Margot Macomber or Mary Anne Bell? This essay will analyze what such characters say about pervading views of women, both in society and in literature.

Vic Lang, one of the central characters, is arguably most affected by the constraints society places on gender — succumbing to romanticised ideologies.

The title character of Catharine Maria Sedgewick’s novel, Hope Leslie, defies the standards to which women of the era were to adhere. Sedgewick’s novel is set in New England during the 17th century after the Puritans had broken away from the Church of England. Hope Leslie lives in a repressive Puritan society in which women behave passively, submit to the males around them, and live by the Bible. They allow the men of their family to make decisions for them and rarely, if ever, convey an opinion that differs from the status quo. However, Hope Leslie does not conform to the expected behavior of women during that time, behavior that only further expressed the supposed superiority of males. Hope

Women haven’t always had the freedom that they have today. Women were supposed to live a certain life even though sometimes they didn’t want to. They had to tend to their husbands at all time, stay home and do housework while still taking care of their children or being pregnant. Women were abused physically, emotionally, and psychologically. Although women were perceived to act and present themselves in a certain way, some young women went against the cult of the true woman hood not only to be different, but to escape he physical, emotional, and psychological abuse that they will or have encountered. In novels, The Bell Jar, by Sylvia Path and Lucy, by Jamaica Kincaid both young women have the similarity to rebel against the cult of true

In Alice Munro’s short story “Boys and Girls”, the author explains the transition from being a tomboy girl to becoming a woman. The protagonist is

In the Novel, she is neither portrayed as flawless heroine nor as a fallen woman. Her rebellious nature seemed to have been a byproduct of her self-centred nature which manifests in the actualization of her whims and fancies (Kelly, 2001).

Throughout the story we see the protagonist struggle with the gender roles placed upon her by her society; specifically the role she is supposed to play as

An example of this notion is shown in Hope Leslie when Governor Winthrop, the landlord, reacts to Hope, the tenant, coming home late and refuses to reveal her reason why: “...Winthrop was not accustomed to have his inquisitorial rights resisted by those in his own household, and he was more struck than pleased by Hope’s moral courage” (184). Evidently, Winthrop’s reaction proves that women with “moral courage” are unladylike because moral courage is a manly trait. On the other hand, Esther Downing, another character in Hope Leslie, embodies the cult of true womanhood. Esther’s mere look at her love interest Everell is described as “a look of...pleased dependence, which is natural... and which men like to inspire, because --perhaps -- it seems to them an instinctive tribute to their natural superiority” (219). So, “Esther’s look … of dependence” confirms that the expectation that all women are supposed to have the same behavior, gestures and personality is meant to not only please men but to also hide their true form. Therefore, the cult of true womanhood presents an internal battle in female writers and Sedgwick presents this womanly struggle through the contrast between Hope and Esther. Society wants women to be quaint housewives but publishing a book defies the cult of true womanhood. Thus, defying the qualities rooted in the cult of true womanhood causes high risk of

In the essay Professions for Women written by Virginia Woolf there are very great key points made about the hardships she and other women had to endure. Through her sarcastic tone she was well able to convey to the reader that along with tangible obstacles in her way there were also intangible obstacles that she and every other woman had to endure. One of these obstacles she mentioned was The Angel in the House. This obstacle is sarcastically described as a woman whom is pure that is in the back of every woman’s mind. This “angel” is simply just the oppression that men have over women mentally. When ever a woman is in a “man’s” occupation there is this constant thought in the back of their head that they must be “lady like” in order to not

The expectations and attitudes towards women have changed over the course of history. In Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Joyce Carol Oates’s “Three Girls,” the main characters have to live their lives according to society’s attitudes towards women. In both texts, there is the idea that society expects women to not be independent, and enforces this by preventing them from getting educations and increasing their knowledge. This impacts both stories by forcing the main women to have two separate sides of themselves: one of which is accepted by society and the other of which is not.