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Examples Of Metaphor And Metonym In TV Chandran Films

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Table 5.0 Metaphor and Metonyms in TV Chandran Films, and its signification Film Metonym/ Metaphor (with screen duration/Scene No) Signification 1 Ponthan Mada The shot of Mada stuck in front of a car, and a follow-up shot from inside of a fast moving car in which the protagonist is portrayed in dismay. (00:01:43 to 00:01:51) Mada is signified as someone of inferior status, and belongs to the past, and anachronous to the present century Mada‘s regular communication to Sheema Thampuran, by climbing on the palm tree. (00:17:01 to 00:17:02; 00:21:34 to 00:22.50; 00:38:11 to 00: 40:00; 01:03:10 to 01:03:19; 01:25:49 to 01:26:04) This symbolizes their shared alienation from society, and the class difference exists between them Varika …show more content…

In the later years, her lovers are longing for her love and care, and struggling to get her attention. 6 Sankaranum Mohanum Mohana Krishanan transforming to the real Mohana Krishnan in front of a mirror by removing the makeup of Sankaran. (01:41:46 to 01:43:30) This Signifies Jacques Lacan’s ‘mirror stage ’, which is based symbolic contraption which induces apperception. And apperception is "the process by which new experience is assimilated to and transformed by the residuum of past experience of an individual to form a new whole (Macey, 1979). In this film, through his past experience, Mohanakrishnan, regains his identity, and learns that he should take care of people who are with him not the dead ones. Mohana Krishan reading Jose Saramago’s “ The year of death of Ricardo Reis (00:14:58 to 00:15:08) ‘Ricardo Reis’ is one of the many heteronyms used by the Portuguese writer Fernando Pessoa. And heteronyms refer to one or more imaginary character(s) created by a writer in different styles (Green, 1982). In this film, this approach signifies that Sankaran is not a ghost, but a character like Sankaran living with in Mohanakrishnan. 7

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