Examples Of Misrepresentation Of Society In Movies

The film industry has created the conventional gender roles of society into their movies; A majority of films have supported some of the male and female stereotypes. In the history of the film industry, the role of men is primarilythat of the stereotypical working class man or hero, while the roles of women are primarily portrayed as being somewhat inferior to men. In the 1930s through the 1970s, men held the leading roles in films while women played smaller roles. Men were typically employed, successful gentlemen, while the woman’s only job was a housewife. The film industry was mostly dominated by men. In terms of jobs, women were given mostly family roles and rarely were shown outside of their homes, while men had

Although the best reasons for “going to the movies” are to be entertained and eat popcorn, understanding a film is actually quite complex. Movies are not only a reflection of life, they also have the capability of shaping our norms, values, attitudes, and perception of life. Through the media of film, one can find stories of practically anything imaginable and some things unimaginable. Movie-makers use their art to entertain, to promote political agendas, to educate, and to present life as it is, was, or could be. They can present truth, truth as they interpret it, or simply ignore truth altogether. A movie can be a work of fiction, non-fiction, or anything in-between. A film is an artist’s interpretation. What one takes away from a film depends upon how one interprets what has been seen and heard. Understanding film is indeed difficult.

This film paints multiple stereotypes and over exaggerates them to emphasize their relevance in society in hopes of changing the audiences' viewpoint of these stereotypes set before women.

Another guilty party in the effort to maintain women to lower status is American pop culture, which predominantly portrays women as being nothing more than sex objects. This is only relevant in that it illustrates how "backlash" does not only apply on a government level, but also in entertainment. The younger generations (children through 18 years old, mostly) are far more influenced by pop culture than they are by the government. The messages conveyed by the industry hit at a rather impressionable age. Faludi only touched on this aspect, noting that the television and films generally portray career women as being high-strung and unwed. Furthermore, popular novels show these women as being bitter spinsters whom practically beg for marriage. In this all-too subtle way, the media mocks the independent woman. Rarely are happily married, working women featured. The film industry fails to equally represent females at all. In 2002, 77% of protagonists were males in their 30s and 40s. The mere 16% of characters whom are female are portrayed primarily in their 20s and 30s. Women over 40 accounted for 9% of all

This paper will look at how the movies portray women in a way that women can relate to regardless if it’s an insulting

This generation has exaggerated stereotypes over the year using movies to negatively represent people in today's society. Within these movies they have corrupted young teenage minds to judge any one on the way they look and see people.

Women are deemed as a “minority” yet make up 51% of the world population and in 2014 made up only 12% of protagonists in films. And that is just on-screen, the percentage decreases as you go farther and farther into behind-the-scenes positions such as directors, cinematographers, and writers. Add race and ethnicity and those characters' percentages decline even more (Lauzen, 2015.) Women in film and television are often portrayed with emphasis based on their body type and in advertisement are largely objectified. The large objectification and misrepresentation of women in the media has led to an offset psychological view of women from growing up to adulthood.

Media, defined as a mean of mass communication that reaches and influences the general audience. When the media is combined with moral theories, known as the guides for humans to figure out what actions are either right or wrong, it creates a balance in our entertainment about what is ethical or not to display on society. By having various Moral Theories and none of them being one 100 percent perfect, it causes humans to create their own satisfactory moral theory. My own satisfactory moral theory, in essence, is a combination of being able to take into consideration my personal relationships while still making an impact in my community, society and the world. Having morals in the media is what allows us to know when one may cross the line.

Television shows, ads, and movies compromise our national image of the elderly. “Television shows often depict the older relative as doddering and feeble...” (Lauren Stiller Rikleen). In many movies and shows, elders are shown as churlish and sickly.

In a society where movies, television shows, social media, and even news articles are such a large part of the learning process for a person of any age, our world has helped display people that are “othered” or misrepresented for anything and/or everything; one group has suffered the effect of misrepresentation with movies from Forrest Gump to movies like Silver Linings Playbook. Throughout the years, there have been numerous forms of media that have helped show the struggles people with disabilities or mental illnesses face. People have depicted certain mental illness with a strong misrepresentation that everyone with that certain disability or illness must act and be the same. After doing some research on the topic

It is known that one of the industries that reflect a multitude of human stereotypes is in the cinema. Although this may be true, to some people it is not completely obvious; especially if the stereotyped individual in the film is different from the person watching. The 2009 remake of the movie Fame has numerous moments that represent mediated stereotypes between different races. Using examples from Ramirez-Berg in his piece, “Stereotypes in Film”, the stereotypes I recognized were much more clear. Additionally, cinematic devices such as scripting, costuming, and sound effects played a role when discussing oppressed populations (Ramirez Berg).

Ageing females are also portrayed as undesirable in the media due to the language used. This language is aimed at shaping, reinforcing, and reflecting the attitudes and responses made towards growing older among women. Language is understood to carry and convey the meaning which leads to the assumptions that encourage the development of discrimination and stereotypes towards ageing females. The language also has the ability to encode stereotypes and scripts that are discriminatory in nature which makes discrimination a normal part of everyday life. In particular, the media can play a role in the establishment of implicit bias through using language that is stereotypical and prejudicial when representing ageing females in the media (Gendron et al., 2016). This in turn makes older women to be portrayed as undesirable in the media. An example where the language used by media has contributed to the portrayal of ageing females as undesirable can be drawn from a popular sitcom, “The Golden Girls”, aired between 1985 and 1992. This comedy highlighted social issues that are associated with elderly women. In this comedy, the negative construction of ageing women was illustrated by the character of the octogenarian mother, where this character was depicted as being intelligent but yet stubborn with a difficult to please character. Another example of how language is used by media to portray ageing females as undesirable can be drawn from a popular commercial made during the mid-1980s. In this commercial, one of the three old women is heard asking repeatedly about where the beef is, in which older people are seen as stupid and small while being exploited (Vickers, 2007). The language used in these examples appear disparaging towards older women while illustrating the extent at which ageing women are portrayed as undesirable in the media.

Impressions are perhaps the only valuable information one has to tackle the unknown. Much like To understand the Genesis of stereotypes one must first understand what stereotypes are. In Celluloids Indians Jacquelyn Kilpatrick describes stereotypes as such, “‘ [s] tereotypes are evaluative concepts about status and roles and as such are central to interpreting and evaluating social groups including one’s own.”’ (xvi) Kilpatrick explores “the social, ideological and political construction”(xvi) of stereotypes in literature, film and politics. Literature has been around for centuries but film making are an adequately new invention, however stereotypes within them have their origins centuries before. The interpretation of film and literature is according to perspective when there’s only one perspective what is one to believe?

The film industry has created the conventional gender roles of society into their movies. A majority of films have supported some of the male and female stereotypes. In the history of the film industry, the role of men is primarily that of the stereotypical working class man or hero, while the roles of women are primarily portrayed as being somewhat inferior to men. In the 1930s through the 1970s, men held the leading roles in films while women played smaller roles. In terms of jobs, women were given mostly family roles and rarely were shown outside of their homes, while men had successful careers and did many activities outside of home. “Women were shown doing housework and men were the beneficiaries of their work” (“Women’s roles in the

Films have the power to both influence and reflect society. The stereotypes prevalent throughout American culture are reflected in most films. While the United States is becoming an increasingly diverse country, this diversity is not portrayed within American cinema. Minority figures often occupy