Examples Of Modernism In Mrs Dalloway

The central value connecting Mrs Dalloway and The Hours is an affirmation of life. Although suicides feature in both Stephen Daldry’s film and Virginia Woolf’s novel both texts echo Woolf’s words from her 1922 diary: ‘I meant to write about death, only life came breaking in as usual.’ Both Woolf’s modernist 1925 novel and Daldry’s 2002 postmodernist film focus on women whose rich inner lives are juxtaposed with their outer lives constrained by the contexts in which they live. The characters are placed in their respective context, to reflect on, or respond to, the consequences of war and AIDS, the difficulties of personal relationships, class, gender and sexuality.

Modernism began around the late 1800s or early 1900s, with artists and writers in Europe producing many extraordinary and influential works. This period spans many events, including both World Wars and the Great Depression. World War I appeared to be a major event that helped to start Modernism; this was because of the destruction and ruin that came from it and events that followed. This poem is consistent with the values of Modernism because of alienation, time, and self- consciousness; however, it continues to resonate with readers today because isolation, change, and insecurities are things that humans may face.

‘Mrs. Dalloway’, by Virginia Woolf is a derivative text of ‘The Hours’, written by Michael Cunningham. The novels both share an important theme of mental health. The circumstances of mental health are commonly sympathetic, and empathetic. The characters Septimus and Clarissa in ‘Mrs. Dalloway’ and Richard, Laura Brown, and Virginia Woolf in ‘The Hours’ show the strongest symbols for this theme. Most of the problems and treatments these characters face are in direct result of the age they live in. Both novels express a relationship between era, illnesses and treatments.

Throughout her life, novelist Virginia Woolf suffered with mental illness, and she ultimately ended her life at age 59. As art often imitates life, it is not surprising that characters in Woolf’s works also struggle with mental illness. One of her novels, Mrs. Dalloway, recounts a day in the life of Clarissa Dalloway, a high society woman living in London, and those who run in her circle. As the novel progresses the reader sees one of the characters, Septimus, struggle with post-traumatic stress disorder brought on by serving in war. At the end of the story, he commits suicide. While there is no explicit articulation of any other character suffering from mental illness in the novel, Septimus is not alone. Through her thoughts and actions, we can deduce that Clarissa also endures mental and emotional suffering. Though Clarissa does not actually attempt to end her life in the novel, her mental and emotional suffering lead her to exhibit suicidal tendencies. To prove this, I will examine Clarissa’s thoughts and actions from a psychological perspective.

The social norms and traditions of the past shattered leaving unorganized behavior resulted from the distrust of the world’s norms. The article “Postmodernism’s Critique of Modernism” regards this unorganized behavior as a “loss of unity” with the quote, “While modernism regards fragmentation as tragic, laments loss of unity and hope to regain the loss of unity through arts…” (Postmodernism's).This lack of unity and fragmentation coupled with the enormous crowds of big cities leave the individual feeling smaller and more isolated. A quality which creates the sense of individualism and stream of conscious writing that is associated with modern

In the novel Mrs Dalloway, Woolf conveys her perspective, as she finely examines and critiques the traditional gender roles of women in a changing post-war society. Woolf characterisation of Clarissa Dalloway in a non linear structure, presents a critical portrayal of the existing class structure through modernist’s eyes. Titling her novel as Mrs Dalloway presents Clarissa’s marriage as a central focus of her life, drawing attention to how a women’s identity is defined by marriage. Despite the changing role of women throughout the 1920s, for married women life was the same post war. Clarissa experiences ‘the oddest sense of being herself invisible…that is being Mrs Dalloway…this being Richard Dalloway,”

Applying Carolyn Dinshaw’s How Soon is Now? to Michael Cunningham’s The Hours highlights the queering of time in the novel. The novel explores three women, including Woolf herself, from divergent eras. Notably, there is not a contents page, leaving no structural or temporal guide to reading the novel. Similarly, chapter titles are merely the name of the woman on which the chapter focuses, meaning many chapters share the same title (i.e. “Mrs. Dalloway”), causing the content and times of the chapters to blur. Moreover, the chapters are not placed chronologically for the overall novel or for the narratives of the individual women. The prologue centers on Woolf’s suicide, and the sequence of chapters randomly shifts from “Mrs. Woolf” to “Mrs. Dalloway” to “Mrs. Brown.” By close-reading of The Hours’ prologue, various structural and textual devices emerge that showcase Dinshaw’s conceptions of nonlinearity, lived time, and multiplicity.

Clarissa and Septimus both feel trapped in their lives and oppressed by the people around them, which leads to them find ways in which they can escape the negative world around them. Clarissa is described to the reader as having “a perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very dangerous to live even one day” (Woolf, 17). Even as Clarissa walks down a crowded street the sense of loneliness controls her mind. Societal oppression of loneliness makes her feel distant from the rest of society. She describes herself as, “no longer being Clarissa, but simply Mrs. Dalloway” (Woolf, 11). Clarissa has lost a sense of herself and feels as though she no longer fits in. However, her parties serve as an escape from the outside world, which helps to explain why she loves

“ The coffee was very slow … until Mr Whitbread had finished ... Hugh was so very slow” the agonising sense of immediacy both draws our attention back to clock time whilst allowing us to delve into Clarissa’s past as she recalls that Hugh is always so absurdly slow. As reality is blurred in psychological time, external time punctuates the novel “There! Out it boomed. First a warning, musical, then the hour, irrevocable” this reminds the reader that this story is in fact occurring in a single day and every event experienced outside of this timeframe is a figment of a characters memory. Woolf makes these memories the focus of the novel rather than external time to create a mobile reality where she fabricates the sense of movement by traversing time through the consciousness of her characters. These memories therefore are from a specific point of view and therefore exclude some properties of the remembered moment and parts of said reality may simply be “dissolved in the air” as the memory fades with ongoing time.

From the beginning of Mrs. Dalloway, Woolf establishes that Clarissa’s bright and hopeful spirit has become dulled and burdened when subjected to the oppressive nature of marriage. During a glimpse into her younger years, the reader is able to see Clarissa. With each flashback into Clarissa’s youth, the reader is provided another image of Clarissa before marriage, one that highlights her passion and curiosity for life. While Clarissa felt a passion and connection with Peter, she could not bear to live in a marriage where her freedom was something she had to sacrifice. The decision she makes is logical in some ways, but her choice also brings into question the fault of her marriage in the first place. In Clarissa’s world, the option for passion and the security of her freedom was not available nor would it ever be; therefore, she was forced to choose between the two. Men, however, were not forced to make such decisions and were given the liberty to wait well into their later years to find a spouse suitable to their liking. By choosing to marry Richard over Peter, Clarissa forsook the option of passion in

  Clarissa Dalloway, the central character in Virginia Woolf's Mrs. Dalloway, is a complex figure whose relations with other women reveal as much about her personality as do her own musings. By focusing at length on several characters, all of whom are in some way connected to Clarissa, Woolf expertly portrays the ways females interact: sometimes drawing upon one another for things which they cannot get from men; other times, turning on each other out of jealousy and insecurity.

During the time of a young modern society, there were ideals and social standards that led people to feel isolated from their own expressions and thoughts. In Mrs. Dalloway, identity is a significant theme depicted in the novel and is prevalent between the characters portrayed throughout. One character in particular that represents the image and reflection of identity in the British society during the first world war is Clarissa Dalloway. All the attributes such as her love for flowers, her lavish entertaining parties, and the bonds she has between her friends and lovers reveal something about her identity that she discovers about herself at the end of the book. Clarissa’s personality is complex and moving as her emotions and life events are unraveled in the moment as things happen.

Post World War I London society was characterized by a flow of new luxuries available to the wealthy and unemployment throughout the lower classes. Fascinated by the rapidly growing hierarchal social class system, Virginia Woolf, a young writer living in London at the time, sought to criticize it and reveal the corruption which lay beneath its surface. Mrs. Dalloway, Woolf’s fourth novel, was born in 1925 out of this desire precisely. A recurring focus in many of Woolf’s major novels is the individual and his or her conscious perceptions of daily life. Throughout Mrs. Dalloway, Woolf uses this technique, known as a “stream-of-consciousness,” to trace the thoughts of Clarissa Dalloway and Septimus Warren Smith during one day in London five years after the Great War. It is exactly this narrative technique which allows Woolf to compare the lives of these two characters which belong to different social classes to argue that social placement has a negative effect on one’s life and psychological being.

Modernism, in literature, can be seen as a shift in focus to the unassociated introspective reflection of characters in such texts as Go Tell It On The Mountain, by James Baldwin, Miss Lonelyhearts, by Nathanael West and The Catcher in the Rye, by J.D. Salinger. This is a revision from the previous focal point of exterior events and places in correlation with the character’s reflections. Emphasis is placed on review upon feelings and thoughts, and even conversations with oneself, as opposed to the more directly event-driven reflections in texts of the pre-modernist era.

"Mrs. Dalloway" written by Virginia Woolf is about the fictional life of a character by the name of Clarrisa Dalloway, who is seen to be this high class woman living in an era after the war, who is preparing for a party that she is to be hosting later on. Virginia Woolf seemed to use time as a main part of the setting of her story too by setting it in the morning and ending the next day at three in the morning. Using time like this is significant because then now the reader must really pay attention since every detail seems important. For example when characters reflect on past incidents that happened in their lives and then the story suddenly turns back into the present and in reality of the story a few minutes have only gone by. An example of that is when Clarrisa reflects her youth, "What a lark! What a plunge! For so it had always seemed to her, when, with a little squeak of the hinges,