Programmatic music amongst all other genres is one of the most intriguing as it creates imagery in one’s mind and positions the listener to imagine the unknown. The purpose behind a piece of programmatic music is to tell a story, whether it be a tale of love and loss or one of childhood fantasy. These musical stories are told through a variety of compositional devices along with the manipulation of the musical elements. The classic Shakespearean story of Romeo and Juliet has been effectively retold through the eyes of well-known composer Tchaikovsky in his piece Romeo and Juliet Overture, written in 1880. Paul Dukas, French composer, has also achieved success in portraying narrative through his composition The Sorcerer’s Apprentice, written in 1897. These works, although composed in the same period of time, hold unrelated meanings and incredibly differing stories behind them. This being said, both compositions are similar in the way that they convey meaning through the manipulation of musical elements and compositional devices. Tchaikovsky, composer of Romeo and Juliet Overture has effectively portrayed the tragedy behind the Shakespearean play Romeo and Juliet through the manipulation of musical elements. The piece begins with a hymn like theme that is played by woodwind instruments at a moderate tempo with little movement in dynamics. This use of timbre, expressive devices and duration depicts the church setting for the character Friar Lawrence. At 0:52 the …show more content…
This being that they are both programmatic meaning that were written with the purpose of telling a story. Through the manipulation of the musical elements and compositional devices both Tchaikovsky and Paul Dukas have effectively depicted imagery and portrayed meaning through their works across a series of themes throughout their stories that progress with the
There are many songs that allude to Romeo and Juliet. The song “I'd die for you” by Bon Jovi, has a specific line that resembles Romeo's feelings for Juliet, “I’d die for you, I'd do anything, I’d lie for you, you know it's true baby I'd die for you I'd die for you I'd die”. As said in the quote, Romeo's feelings for Juliet are strong enough that he would we willing to die for her, in which case he did. The theme of this song is fate vs. free will and has a motif of death/sleep. Also, the conflict that is similar to the play is whether or not you love someone enough to die for them.
In this essay, I will take a gander at the play of Romeo and Juliet. I will examine how Shakespeare has utilized dialect in the play for symbolic impact. I will also see how Shakespeare has displayed love and the path in which Romeo and Juliet converse with each other, I might choose whether their affection was genuine and discuss their parents differentiating perspectives and conclusions. I will likewise remark on the play's pertinence today and perceive how Shakespeare has utilized dramatic devices and structures to improve the discussion between the youthful lovers. All throughout the play, there is a consistent theme of love and destiny, I will be dissecting this subject and show how it influences Romeo and Juliet.
The Most Excellent and Lamentable Tragedy of Romeo and Juliet, is one of William Shakespeare’s most famous plays, published in 1597. It is a story about how, “A pair of star-cross’d lovers [Romeo and Juliet] take their lives…/The fearful passage of their death-mark’d love…” (Prologue of Romeo and Juliet, 6-9) as they are forbidden to be together due to a long lasting and ongoing feud between the Montague and Capulet families. Their deaths are the results of many characters’ actions and fate, and there is not one distinctive person that can be blam¬ed for the young lovers’ deaths. Friar Lawrence is not to blame for these deaths as fate played a major role in their demise, he warned Romeo of his impulsive and unwise decision making, and his intentions were to abolish the ongoing feud between the two families. Further examination will prove that Friar Lawrence is innocent and his intensions were far from the passing of the two lovers.
Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.
Through studying and analyzing ‘Maestro’ ,written by Peter Goldsworthy, and by viewing and analyzing the film ‘Edward Scissorhands’ directed by Tim Burton, it is evident that the composers of these texts allow the audience to see distinctive experiences with our eyes as well as with our minds through distinctively visual. The many visual, written and literary techniques have the ability to create a significant and impacting visual.
Both texts are connected by an exploration of rebellion and revolution that have direct relevance to the composers and their audiences.
Many composers use various techniques in which they communicate the distinctly visual. John Misto’s ‘The Shoe-Horn Sonata’ and Alexander Kimel’s ‘The Action in the Ghetto of Rohatyn, March 1942’ represent significant issues in our world by using various literary and dramatic techniques. Through using these techniques it is evident that the composers of these texts allow the audience to ‘see’ with our eyes as well as with our minds. The many literary and dramatic techniques have the ability to create a visual that
A composer depends entirely upon the nature of the film for all the clues needed to write a suitable score for a film. Brought into the production after a certain amount of film has been shot, the films concept will dictate how the composer will write the music. Whether based on the story line, or providing information by setting an atmospheric state, film music will always have different purposes between different films. Penguin Ballet by Nigel Westlake was composed to focuses upon the graceful, almost ballet like movements of the penguins underwater. Whereas, Writings on the wall by Sam Smith conveys ideas and messages which will be expressed throughout the film, especially through the use of lyrics. Although positioned within the film to provide contrasting messages, both these songs use similar musical elements to support the piece, and its position with the film. The discussion of this essay is that there are similarities between the musical elements that support the lyrics in a song and the action in a documentary. Through this, we will discuss the musical element’s of pitch, and timbre and texture.
Composers’ representations of the complex relationship between people and politics are influenced by various moral and social agendas, whereby a portrayal of reality and meaning is inherently subjective.
Romeo and Juliet is a renowned play by the widely known, William Shakespeare. However, I will only be talking about act II, scene III of this play. In this part of the story, the relationship between Friar Lawrence and Romeo is shown. Although they are years apart in age, they seem to have a brotherly relationship. In this act and scene, the reader, or actor, has a chance to understand the characters better. You are able to find character traits. For instance, Romeo is impulsive, dramatic, and reckless. Also, Friar Lawrence is attentive, hopeful, and very trustworthy.
“Romeo and Juliet” by William Shakespeare has been read in schools around the world ever since schools have existed. One of the characters in the play is Friar Lawrence, who makes many influential decisions that affect the story. Friar Lawrence marrying Romeo and Juliet causes more problems than it solves. Also, Friar Lawrence’s plan for Juliet to fake her death is one of the worst decisions in the play that leads to terrible tragedy. Finally, Friar Lawrence had the chance to save Juliet from killing herself after she awoke, but he gave absolutely no effort. Shakespeare used Friar Lawrence as a major driving force in the tragedy.
Sound painting is also displayed in many of the works. The entire pieces except Stravinsky’s I would say are undoubtedly romantic works. An additional unifying theme that I detected in all the pieces was that there lies unconventional beauty and one must carefully listen to recognize its presence.
Thus the outcome of the play is tragic.Friar Lawrence is man who love too much and because he loves too much he helps out. Because of this a lot of useless violence appears in the play. “violent delights have violent ends” he foreshadowed the death of Romeo and Juliet. Another theme is that love can end hate. Friar believes this because he wantsRomeo and Juliet together married to end the feud between the two families .Without the secondary role of Friar Lawrence the outcome and themes of the play would be different. If one character were to be left out fate would probably not have been the thought of a part in the play. And that’s why I think the most important secondary character in the play Romeo and Juliet is Friar Lawrence.Miguel Garcia, certify that I have personally completed this assignment based on my own personal efforts. I understand if I use outside sources, I must properly give my source(s) credit using the APA format and my paper should not include more than 20% of direct quotes from other sources. I understand if I do not provide proper credit to outside sources, I will be documented for plagiarism and be required to resubmit a new
Beethoven contributed one of the most significant musical developments through his fifth and ninth symphonies. He used a musical motive as the basic of his entire piece. (Beethoven described the motive as “Fate knocks at the door”.) It was the first time in history that anyone had done such a thing for a multi-movement piece. Beethoven’s contribution has become a norm in the music world, even to this day.
The general plan of Tchaikovsky’s symphonies includes a very 'pessimistic' first movement, a sad, peaceful second movement, an allegro movement (often in dance form) and a fourth movement full of vigor. His 6th symphony, the Pathetique, is an exception. The themes are broad, decorative, and striking. The orchestration is rich - but without any attempt at spectacular effects. The last movement is slow and mournful, and recent research reveals the reason. The Pathetique was only partly finished when news spread of a homosexual 'encounter' Tchaikovsky had with a fellow student. Some believe that the composer finished the symphony as a farewell to life. The scoring is for the standard symphonic orchestra with winds, brass, strings, timpani, and other percussion instruments. It was premiered in St. Petersburg with Tchaikovsky himself leading the orchestra.