Examples Of Misogyny

The Hip Hop music industry is infamous for being controversial. In the article Hip Hop’s Betrayal of Black Women there’s a debate on whether the exploitation and constant verbal slander of women should be acceptable just because it sales records. It presents the question that why is it that male poverty breeds sexism? Even though women may have lived in the same environment males still see women as the enemy in their music in an effort to sell records.

Music and society have always been closely related. For years now music has been apart of people’s everyday lives all around the world. Having so many different genres out there, it makes it easy to be appealing to so many different ethnic backgrounds. However, one type of genre in particular has seemed to grab the attention of a younger generation. Rap music has undoubtedly had its utmost impact on African American youth, since many of the performers themselves are African American. An overtly masculine culture dominates rap music and creates gender stereotypes that become abundantly popular to the youthful audience. Three constant themes that are found within the rap culture are encouragement of violence, the misogynistic representation of women, an extreme hatred of homophobia. Each theme plays a detrimental role in the process of defining black masculinity as well as shaping the values, morals, and beliefs that its younger audience adopts after tuning into this “gangster lifestyle”.

The misogynistic treatment of women in commercialized rap has become a widespread phenomenon which as a result has become commonly accepted by majority of the individuals in society. Rappers, in general, nowadays use women in their videos in a way which is both derogatory and exploiting. Black men in today’s society, especially in the entertainment industry, do not see women as their equals; rather they objectify them as being nothing more than sex objects. People in the Hip Hop industry do not believe that sexism and misogyny is as big of a deal as racism, thus they push this issue to the side by simply ignoring it and learning to accept it. This misogynistic portrayal of women is ruining the image if Hip Hop as both an industry and a form of expressive art. However, instead of taking action against this atrocity, many women simply believe that the images of women and their portrayal in rap videos does not represent nor refer to them as an individual and the type of woman they truly are. By being silent these women are allowing themselves to be victimized by the men of not only the Hip Hop industry but also general society. By not having a say in this matter of the false classification and portrayal of women, they are voluntarily allowing men to do whatever they please to do so, in any given time and with any approach they feel is necessary. They do not

In the essay, “Hip-Hop’s Betrayal Of Black Women”(221), by Jennifer McLune, she vents her feelings regarding hip-hop songs that are rhythmically diminishing the value of black women. She provides example on how the lyrics are being voiced and how hip-hop artists do not seem to care. Kevin Powell in “Notes of a Hip Hop Head” writes, “Indeed, like rock and roll, hip-hop sometimes makes you think we men don’t like women much at all, except to objectify them as trophy pieces or, as contemporary vernacular mandates, as baby mommas, chicken heads, or bitches” (221). There have been apologizes for what the rappers have said but nothing to resolve the dehumanization of black women. McLune informs the readers that hip-hop singers belittle black women and make them invisible. Jay-Z, a popular hip-hop artist is brought to center stage by McLune. The essay shows the example of a part of Jay-Z song that says, “I pimp hard on a trick, look Fuck if your leg broke bitch hop on your good foot” (222). This lyric is a perfect example of how hip-hop artist have no remorse in the words they sing. The hurt feelings and loss of self-esteem black women suffer, is of no concern to the rappers. McLune expresses that those who are underground hip-hop artist follow the footsteps on being sexist and using crude words in their lyrics just because they yearn and dream of being in the spotlight. Upcoming rappers want to be loved like Jay-Z and other famous notorious rappers.

In her article “The Venus Hip Hop and the Pink Ghetto: Negotiating Spaces for Women,” Imani Perry argues that the objectification of women in the music industry is normalized in our society. Her purpose is to persuade us that most feminists who fight against the objectification and exploitation of women are ultimately colonized by the sexual fantasies of men. As a law professor at Rutgers Law School, Perry structures her text in a very effective manner. Using a general-to-specific organization scheme, she begins by outlining the recurring image of sexualized women in music videos, then presenting various cases of prominent feminist figures in the music industry.

In Joan Morgan’s article “Fly-Girls, Bitches and Hoes: Notes of a Hip Hop Feminist”, she shows the way rap music has changed through it popularity. The widespread appreciation of rap had negative impacts upon the black community. Morgan talks about this through her Feminist point of view. She focuses the topic on what rap music says about the African American culture in Hip Hop. Rap music and Hip Hop were invented through the pain of African Americans. Hip Hop and the Rap industry use sexism and machoism to express the long years of oppressive pain they went through by the hands of the white people. Especially for the black brothers who continue that oppression by using provocative words that degrade the black sisters. Morgan states that blame isn’t only on the brothers

Adams, T. M., & Fuller, D. B. (2006). The words have changed but the ideology remains the same: Misogynistic lyrics in rap music. Journal of Black Studies, 36(6), 938-957. Retrieved from the JSTOR database.

The above article discusses a study conducted that tested whether exposure to rap music increases sexism within males. The study did not give any direct concrete evidence that rap music causes misogyny. Yet it brought up some useful insights that were supported by the study. Initially, they discovered that listening to non-sexist songs still led to some type of sexist behavior. This finding is relevant as it shows that it might not solely be the lyrics that are responsible for sexism within music. People can be instinctively associating rap music with being misogynistic. Another finding was that misogynistic lyrics prime young males to behave sexually aggressive temporarily. This reading is important for this topic as it disregards the popular belief that rap music causes sexism, but it also takes in account that rap music can prime young males to be slightly more aggressive. While this study cannot be used to promote any type of censorship in media, it can still encourage the music industry to reevaluate the material they are launching to public, especially the young generation.

Joan Morgan, a self proclaimed feminist, loves the power that rap and hip hop offers. Joan, also a music writer, is exceptionally troubled by the disrespect of women in not only in the musical lyrics but also the music videos. In the June 1990 edition of Ebony Magazine, Charles Whitaker wrote an editorial addressing the problems American culture brought on by the hip hop industry. Even though, his editorial was published in the 1990’s, it is extremely clear Charles Whitaker saw the negativity brought along with “The Hip Hop and Rap Revolution.” Both authors loved the powerful energy the new hip hop movement brought along with its beginnings, dating back to the mid to late 1970’s. With that being said, the two authors, both had one recurring theme within their respective works, the evolution of hip hop and rap. In other words, both Joan Morgan and Charles Whitaker addressed the issues brought on by the change in the rap and hip hop industry over its short exists. Change is the absolute most constant thing in our world, whether it is positive or negative change that is uncertain, in both of the articles that change in hip hop and rap is demonstrated

It is suggested that one of the reasons why artists use misogynistic lyrics in their music is that they have internalized the negative stereotypes about women that are prevalent in American society. African women were historically portrayed as animalistic sexual beasts and African males in a submissive role, giving in to wild instinct or bodily impulses. The internalization of such stereotypes may be a possible explanation of the hyper sexuality within certain hip hop music. Various authors have argued that misogyny is merely an outgrowth of the cultural acceptance of misogyny at large.

The article “ Hip-Hop Demeans women” written by Tricia Rose, talks about hip hop on sexism and women. She argues the changes of women’s position in the Hip Hop music which reflect it to the American black people’s culture. Rose breaks the total article into three sections, R.E.S.[.E.C.T-But Not the Kind Aretha Franklin Had in Mind, Explicit Isn’t Always Exploitative, “Free the Girl”:Hip Hop’s Betrayal of Black Women.

The impact music has on the life of people is very powerful. It can easily revamp the way people act and take control of people’s emotions. Rap music is a very common and popular type of music within the world today. Rap music has existed since the mid 1970s, nowadays it is practically everywhere. It is easily a central focus of many young people’s lives. Rap music was essentially intended to create a voicing of one’s frustrations and disappointment with society, it has recently taken a turn and is creating a negative impact on the youth. It is the root that influences and encourages degrading women, violence, and is filled with sexual content.

Music is subjective which means people will often voice their opinions on it, and undoubtedly one of the most controversial genres that has sparked a barrage of disapproval is rap. It is believed and further encouraged by the media that rap music promotes a bad lifestyle. With corruption being apparent around the world it is easy for the media to put the blame on a genre of music that is filled with explicit lyrics about violence, drugs, and rebellious subject matters. However, further investigation will reveal that because of its accurate depiction of reality, and wide variety of categories, rap music does not encourage an unhealthy lifestyle.

Misogyny and degradation of women is present in almost every genre of music, yet the one genre that completely revolves around demeaning women is rap. Over the years rap and rap music videos have continually become more sexual and degrading towards women. Rap has been criticized numerous times for this reason, and that is because rap is one of the most popular genres of music for the younger generations. It is more than a genre of music, it is a complete industry filled with clothing and other merchandise. The reason this constant demeaning of women exists is because rap as a genre that rewards the objectification of women. The excuses used to justify the misogyny in rap are incomplete and lack accurate support. The most effective way

Today’s society is one in which the idea of male superiority dominates, one that Edwards et al. says fosters the idea that “rape ideologies emanate from a patriarchal system” (qtd. in Franiuk). The influences on modern American culture, what it idolizes and produces, are often times truly sickening. Popular television programs and other media present depictions of women that promote a society of rape culture. The rapper Eminem, just one of the famous rap artists who has a bad reputation, refers to women in very derogatory ways. His song “Kim” was released in 2000, and is believed to have been written about his then-wife, Kim Mathers. In it, the rapper says, “Sit down bitch/If you move again I'll beat the shit out of you,” among other things, and even goes on to describe other types of violence that he wants to commit against her (Bass). When taking into consideration Eminem’s subject matter, his popularity is alarming. His music, and thousands of other songs like his, is filling the ears of impressionable youth and naïve adults, permeating their minds with horrible ideas.