Examples Of Mythology In Women In Love

Agency is a term describing one's ability to reason and to act freely. Back in the time of the Trojan War, women were not considered to possess full agency as Aristotle once illustrated in his Politics “The deliberative part of the soul is entirely missing from a slave, a woman has it but it lacks authority.” In Book 3 of the Iliad, Homer illustrated the enticement of Aphrodite luring Helen to the bed of Paris and Helen’s corresponding resistance. From Helen’s dispute with Aphrodite, we can see that women in the Homeric world attempted to achieve agency through defying their fate of being materialized as mere sex partners, but eventually all the attempts were conquered under the mental compulsion from gods.

In the text Mythology by Edith Hamilton, women are portrayed as being property and objects. During this time women were seen to be not as "good" as men. They saw perfection in relationships between men and young male adults as the best relationships to have. However, homosexuality was frowned upon. Men were considered knowledgeable and educated, but women were seen as a burden placed on man by the Gods. When it came to women nothing was valuable about them but their beauty. When a woman was beautiful she was wanted by many men: a man would do almost anything to have the possession of a beautiful woman and have her as his property. It was as if a woman’s role was to only be a man’s beautiful possession and to procreate the lineage of a

The Greco-Roman society was a very patriarchal society. This is reflected throughout the myths in classical mythology. By looking at the classic mythology we will see that the roles women portrayed are very different than women's roles in today's society. Although there are a few similarities to women's roles in today's society, their roles are more like those women in the past. We can see this by looking at the attributes of Greco-Roman female gods and looking at the roles women play in the myths. By comparing the roles of women in the myths with women's roles today we will see that the roles have many differences and few similarities.

The portrayal of women in society and literature is known to be sexist and male dominated. The Odyssey by Homer, translated by Robert Fagles, has similar portrayal of women and it presents women as deceiving in many cases, as well as, their subservience. From a feminist perspective, one would agree that women in The Odyssey compared to the men are deceptive and very dependent on the males in their families, including their husbands. The men, however, are demonstrated as independent and as the protectors of the household, while the women are forced to stay.

Gender inequality has been a controversial topic for numerous religions and cultures throughout history. Women were commonly regarded as the subservient gender, an idea that was no different in Ancient Greece. Throughout Greek mythology, women were considered inferior and troublesome symbols, while men were known for courage, leadership, and strength. While there is no argument of the flagrant sexism that is illustrated in Greek mythology, it can also be claimed that women were given a situated position of freedom, necessity, and power as well. Many popular Greek plays and myths contain several complexes and well described female characters. These goddesses themselves, partook the role of victim, heroine, and villain as it illustrated the diversity of characters in which women were portrayed and seen in both Ancient Greek society and mythology, allowing us to question “Were the women of Ancient Greek mythology equally represented as free and superior?” The creation of the Greek mythological universe, the creation of multi-gendered goddesses or deities, and the free and superior personalities accredited to women in Ancient Greek mythology to answer the question that women were fairly represented as powerful in Ancient Greek mythology.

Although, the women often appears in Greek mythology as dangerous and immoral. In the myths of the Greeks from the earliest poems of the archaic period to the sophisticated dramas of classical Athens, there appears a pervasive fear of women. Female characters of many Greek dramas child killer Medea, the husband killing Clytemnestra, and the mother killing Electra. While these females appeared previously in Greek myth, the Greek authors further explored their characters and displayed their malice in greater depth. As can be seen from myths and drama, this fear as it surfaced in ancient Athens is voicing of the male concern that women are a threat to their masculine society and have the potential to disrupt and destroy

Religion, literature, and art have historically illustrated a virtuous woman as a submissive, fragile being. Her moral purity is desirable compared to the contrasting dangerous depiction of a woman that deviates from this male contrived ideology. Sexually liberated and independent characteristics in a female figure are often accompanied by malicious and cunning intentions. When femininity is used as a seductive tool of destruction, the concept of the femme fatale, or fatal woman, is introduced. Her attraction is irresistibly detrimental. Written works often utilize this archetype as a literary device to symbolize a threatening temptation. This concept is represented in the Epic of Gilgamesh and Homer’s The Odyssey. Both exploit luring women

            The moon is often seen in literature as an allegory for love, virtue, and chastity. In Shakespeare's comedies, especially, the moon is personified as Diana, the Roman goddess of chastity. In these comedies, the foolish antics of lovers (literally, "lunatics") usually occur under the auspices of the chaste goddess, the lovers behaving like hounds about her feet that snap at each other in competition for her bounty. The moon as allegory for the lunacy of romance helps us understand Shakespeare's view of romance. In the

The Greco-Roman society was a very patriarchal society. This is reflected throughout the myths in classical mythology. By looking at the classic mythology we will see that the roles women portrayed are very different than women’s roles in today’s society. Although there are a few similarities to women’s roles in today’s society, their roles are more like those women in the past. We can see this by looking at the attributes of Greco-Roman female gods and looking at the roles women play in the myths. By comparing the roles of women in the myths with women’s roles today we will see that the roles have many differences and few similarities.

The role of women in Greek literature has demoralized them and showing them in a maligned light. The women are portrayed as frail, cruel, insensitive, or as seductresses. These characteristics have been integrated into today’s society and [have] built the standards and defined the moral outlook of women. However, in Greek mythology, powerful and strong women are not as well celebrated, such as Athena. Homer’s The Odyssey construes the positive and negative role of women through the epic poem. The women in the poem are depicted through the contrasting actions of Penelope and the maids, in addition with the opposite personalities between the goddess Athena and the nymph Calypso.

The role of women in ancient Greek life was insignificant compared to that of Greek men. A woman's job was to take care of the children and to cook and clean unless she had servants or slaves that would do it for her. Yet, in Greek mythology, women were often written as major characters. Well-known Greek plays contain many well-written, complex, female characters. Female individuals in Greek mythology were often seen as very powerful and fierce and were depicted by “her wits, her beauty, or her bad deeds.”

A love goddess is a deity associated with sexuality, love, fertility, beauty, and in some occasion’s death. These goddess are common in mythology and may be found in many polytheistic religions. Although there are vast differences among these goddess’, since they have to serve each particular culture’s needs, there are also many similarities that can be drawn to them. There are two love goddess’ that are believed to have many similarities, they are the Greek goddess Aphrodite and the Norse goddess Freya. Although these goddess’ have many differences some similarities are their appearance, lost lovers, a love of beautiful things, charm, an association with the sea, the day Friday and fish.

Widely regarded as both a Misogynist by some and a women's rights symbol by others, literary genius and widely controversial author David Herbert Lawrence was born in 1885, around the time of the Women’s Rights Movement in the United Kingdom. He lived in Eastwood as the son of a coal miner and a school teacher. There was constant fighting between Lawrence’s parents, but Lawrence developed a deep bond with his mother who encouraged her son to be educated. When Lawrence started writing, many of the characters in his stories were inspired by the women that were in his life and gender always seemed to be emphasized as a concept of importance. A notable and common theme demonstrated by D.H Lawrence in "Her Turn" and "The Rocking-Horse Winner"

Many religions and cultures no matter how small or large have creation myths and legends that were deemed to be important to their livelihood. Mythology was a tool that was used to explain how the world came to be. It gave explanations for how the seasons change, where humans come from, why there are specific rituals for a certain culture, and structure to how societies were governed. In Classical Greek mythology patriarchy is a common theme that was used for how society was governed. Zeus became king of the gods and from the mythologies created Ancient Greece followed the ways by which the gods lived. The Greek goddesses didn’t obtain higher power unless they had to threaten another god or they were working with a male god. Patriarchy was used in mythology to promote the male domination of government and the mainstream governing forms of the Ancient Greek world. Examining the story of Hesiod's Theogony we find instances that there was a patriarchal structure.

Not all mythology comes from ancient cultures. People all around the world continue to create new myths and rework existing ones. Modern technology such as movies, publishing, telecommunications, and the internet allow folktales, rumors, and myths to travel faster around the world. A feature of some modern legends is that they originated as artistic creations. Modern legends offer images of the best and worspect aspects of mankind. Modern myths suggest that good behavior can be rewarded while greedy and foolish behavior will be punished. While modern mythology is different from ancient mythology they are similar in that monstrous and scary partly human creatures still fascinate people today. Vampires and Werewolves are examples of modern mythologies most fascinating monsters. Modern mythology spawns from life’s wonder, excitement, mystery, and fear.