Examples Of Metaphors In The White Tiger

When people talk to each other, they make widespread use of metaphor. In talk, metaphor is a shifting, dynamic phenomenon that spreads, connects, and disconnects with other thoughts and other speakers, starts and restarts, flows through talk developing, extending, and changing. Metaphor in talk both shapes the ongoing talk and is shaped by it. The creativity of metaphor in talk appears less in the novelty of connected domains and more in the use of metaphor to shape a discourse event and the adaptation of metaphor in the flow of talk. People use metaphor to think with, to explain themselves to others, to organize their talk, and their choice of metaphor often reveals- not only their conceptualizations- but also, and perhaps

“Live with your head in the lion’s mouth” is a phrase his dying grandfather told him on his death bed. The lion represents white males on how dangerous they are. The lion also represents the world and how African Americans haven’t been accepted as humans yet. The mouth represents the terror and events that take place. As a lion is a predator and goes after what he wants. The lion is also a representation of white male society on the supremacy because they are the kind of the jungle. The head represents the physiological standpoint of an educated African-American male. His thoughts on what white

The elephant, in this case, represent imperialism. Orwell, being in the middle of imperialism and the Burmese people, did not want to destroy imperialism in the first place even though he does not like the way it treated the innocent Burmese people. However, seeing the elephant destroying Burmese’s homes and lives, he finally realized what imperialism had done to the people of Burma. The Indian man who died represent the fact that Burmese people are weak against the British; they are poor and have neither strength nor “the gut to raise a riot” (1) against imperialism regardless of how much they hated it. Even though he did not kill imperialism like the way he did to the elephant, he believes that it will be destroy one day for the evil thing that they had done. As illustrated by Orwell,

Relationship between servant and master is found in the Aravind Adiga’s novel The White Tiger. With the rise of capitalism, the growth of economy and political corruption in India led to a change in lifestyle of the wealthy, who now live in a hedonistic way. However, the protagonist of the novel, Balram Halwai belongs to a low social class that is prevented from the luxuries of the rich’s world. He is employed by Ashok Sharma, a landlord, to be his chauffeur. Thus, we can assert that Balram represents the working class whereas Mr. Ashok, the bourgeoisie of the country. Adiga focuses on the experiences of Balram under the Mr. Ashok’s domination to exemplify the master-servants relationship in India.

In the novel, The White Tiger, by Aravind Adiga the main character, is Balram, one of the children in the “darkness” of India. Adiga sheds a new light on the poor of India, by writing from the point of view of a man who was at one time in the “darkness” or the slums of India and came into the “light” or rich point of view in India. Balram’s job as a driver allows him to see both sides of the poverty line in India. He sees that the poor are used and thrown away, while the rich are well off and have no understanding of the problems the poor people must face. The servants are kept in a mental “Rooster Coop” by their masters. The government in India supposedly tries to help the poor, but if there is one thing Adiga proves in The White Tiger,

As ‘The White Tiger’, Balram has high standards to live up to throughout his life, even as a driver. “‘You’d never guess that his caste was a teetotaling one,’” said a minister Balram drove “‘would you?’”(Adinga 182). On his rise to entrepreneurship, Balram works as a private driver. Drivers are often seen as uneducated and lowly, so when Balram proves his quality, he is simply rewarded with kudos. While Balram works to be successful, John works to be a voice of reason within the World State, seemingly opposing his nickname. John, once an outsider to both his birthplace and now to the World State, tries to free them from what he believes is captivity, in a protest. He began to scream, “‘Free, free’” as “he punched the indistinguishable faces of his assailants” (Huxley 193). His views of the World State, rooting from his knowledge on the reservation, opposed the society. When he tries to speak out and becomes violent, he begins to fulfill the stigma of a Savage. Both men in the novels are the Black sheeps in their

Metaphor: a word or phrase for one thing that is used to refer to another thing in order to show or suggest that they are similar.

They are described as mostly naked and often wearing animal furs, presently them in a physically animalistic context, and were free to roam where they pleased. But not that the area is being colonized, they are being herded out of the way. The portrayal of Indian in an animalistic way restates the attitudes towards slaves, attempting to “…collapse the boundaries between human and animal” (Ginsberg 91).

Literature means which reflects the life. Likewise Adiga has wrote the novels which reflect the day-to-day life of Mumbai. To conclude, Adiga has presented both the novels “The White Tiger” and “Last Man In Tower” with the common themes of corruption, identity crisis, religious belif during Modernization and globalization in India. The main theme presents, the fact of money changes a person to be a murderer though they are a servant or any close relation to anybody. Both the novel has the theme of identity crisis.

In fact, by attempting to glamourize suffering by portraying it superficially, writers may lose the connection with us that appreciates literature. Instead, what we are left with is an over extended attempt to glorify suffering, or hide it within a guise of reality that is too savage to be true. Instead of the appreciative feeling that reality imbues within me as a reader, I am left with a sense of disgust, confusion and dissatisfaction. This feeling almost overwhelmed me while reading Adiga’s “The White Tiger” and it tainted my experience with the book. Adiga had written the novel without any firsthand experience in the rural areas of India to which his main character referred to as the darkness. Instead, being of a higher class, his accounts were based on second or third hand experiences which do not adequately depict the lower class’ realities. I found the following depiction of India’s ghettos both farcically unrealistic and eventually

It cannot fairly be said that in Aravind Adiga’s novel, The White Tiger, the only way to escape the Darkness and advance in society is through violence, as an alternative route to the Light is presented in the story arc of Vijay, the pig herder’s son turned politician. Balram asserts that the murder of Ashok is not only the direct cause of his new wealth and status, but also the only possible trigger for his newfound social mobility. Yet, this is contradicted earlier in the story when he presents Vijay, the bus driver, as his role model for a successful person. Vijay, in order to achieve his elevated position, resorted to prostitution; despite not being a desirable alternative to violence, it is an alternative all the same and therefore violence is not the only way to escape the Darkness. Following this logic, it is Balram’s story and the immediate increase in wealth that results from the murder of Ashok that best supports violence as the only means of moving into the Light, and Vijay’s story is the best evidence against that point of view.

“The White Tiger” by Aravind Adiga is a piece of literature that talks about India left and right. A book that can be half fiction half true. It talks about the fortunate and the unfortunate, the rich and the poor. The irony shown in this book about corruption, oppression of the poor, reality of India vs. the images foreigners have of India help portray our understanding of this novel.

The narrator of the novel, “The White Tiger,” by Aravind Adiga writes in first person. This particular narrator is Balram Halwai, who tells about his own journey throughout the book. The writer uses the style of the narrator, Balram, writing letters to the Chinese Premier. This particular narrator is telling the story because it is him that is writing the letters. This style of letter writing helps to tell the story because through these letters Balram tells of how he came to be a success in life. The reason he started to write letters to Mr. Premier was in response to something he heard on the radio. He heard the statement that said, “Mr. Jiabao is on a mission: he wants to know the truth about Bangalore” (2). Balram, the narrator, knows he is a man with little formal education, but considers himself an expert on the hidden truth of the India culture. Mr. Premier also wants to meet with Indian entrepreneurs and hear about their success and Balram wanted to tell about his. He considers himself an expert because of his life story. Balram grew up in a rural area in poverty. In school an inspector calls him “The white Tiger,” because he said “it is the rarest of animals” (30). He called him this because thought Balram was the brightest kid in the village. He was forced to drop out of school and start working to help support his family. He ends up getting a job as a chauffeur to the Stork’s family. The Stork is one of the bosses that have control over Balram’s village where

In order to address the conflict between the rights of local people and the Bengal tiger, a conservation project was issued in 1973, turning a large proportion of the Sundarbans into a refuge. It is in this context that the story takes place, and through this context that Ghosh evaluates the extent to which such a utopian ideal is possible.

Written by Aravind Adiga, The White Tiger tells the story of a man who went from living with nothing to someone with everything he could ever want. Balram Halwai grows up in “the Darkness,” an area of India where, among other things, family was the main source of life and contempt for family was of the utmost evil. When he decides to find a job outside of his social circle, Balram’s family implores him to send money home to sustain them. He finally hits his final straw when his grandmother begins to try to force him to be married, something he does not have interest in and knows it will take away his independence. Once he disconnects from his family, he is able to be himself, free from his former life that tied him down. As Balram Halwai embarks on his journey to become successful as the “White Tiger”, the social concept of family breaks down, thus giving way to him finding his independence.