Examples Of Racism In The Native Son

In the film “Native Son” by Richard Wright, Bigger Thomas is the main character of this film. In the begging Bigger had to kill a rat, he lived with just is sisters and mother meaning he had no father figure in his life. Bigger went straight to the streets with his friends to plan a robbery on the Bum’s store. They felt like since the owner was a white male they needed to bring guns; the plan fell threw. Bigger gets a job offer from the Daltons family, he goes to watch a movie about the daughter Mary Dalton. Leads to Bigger finding out that Mary is dating a communist and that herself is rebelling against her family. After the movie he met up with his friends again and when one of them are late Bigger gets full of anger bringing out a knife of his friend. After the argument with his friends Bigger goes

He is not a very nice person. He is rude to his mother, he is a bully to his sister and to his friends. However, the situation that Bigger is forced to be in, and what drives him to make most of his actions, creates a sympathetic tone where the reader feels bad for Bigger. It is not his fault that he comes from a poor family or that he is a black man in a time where racism is very prevalent.

Throughout the whole novel Bigger had felt cornered and intimidated by the white man and who they were. However, this man was different from the others. He treated Bigger as a normal human being, not as a downtrodden person or a murderer, just a normal human being. This is the only instince in which this happens in the whole novel. Wright used it primarily to show that he himself did not feel as if all whites were bad but that because of stereotyping, many were. Wright goes out of his way to show that this man was not under the inlfluence of stereotyping and to show the decent side of some whites.

Native Son by Richard Wright is about a black man, Bigger Thomas, who is becomes the chauffeur of the Daltons, a rich white family, and accidently kills the daughter, Mary. He attempts to cover his crime by putting the blame on someone else, but he is eventually caught and sentenced to death. Bigger deceives in an attempt avoid the consequences he knows the white world will deliver to him with and this deception contributes to Wright’s message of what racism does to the oppressed and additionally puts Wright’s communist party in a positive light.

From the first pages of the novel, Bigger is associated with the color black. The most obvious is his skin color, as well as the fact that most of the action of the plot is located in the Black Belt of South Chicago. The Black

Within, ‘Big World' the unnamed narrator has an internal conflict in regards to his failures and of Biggies. The use of emotive language indicates that he thinks carefully on his ‘failures’ and which it leads to him considering to ‘kill himself’. The narrator decides to undertake a fulfilling and enriching getaway because he has always ‘ [Dreamt] of escaping’. The narrator thinks he is “Responsible, like [his] ghost work stopped [Biggie] from learning. In a way [he] ruined his chances” This indicates that he

Racism is the most ubiquitous theme present in Native Son because it was written in a time when racial inequality was pervasive in everyday life. There was a large disparity in wealth between whites and blacks simply because whites were given more opportunity in the middle and upper class job section around the country, especially Chicago. The large disparity in wealth is best exemplified when Bigger first walks into the white society where:

I would argue, however, that Bigger always detested whites treating him like a nobody and after accidentally killing Mary Dalton, he began being more open about he he feels since he had little to lose. Anyway, Bryant’s main argument is that the white world does not see Bigger, and this is one of Bigger’s biggest fears. Indeed, when they accuse him of rape, this takes away the subjectivity that would have been associated with him had he simply been called a murderer. In addition to making Bigger seem less than human by labeling him as a rapist, the authorities do not think that Bigger is intelligent enough to carry out a murder as complex as Mary Dalton’s. All this goes to show that Bigger is a symbol that whites have used as an excuse to discriminate against Blacks, and who Bigger is as a person is not something that really matters. The reason Bigger has negative feelings towards all Whites for the majority of the book is because they only see his skin color.

He turns his quest for escape into a game as he attempts to put all the pieces into the right places. He makes attempts to pin the disappearance on the Communist Party, particularly Jan. Trying to make an innocent person and group look guilty for a crime is sadistic behavior. Bigger seems to want to hurt Jan by making him look like the murderer. However, Bigger’s thought process was “Reds’d do anything. Didn’t the papers say so?” Bigger was taught by society that the Communists were evil. The newspaper shaped his thoughts. Bigger also chose to try to get away with the murder because he was happy to have choices for once. He was so used to following the customs and laws of his community that he was excited about the chance to make his own

Based in the 1930’s, the protagonist Bigger Thomas is a twenty year old man living in Chicago with his family in poverty. He is severely damaged by his fear, anger, frustration and shame. He is damaged so much that his actions often resulted in foolish acts. The story is mainly from Bigger’s prospective and it shows how he had to hide his fears through a tough exterior. A product of his environment, Bigger was involved in illegal activity with his friends and harming his own Black people. Due to his own issues, even his illegal activity in his own community backfires on him as he sabotages a robbery with his friends he was involved with. He ends up working for the Daltons, a family taking advantage of the poor Black people in Chicago’s South side, as a chauffeur. Here he meets Mary and Jan who are all for social justice but still have

A victim of the same impoverished environment as Shakur, Bigger personifies violence in the form of the real murders of Mary Dalton and Bessie, unlike Shakur who only talks and sings of murder. In Native Son, Wright, for better or for worse, presents his readers with an entity in Bigger Thomas who achieves self realization only after murder, and this characterization suggests violence presents a kind of road which winds down into self consciousness and self awareness, a road many African Americans, most notably gangster rappers, cannot help but continue to travel on today.

In the beginning, when Bigger started working for the Dalton’s, he had to drive Mary Dalton, the daughter, to the University of Chicago. However, she wanted him to pick up her boyfriend, Jan, and head to a restaurant. When Bigger was in the car with Jan and Mary, “he was very conscious of his black skin...Jan and men like him” made Bigger feel insecure of who he was. (Wright 67) Even though Jan and Mary did not say anything that would insult his race, the presence of white people made him self-conscious. Being

Wrights depiction of Bigger through his use of figurative language techniques, reveals Bigger as an unstable and violent character, and to the reader Biggers character creates an uneasy

  In Native Son, Wright employs Naturalistic ideology and imagery, creating the character of Bigger Thomas, who seems to be composed of a mass of disruptive emotions rather than a rational mind joined by a soul. This concept introduces the possibility that racism is not the only message of the novel, that perhaps every person would feel as isolated and alone as Bigger does were he trapped in such a vicious cycle of violence and oppression. Bigger strives to find a place for himself, but the blindness he encounters in those around him and the bleak harshness of the Naturalistic society that Wright presents the reader with close him out as effectively as if they had shut a door in his

The oppression that Bigger experiences from his mother is the root of his tendency to want control. She deprives him of his own identity which leaves him to do the only natural thing: create one. Bigger also has control over Buddy, but he does not need to use violence to accomplish it because Buddy is entranced with everything that Bigger does. Wright also foreshadows the events of the novel in the opening scene. The rat is a symbol of the white world’s view of Bigger: an annoying and dangerous monstrosity who does not belong in a civilized environment. Literally, Bigger must gain control over the rat due to his compulsion to commit violent acts. Bigger’s killing the rat symbolizes his destruction of himself that he creates through the violence that he commits.