Examples Of Mortality In The Iliad

There are many lessons that can be learned from reading Homer's The Iliad. One of which is understanding the stages of grief. One can literally watch Achilles go through all five stages when he morns the death of his comrade Patroclus. Achilles moves through Denial and Isolation, Depression, Anger, Bargaining and Acceptance in the short time after his close friends death.

In Homer’s Iliad, Achilles hears about the death of his dearest friend and says “Nothing matters to me now / But killing and blood and men in agony” (19.226). In the fit of reckless violence which follows, he slaughters so many young men that he clogs the River Scamander with their gore, slays helpless suppliants, and attempts to mutilate his chief enemy’s body after killing him. While it is impossible to deny Achilles’ compulsive and violent behavior in much of The Iliad, modern research on the effects of battle trauma on the human psyche invites us to reevaluate his behavior. In light of modern research conducted on war veterans suffering from PTSD (Post-Traumatic Stress Disorder), Achilles

In the Iliad is a very interesting epic with features two main central characters that are similar in some ways but totally different in other ways. In this epic you will be introduced to Hector and Achilles. Two men from each side in the great Trojan-Greek war. They were both heroes to their people despite their clearly different contrast in their personalities. In this paper I will highlight the life of both of these two leaders of the Greek and Trojans in this epic the Iliad. Also a little will be shed of how Homer portrays the characters deeper then an average thought. I will attempt to show the complexity of his thought process in forming the climax of these two characters coming to battle.

Godly colossal Greek epic, “The Iliad” constituted by the poet named, Homer, articulate the chronicle of the Brobdingnagian Trojan War. It is swarming with the interventions of the gods enchanting their coveted mortals (humans) and altering the heterogeneous scenes of the Trojan War. In this poem, gods have an assortment of relationships with humans which include love, fornication, and mother or father relationships. Gods interact with mortals in human shapes and stimulate them. Also, gods cognize that every human is eventually destined to die and they anticipate humans to pray to them for every obstacle humans encounter. However, for humans gods are omnipotent, authoritative, dominant, and immortals, who they supplicate to if they have

The first book of the Iliad begins with the beginning of Achilles’ rage, the rage that will eventually cause his own people so much grief and is also the force for Homer’s version of the story of the Trojan War. Whereas the taking of Helen is the focus of the larger, traditional story, the feud between Agamemnon and the hero Achilles over a kidnapped girl defines the Iliad. Both feature a conflict over a woman, Helen and Chryses’ daughter, and a need for resolution as well as a breach of social contract: Paris steals the wife of Agamemnon, ruining the bonds of the guest relationship, while Agamemnon denies Chryse his right to ransom and invokes the wrath of the gods in the form of a plague. In both cases, however, it becomes clear that the conflict will not be resolved quickly, but will continue through the very heart of the story. By “singing of Achilles’ rage” from the first line, the narrator is clearly showing the audience that this Trojan war is not the war of Hector or Paris or Helen, but of the proud Achilles and his hero-sized enemy.

Literary works that date back to ancient times still holds relevance in today’s world. Although many advances have been made in technology and science since the olden eras, the themes and principles that are found in ancient literary works are ageless in relation to the condition of human experience. In fact, in the Epic of Gilgamesh, the oldest existing story in our human history, illustrates a reality that is shared by all humans: our mortality and inevitable death. The Epic of Gilgamesh was written thousands of years ago, but the story accurately captures the human experience. Even though many people may not be on an active quest to find immortality, the Epic of Gilgamesh tells a story that also explains

‘I entreat you, by your life, by your knees, by your parents, do not let the dogs feed on me by the ships of the Achaians… give my body to be taken home again, so that the Trojans and the wives of the Trojans may give me in death my rite of burning’ (22.338-343). This heart wrenching plea represents nearly the final words uttered by Hektor upon his death at the hands of Achilles. Hektor, who recently boasted of his martial prowess, vowing just moments before to do ‘some big thing first, that men to come shall know of it’ (22.305), is reduced to begging before his killer for the basic privilege of an honorable burial. In this moment of his famous Iliad, Homer offers a cynical reflection on human life and the social constructs mortals establish, especially the idea of the ‘heroic code’ that was so prominent during the Golden Age of Greece. Demonstrably, he implies throughout the work that since all humans are destined to die and memories have limited effect after death, the entire concept of the ‘heroic code’- and to a certain extent, conviction in worldly systems instead of personal beliefs- are pointless given the natural chaos of the world and man’s ultimate fate.

As long as humans have lived and died, we have strived to know the meaning of life. We assume that there is a meaning or importance to life, and in doing so try to provide some permanence to our existence so that a greater machine might continue to function. It is only natural, then, for us to be interested in the concept of immortality. If there is purpose to an ending life, a life that does not end must be supremely important. This idea is exemplified throughout time in stories both historical and fictional. The Epic of Gilgamesh is one such story. Gilgamesh deals with immortality on nearly every level, and at the same time points back to mortality, trying to extract a reason for living and dying.

Suffering seems to be one of the under toning themes of the Iliad. Everyone undergoes the effects of war and battle. The women stand and watch helplessly as their loved ones fight, and live knowing they may never come back. The role of what a ‘man’ or ‘women’ is or should be also causes suffering because of the decisions they must take on. The warriors understand that whichever decision they make to continue in battle or desert, their honor and integrity is at stake and that dilemma causes suffering Although, each person I mention seems to somewhat understand what fate lies ahead of them or of their loved ones, they realize the suffering they will have to eventually go through.

While idealizing the glory of war, as well as exaggerating the grief caused by it, Homer attempts to balance the dual nature of war in the Iliad; however, in an attempt to balance this duality, he winds up demonstrating that even the glory and honor of war is tainted with grief. Rather than being an epic that portrays the glory of war, The Iliad illustrates the grief that is brought by it, “‘war, in the Iliad, is a frightening and sorrowful thing’” (Giles 54). All soldiers, not only in the Iliad, attempt to attain kleos, or glory, however the damages of attaining it far outweigh the benefits. Rather than morning the deaths of their fellow soldiers, they continue on their search for kleos. This bubble of grief that was overlooked builds up, and eventually, like all bubbles, pops. In the Iliad, the pop is represented through the interaction between Achilles and Priam, and in today’s contemporary society, it is demonstrated by the Post Traumatic Stress Disorder (PTSD) that many soldiers are faced with. Through the imagery of war, Homer exemplifies how both glory and grief are forms of trauma, as the glory forces soldiers to fall victim to the pressures of being an honorable man while dealing with the grief of losing brothers-in-arms.

The Iliad is a book full of poems that talk about the history of Trojans and Greeks. Within the Iliad, there is a strong urge to show a world in which was are tremendous and the gods have direct hand in human events and these deities influence fate. The two leading gods, Achillies and Aeneas, the reader can see the ways in which these two cultural problems entwine and try to create an image of the ancient world which is at once barbarously real in terms of the depiction of not just the glory, but also the horrors of war which are filled with supernatural and mystical figures called the gods.

As is already known, Homeric literature served as the model for educating Greek boys and young men, as well male Roman citizens later on in Antiquity. The passages of Homer and Hesiod instructed a decorum which defined proper behavior as unyielding bravery in the field of battle, and the continuous desire for besting an opponent through strident competition, or agon in the Greek. Achilles defined this part of heroic conduct, while Odysseus, through his renowned ability for persuasion, defined the other. Ideally therefore, both ways melded together provided a path to immortality and glory, which was the ultimate goal for every male aspirant in Classical Athens. As can be witnessed in Homeric literature – especially the Iliad – the real meaning of this immortality lay in the recognition of one’s achievements by his peers. And while immortality naturally meant being remembered for one’s actions, the potential for infamy also was part and parcel of this method. Therefore, this path to everlasting glory may been seen as highly individualistic, with no lasting contribution to the society left behind. Yet this masculine-nihilistic

The Iliad is an epic tale of war and hero’s within the Greek way of life. A

Although the beginning of the war was not spoken of in The Iliad, the origin of

After reading Homer’s text, we realize that while it contains fine poetic history it is in fact about the human condition and how it affects people, Achilles primarily. The reality for people in the world of The Iliad is that they live under many gods, and that they can not please all of them; indeed, the gods are at odds with each other and to support one means to upset another. While the ideal condition for the Greeks is to possess sophrosyne, in reality there are too many uncontrollable external pressures to do so. Just as the gods who influence men are not harmonious, therefore, we find this quality also in the explanation of the human condition for Greek cultures.