Examples Of Paganism In Dante's Inferno

Thus, it was unsurprising to find that Pope Sixtus IV built a library that still remains as one of the richest repositories holding ancient, medieval documents. This movement of humanism was largely praise because the viewed humanity through a Christian lens as Renaissance humanists strongly believed that men and woman were made in the image and likeness of God. For example, Pico Mirandola represented man as one in possession of great dignity in his essay, ‘On the Dignity of Man’. Further, Renaissance humanism caused individuals to become increasingly self-conscious about their current lifestyles and their realization of human potential. Humanism heavily influenced much of the Renaissance culture, causing people to depend upon intellect its role in humanity breakthroughs.

The Italian humanism was able to change an individual's role of society through education, civic humanism, and individualism in art. In the Middle Ages the world was barbaric, but the Renaissance was able to transform many individuals into civilized citizens for their community, civic humanism. Individualism and secularism are both important aspects of the Italian Renaissance that derived itself from humanism.

From art brought on by the Medici family, to literature produced by some of the most well-known and renowned authors, concepts of humanism emerged. This then resulted in a more positive outlook on life during the Italian Renaissance. Moreover, Francesco Petrarch, the “Father of Humanism,” paved the way for successful eras in Florence, the epicenter of the Renaissance. The conditions of Rome as described by both Baldassare Castiglione and Dante Alighieri crucially inspired the artistic and literary Renaissance of Italy. Reviving Rome lead to a faith in humans, allowing revolutions to build off of the past, as opposed to starting from the beginning. Obviously key factors as demonstrated by the infamous writers Baldassare Castiglione and Dante Alighieri forever and crucially impacted western

The Renaissance was the entrance to a change in the overall worldview of man. Humanistic thought began to grow more and more prevalent, and showed itself through art, architecture, and manuscripts. Humanists believe that man is autonomous, that humans are powerful enough to survive, thrive, and conquer without any spiritual help. It is a very self-centered way of thinking, destined to fail. One example of an artist who portrayed this through his work, was Michelangelo. His sculptures “men tearing themselves out of rock” give a bold humanistic statement. Man, as man, with no help is tearing himself out of rock. Man will free himself. Man is great. Leonardo da Vinci, the brilliant chemist, mathematician, musician, architect, anatomist, botanist, mechanical engineer, and artist, understood the end to which humanistic thought would lead.

Dante’s descent into Hell in Inferno, the first part of his Divine Comedy, tells of the author’s experiences in Hades as he is guided through the abyss by the Roman author, Virgil. The text is broken into cantos that coincide with the different circles and sub-circles of Hell that Dante and Virgil witness and experience. Inferno is heavily influenced by classic Greek and Roman texts and Dante makes references to a myriad of characters, myths, and legends that take place in Virgil’s Aeneid, Homer’s Iliad and Odyssey, and Ovid’s Metamorphoses. Some of the most important references, however, are the most obvious ones that are easily overlooked simply because of the fact that they are so blatant. Dante is being escorted through Hell by the

Dante’s The Inferno is his own interpretation of the circles of hell. The people that Dante places in hell tried to validate their offenses and have never seen the injustice of their crime or crimes. They were each placed in a specific circle in Hell, Dante has nine circles in his hell. Each circle holds those accountable for that specific crime. Each circle has its own unique and fitting punishment for the crime committed. There are three different main types of offenses; they are incontinence, violence, and fraud. These offenses are divided into Dante’s nine rings of Hell. Each of these rings has a progressively worse punishment, starting with crimes of passion and

“The Christian church … conceived of hell as a place where the good were separate from the evil, and the deeds on earth were weighed and judges.”(Bondanella XXXIII) Hell is a place that was created as a punishment for those people who died with mortal sins and did not ask for forgiveness. In this case Dante’s hell in the Inferno is divided into three sections and nine circles. These circles within hell were based off of the seven deadly sins: lust, gluttony, greed, sloth, wrath, envy, and pride. Along with the seven deadly sins Dante’s Catholic religion also influenced him in his choices about who to put and where to put people in Hell. According to his beliefs, if you were not a Christian, you automatically went to Hell. (Trotter) As well even though Dante's hell affected all people no matter their religion, the representation of how Hell

After emerging from the dark woods after Dante’s vision, Dante and Virgil find themselves at the gates of Hell, which were inscribed with “Abandon every hope, Ye that Enter.” ( This should be found in the second or third Canto of The Divine Comedy, at the place that Dante and Virgil are about to enter Hell). If it is not there, just leave the sentence and remove the brackets for the citation) Hell is a funnel shape pit that is divided into nine terraces. Virgil, Dante’s escort resides in the area known as Limbo. He is placed in this area because he died before Christianity. Nevertheless, Virgil is not subjected to Hell. Each terrace provides living space for individuals who were in Hell for the different categories of sin for which they were suffering. The lower the terrace, the more severe the punishment. Satan resides in the very bottom level of Hell. Dante gives a very vivid description of his first sight of Satan when he writes, “The emperor of the despondent kingdom so towered—from midchest—above the ice, that I match better with a giant’s height than giants match the measure of his arms; now you can gauge

Dante loathes those who start trouble and prevent civilians from living together peacefully. In circle eight, he also indicates his contempt for the Catholic church through his encounter with Pope Nicholas III, a man in Hell for selling privileges of the church, which he used his religious power for the wrong needs and stole money from the church for his own desires.

Dante's `Divine Comedy', the account of his journey through hell, purgatory and heaven is one of the worlds great poems, and a prime example of a most splendidly realized integration of life with art. More than being merely great poetry, or a chronicle of contemporary events, which it also is, the `Comedy' is a study of human nature by a man quite experienced with it. The main argument I will make in this essay is that Dante's `Comedy' is chiefly a work of historical significance because in it lies the essence of human life across all boundaries of time and place. I feel that such a reading is justified, nay invited, by Dante himself when he says;

The theme of equilibrium between reason and faith is one of the core messages of Inferno and it is essential in conveying the main idea of the Divine Comedy and of the pilgrim’s journey that the exploitation of intellect and the misuse of will is the cause of sin, and that through faith, those who are morally lost find their salvation in God. In Inferno Dante makes it clear that he greatly values knowledge and reason in a way that is more characteristic to the Renaissance rather than of his own Medieval time. However, throughout this first book, the author reminds the audience of the Christian nature of his poem as he uses the stories of the sinners he encounters to stress the idea that without faith, the intellect is not sufficient to achieve divine salvation and that the misuse of reason can often lead to terrible sins.

C. His writing style not only consisted of some literature firsts, but also his ability to make the reader feel present in the story

In Dante's Inferno, Dante places people of all types into one of the nine different circles depending on what they had done in their life and what punishments they deserve. His religion is what said which sins made someone have to spend eternity in Hell and what sins were worse than others. Some of the sins Dante chose to be included in his own version of Hell are wrath, sloth, greed, lust, and gluttony. These sins were seen as some of the worst in the Catholic religion, which influences Dante’s decision to have them in Dante's Inferno. Some of the other sins Dante chose also exemplified his strong Catholic faith. For example, the people who fall in Limbo did not believe in God and in the Catholic religion, this means they were not saved and would therefore end up in Hell (Brantl 208). Dante, just like all catholics, believed that going against God was a sin. In Dante's Inferno, there are punishments for people who go against the catholic religion and the Lord as well as betray them. Dante’s religion also influenced his choices for whom he put in hell and where. According to Dante, no madder how good of a person you are, if you didn't believe in God and Christianity, you were sent to hell. Hawkins says that “…Limbo, the first circle of hell. It is beautiful, refined, civil, and dead. Knowledge may well be perfection, but it is the knowledge of God, the beatific vision, that is the journey’s true end” (107).

Dante’s Inferno is an epic poem that is clearly centered on his hate for Pope Boniface VIII. Dante’s “circles of hell” described so vividly in his poem are the result of Dante’s angst toward Boniface as he was once on top of the world until Boniface exiled him only because of his political opinions. Although, he does not clearly name Boniface in the epic he makes sure to include him in five obscure allusions. The first instance alludes to the incumbent pope before Boniface, Pope Celestine V, as the one “who made the great refusal” in the circle of neutrals; as he allowed Boniface to plant seeds of doubt in the months before he suddenly and unexpectedly resigned, leaving Boniface the Pope. The second allusion would place Boniface perfectly in the eighth circle, sixth pouch as the fraudulent sinner he was to prey on Celestine with his utter gift of fraudulent gab to gain a political position of power. The third, fourth, and fifth instances all point to his questionable practice of selling indulgences or absolution. So, therefore, just because he cannot directly mention Boniface in his epic due to him still being alive during the time of his writing, he still manages to make it a point to let him know there is a place for him in Hell.