Examples Of Racial Discrimination In Harlem

In this story he was a young black man who recently graduated from high school and was given an opportunity to giving a speech to the towns established white leaders. To him, this was a great opportunity for him to become visible in the eyes of whites. He had high hopes of gaining acceptance that in turn would lead to a brighter future. He had no idea that the humiliation that he would have to go through in order to fulfill this opportunity. When he arrived, he was told that in order for him to give his speech, he would have to take part in the entertainment known as the battle royal, by being blindfolded and put into a boxing ring with nine other black men that he had went to school with and beat each other to a pulp. During the battle, not only did he have to deal with being beat up, he also had to endure the racial slurs such as, "Let me at those black sonsabitches; I want to get at that ginger-colored nigger. Tear him limb from limb” (Ellison, 4), that came from the drunken white men that he was trying to gain acceptance from. Although they allowed him to give his speech, they continued to humiliate him throughout his speech. It is amazing the lengths that one would go through to obtain

At the beginning of “Battle Royal,” the author, Ralph Ellison writes “…first I had to discover that I am an invisible man!” (1149). The narrator of the story has come to feel this way as a result of the actions of the white men in the story. The men seem to see the narrator’s physical being, however they lack to gain a sense of what he is able to accomplish. They refuse to acknowledge the greatness in which he is capable of due to the color of his skin. Because the story takes place during the early 1900’s, racism plays a prominent role within everyday lives. The main event which may elaborate on this statement is when the protagonist is granted the opportunity to deliver a speech, which is very important to him. The racism occurs during this event when his audience flat out ignores him and continues to talk over him until he says something that they don’t necessarily agree with. The white men seem to instantly take charge of his fate and tear the protagonist down in order to show that they are the ones who hold all of the power. This keeps the main character feeling helpless and a sense of invisibility.

In Ralph Ellison’s “Battle Royal,” the narrator begins with an old memory that haunts him; his grandfather’s last words to his family. Though the old man lived a quiet life in the shadows of the white man, he tells them to do the same, but also to not get undermined by them and be a “spy in the enemy’s country.” The speaker transitions to a specific night that he lived through the day after his graduation. Due to his brilliance and accelerated knowledge he is invited to a “smoker” event where all the topnotch white men go to smoke, drink, and for their peculiar entertainment. The event begins with young black men being rounded up as cattle and forced to witness a naked woman sensually dance for the men. As all men are aroused the white men

The simple game of basketball introduced in 1891 has slowly changed over time in response to new social and political changes occurring in the U.S. The jazz age contained the New York Renaissance, more commonly known as the Harlem Rens, who were the first all-African American professional basketball team. The Rens, through incorporating their black style of improvisational play on the court, differed greatly from all other teams, and earned their title as world champions. As world champions, the Rens were still subject to racial discrimination, but through their success, they were able to create awareness of their talent, develop a following of support with African Americans, and break racial barriers along the way. The black style and sportsmanship the Rens displayed produced many accomplishments breaking racial barriers in a manner that influenced the next generations to continue from, paving the way towards achieving racial equality.

Social injustice is any form of hate, prejudice, or discrimination towards any group of people. Social Injustice can be towards any person regarding their race, religion, or gender. People often have prejudice against Black people as being poor or gang affiliated drug dealers. This is social injustice even though many African American are not what is stereotyped about them but they still face the consequences of discrimination and prejudices everyday. Unjust shootings, fatal chokings, beatings and rough treatment have all contributed to the present problem of social injustice against African Americans in the United States. In the past and recent history African Americans have experienced many social

"Race pride" and "race consciousness" cornerstones to the Harlem Renaissance, were closely linked to a new understanding of the African heritage of Black American(Marx 170). The Harlem Renaissance was a period between 1920 and 1940 of great cultural, economic and identity assertion among talented and expressive African Americans. Its high point occurred between 1920 and 1930 but it had started before then and continued after. The art, literature and music of the Harlem Renaissance expressed the rebirth of the African American spirit and it was born in the minds of its poets and in the hears of its common people. Such emotions were expressed in songs, essays, artwork, and dance. The Harlem Renaissance brought along racial pride for blacks.

Ultimately, the narrator realizes because of racial stereotypes, people see him for how they want to see him; he decides to be invisible. During the battle royal scene, the black men, including the narrator, transform into the racial stereotype of a violent animal, “The boys groped about like blind cautious crabs crouching to protect their mid-sections, their heads pulled in short against their shoulders…” (23). The men don’t realize they are acting like servile savages because they are wearing blindfolds; they are blinded by the truth. In addition, when the African-Americans try to collect the fake coins on the electrified ground, again they

The treatment of blacks is frightening. The white society really believes that blacks deserve no better. In his article “Imagery in the ‘Battle Royal’ Chapter of Ralph Ellison’s Invisible Man,” Norman German states, “the animal imagery graphically highlights Ellison’s theme that when one sex or race treats another as an object or animal, both become dehumanized or bestial” (1). Ellison stated, “Much of the rhetorical and political energy of white society went toward proving to itself that we were not human” (German 2). The white men in “Battle Royal” not only treat the young black men as animals, or objects, but also the stripper. Therefore, they become animals themselves.

Throughout the story there is circus imagery, which is significant to the story in several ways. A circus is commonly known for being the entertainment for a large group of people and is also characterized by a variety of acts and events designed to arouse the awe and fascination of the crowds. The young African-American men in the story are forced to participate in a variety of events designed for the sole purpose of entertaining the crowd of white men. This is effective because it is very compelling in the way whites used to treat blacks. They looked at them such as "circus animals" and felt empowered to do whatever they wanted, making them look like clowns.

The entertainment not only came from the black men fighting over coins, but little did the blacks know, the rug was electrified. The narrator tells us “I lunged for a yellow coin lying on the blue design of the carpet, touching it and sending a surprised shriek to join the rising around me. I tried to frantically to remove my hand but could not let go. A hot, violent force tore though my body, shaking me like wet rat. The rug was electrified.” (27). The white men make the narrator feel inferior to them by making him the course of their entertainment. They make him feel ashamed and worthless. His feeling of invisibility not only comes from the belittling remarks they make, and what he has to do, but also the thought that the whites have that much control over what he is doing.

Racism or racial discrimination is the direct opposite of being loving and therefore stops people from becoming the Jesuit ideal of being men and women for others. Poems, the literary arts and motion pictures can offer an escape for those affected by this type of bigotry. Unfortunately, there has been other examples of racially prejudiced poems, literary arts, and motion pictures. For example the 1915 film Birth of a Nation was a groundbreaking film that led to the emergence of the Second Ku Klux Klan. The movie dealt with the Civil War and the Reconstruction era of the United States. The reason why this film is so controversial is that it portrayed African Americans as not smart and also sexual violent, while portraying the KKK as a just and chivalrous force for good. This film influenced the Harlem Renaissance Poets because it illustrated how hate and discrimination existed against African Americans. That is why racial discrimination is one of the most important problems. Racial discrimination and stereotypes are important to consider in modern times because they are the opposite of love, which is hate. The poetry I chose that dealt with how African Americans not only survive with racism but learned how to defeat it.

The “big, red-lipped negro” summarizes exactly what the Invisible Man is trying to escape; the established prejudice of the early american white society. At the time, being black generalized a person into a single group. Where a white person could be a highly educated, smart lawyer or could simply be a homeless person on the street, however, if one was black, one was black, and nothing more. The Invisible Man tries to defy that stereotype by distinguishing himself. From writing the speech that gets him the scholarship to the University, to joining the Brotherhood for the sake of black progressiveness. He constantly tries to break free of the bigotry and stereotyping that confines him in the eyes of the white society. As he tries to escape the racism that surrounds him, he realizes that he is an Invisible Man, and will amount to nothing more than any black person walking down the street. The piece of early Americana represents his inability to escape the deeply-instilled bigotry in white society.2

     Between 1910 and 1920, in a movement known as the Great Migration, hundreds of thousands of African Americans uprooted from their homes in the South and moved North to the big cities in search of jobs. They left the South because of racial violence and economic discrimination. Their migration was an expression of their changing attitudes toward themselves, and has been described as "something like a spiritual emancipation." Many migrants moved to Harlem, a neighborhood on the upper west side of Manhattan. In the 1920's, Harlem became the worlds largest black community; also home to a highly diverse mix of cultures. This unprecedented outburst of creative activity exposed their unique culture and encouraged

Ras is a militant black nationalist who says he is from the West Indies. He calls the narrator a traitor for not militantly standing up against the white establishment in Harlem. He gradually gains more power and influence as the novel progresses forward. He aggressively opposes the brotherhood and incites race riots in

2. A ship is a significant term regarding the context of diasporic culture because it is a vehicle which can move between various places. Ideally, it could be used as a tool to explore one’s identity. The image of the ship is utilized in almost all the texts which we have read thus far this semester, from texts such as Claude McKay’s Home to Harlem to the opening scenes of Zora Neale Hurston’s Their Eyes Were Watching God to Marcus Garvey’s essays and speeches in Philosophy and Opinion. Where ships remain a metaphorical component of the two fictional texts mentioned, it represents a vehicle which would further a Pan-African agenda in the second. In Home to Harlem, McKay’s protagonist, Jake, spends his time on various forms of transportation, such as trains. However, he begins his tale on a freighter on his way back to Harlem. The first image we see of him is one on a ship, making a choice to come back to the United States. As an American protagonist, Jake’s diasporic identity has been created by ships through the slave trade while simultaneously being steered by ships through his own autonomy regarding decisions on where to live at any moment. As mentioned before, Marcus Garvey’s essays and speeches hinge on the return to Africa. This return would be accomplished through the Black Star, which never began its journey in relocating black individuals to Africa. Overall, both texts represent ships as a vehicle which can give individuals with diasporic backgrounds some form of