Examples Of Postpartum Depression In The Yellow Wallpaper

He even becomes upset when she wishes to write, causing this story to be "composed" of writings she manages to do in secret.  John places her in the attic of the mansion, like a dirty secret, in what she believes to be a former nursery.  There is, however, strong evidence that the narrator is not the first mental patient to occupy the room - there are bars on the windows and gouges in the floor and walls; the bed is bolted down and has been gnawed on and the wallpaper has been torn off in patches.

She has found purpose in this paper. Indeed she cannot be understood by anyone except the woman in the yellow wallpaper. Her creeping about is symbolic of her hiding, sometimes in broad daylight, from a world that looks at her as an outcast because she doesn’t want to be a typical domestic ornament. Perhaps the yellow wallpaper acted as a mirror for our narrator. As she peered into the wall’s secrets night after night her vanity gradually became insanity. She knew she could not free herself in the world she lived in.

and having carefully analyzed the text, I am leaning towards a diagnosis of, major depressive disorder. The observed symptoms, which the protagonist seems to line up with the following symptoms listed in for Major depressive disorder in the DSM-5 checklist provided in the book (Comer, 2014). In the short story, the protagonist has mentioned and expressed with her actions feeling: in a depressed mood for most of the day, Daily diminished interest or pleasure in almost all activates for most of the day, Decrease in daily appetite, experiencing hypersomnia, daily fatigue or loss of energy (Comer, 2014). These things mentioned are symptoms that are categorized as being

It is difficult to discuss the meaning in this story without first examining the author’s own personal experience. “The Yellow Wallpaper” gives an account of a woman driven to madness as a result of the

    "The Yellow Wallpaper" takes a close look at one woman's mental deterioration. The narrator is emotionally isolated from her husband. Due to the lack of interaction with other people the woman befriends the reader by secretively communicating her story in a diary format. Her attitude towards the wallpaper is openly hostile at the beginning, but ends with an intimate and liberating connection. During the gradual change in the relationship between the narrator and the wallpaper, the yellow paper becomes a mirror, reflecting the process the woman is going through in her room.

The forceful tone throughout the passage I chose, and story, shows that Gilman was forcefully trying to get her point across through the narrator of the story, that resting, and confinement were not the answers to curing mental health issues, such as postpartum depression, in the late nineteenth century, “Personally, I disagree with their ideas. Personally, I believe that congenial work, with excitement and change, would do me good. But what is one to do? I did write for a while in spite of them, but it does exhaust me a good deal- having to be so sly about it, or else meet with heavy opposition” (Gilman, P. 462). She is forceful. She does not agree with the ideas of rest and confinement as a cure. The narrator wants to be able to be free and live with the normal excitements of life. In addition, she states forcefully, that she writes in spite of her husband and brother. The narrator knows that writing helps her and wants the reader to know that she continues to do it anyways, because she knows that it is in the best interest of her health, to be able to clear her head, by writing down her

After securing herself in the room the narrator says, “I suppose I shall have to get back behind the pattern when it comes night, and that is hard”! She has began to believe that the women behind the wallpaper is herself and that she must return to her rightful place come night fall, proving that she has gone completely mad. The character’s illness develops form her paranoia and curiosity about the ‘trapped women’ within the wallpaper to

The essay, "Why I wrote the Yellow Wallpaper" by Charlotte Perkins Gilman was written primarily for the purpose of explaining the meaning and reasoning behind her semi-autobiographical short story, "The Yellow Wallpaper". Before stating these reasons, Gilman explains that she had been suffering from a "severe and continuous nervous breakdown tending to melancholia--and beyond" (Gilman, 1913). After three years of this torment, she decided to go see a specialist in nervous diseases. The doctor she went to was named Dr. S. Weir Mitchell. Dr. Mitchell advised Gilman to be put to bed and to apply the rest cure, along with living a domestic life with limited amount of intellectual interaction and to never "touch pen, brush, or pencil again" (Gilman, 1913). As intimidating as this sounded, Gilman took the advise of her doctor, and followed his every suggestion for about three months. She had reached a point of almost complete mental ruin at the end of these three months, that she had to cast aside the specialist's advice. Instead of following his instructions, she began to work again. Ultimately, this is when and where "The Yellow Wallpaper" was written.

Jane is often irritated from the wallpaper in her room. The wallpaper above her bed is stripped off and this bothers her immensely. She claims, " I never saw a worse paper in my life"(4). In fact, she hates it with great passion by saying "no wonder the children hated it! I should hate it myself if I had to live in this room long"(4). She refers back to the children from her imagination, the children that were living in the so-called nursery before her. Towards the end of the story, Jane learns to hate the room as a result of spending so much of her time in there. She is really disturbed from the patterns of the wallpaper. Jane comments on the patterns, as "a constant irritant to a normal mind"(12) because she thinks that she has a normal mind. The color is "repellent," that is, "almost revolting." She says that "it is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide" (4).

She is told to treat her depression with "rest cure”. Rest cure means she must lay in bed all day long and is only allowed to do anything else like socialising and activities for 2 hours a day. She thinks this is wrong and is only making her worse she says “I sometimes fancy that in my condition if I had less opposition and more society and stimulus but John says the very worst thing I can do is to think about

She has insufficient human contact and just wants her baby, which is then, causing her to imagine nonexistent people. The room might have made her feel as if she was in jail or something due to of all of the room’s unconventional characteristics. With this in mind, she could have recognized herself in the figure and decided she wanted to let the figure free. In the meantime, it caused her to grow an obsession with the figure and she slowly became the figure in her mind. She got angry at her husband for not letting her see her child, so she retaliates by peeling the loathsome wallpaper.

the room with yellow wallpaper. She imagines women like her being trapped behind the peeling

Imagine having a mental illness in the 1800s with no doctors that actually have experience with these conditions. Charlotte Perkins Gilman has written this short story to relate to her mental condition. She has come up with a character that goes through a similar illness and undergoes the rest cure. In the 1800s, the rest cure was believed to cure someone with a mental illness by not allowing them to read, write, or speak to anyone. They could only lay in bed and eat the food that they were given.

Her descriptions and obsessions with the wallpaper as viewed from her perspective, truly draw readers into her downward spiral to ultimate insanity. Readers follow her in her mind from a nervous condition through her mild subsequent pleadings for alternative treatment to eventually "creeping" through the wallpaper with her--experiences which readers grasp within a powerful narration indeed. Through her, and only her is precisely how readers clearly knew how she felt at the end when she says, "I've got out at last in spite of you and Jane. And I've pulled off most of the paper, so you can't put me back!" (330). Husband John fainted, he had no idea she had gone that far, but readers did.

The windows of the room are barred, and there is a gate across the top of the stairs, allowing her husband to control her access to the rest of the house. She doesn't like this new room that her husband picked for her at all. John doesn’t want her do anything even writing one word. He treated her like a baby, he calls her as “little girl”. When the narrator told John that she wants to move out because she is afraid of this room, John refused and think she is getting better. She feels really hopeless about these spiritual. Without anything can do, she becomes interested in the pattern and color of the wallpaper. She wondered what is behind the paper. "It is the strangest the yellow, that wall-paper! It makes me think of all the yellow things I ever saw — not beautiful ones like buttercups, but old foul, bad yellow things. But there is something else about that paper—the smell! ... The only thing I can think of that it is like is the color of the paper! A yellow smell." In the last few days, she imagines there are women creeping around behind the patterns of the wallpaper, and started to believe that she is one of them. The climax appeared at the end of the story, the narrator was trying to climb out of the room in the complete nervous breakdown. She tore up almost all the wallpaper, hidden the key. When John found the key and went into the room, he was dumbfounded about her behaviour. The narrator said to her husband John, “so you can’t put me back” then he fainted. She crept over his body, escaped from the house, it’s a pity that the narrator been mentally disturbed