Examples Of Rebellion In Persepolis

Women’s rights in Iran or the Middle East has always been an arguable issue. Although there rights have been changed throughout the centuries they were never really compared equal to men or noone really accepted them. Specially for women in Iran, they barely had any rights in culture, marriage or other aspects of their lives. In the following essay you will read about the everday lives of Middle Eastern women.

How do you identify yourself? What do you use to really identity to others who you are? So people use terms like mother, father, friend or find it in religion or materlisitic things. In the witty and heartbreaking graphic autobiography, Persepolis, Marjane Satrapi uses a childlike tone to address an internal struggle within a mind in identity crisis. Marjane’s childlike point of view cannot comprehend God’s role in the domestic turmoil of her country. Marjane was “born with religion”(6) and treats her relationship with God as if it was a friendship. God comes to Marjane in times of solitude to discuss how she finds her identity in being the last prophet, the troubles within her family, and how she feels about her world as a child in the

Rebellion means a refusal of obedience or order and the main character definitely shows it as you go

Women's rights in the Middle East have always been a controversial issue. Although the rights of women have changed over the years, they have never really been equal to the rights of a man. This poses a threat on Iran because women have very limited options when it comes to labor, marriage and other aspects of their culture. I believe that equal treatment for women and men is a fundamental principal of international human rights standards. Yet, in some places like Iran, discriminatory practices against women are not only prevalent, but in some cases, required by law. In this essay I will explain to you the every day life of an every day Islamic woman living in Iran. You will be astonished by what these women have endured through the

Though the veil forms an inconvenience in the lives of all Iranian women, it serves as a form of protection in their lives against the dangerous religious extremists fighting for the revolution. Marjane and her mother did not believe in the religious importance of wearing the veil but knew they had to wear them for their own protection against radical religious men that could try to take advantage of them. The president claimed that “women’s hair emanates rays that excite men” (74). Supported by this proposition, men could claim that a woman without a head scarf excited him and he would rape her because that is what she deserved for being a “little

Persepolis: The Story of a Childhood by Marjane Satrapi is a graphic novel that provides insight into a young girl living in Iran during the hardship of war. Persepolis takes place during the childhood of Marjane Satrapi. It gives a background of the Islamic Revolution and the war in Iran. Satrapi attempts to guide herself in a corrupted world filled with propaganda. She tries to develop her own morality concerning religion, politics, and humanity. Satrapi was blessed enough to have high class status and parents who had an open mindset about the world around them. Thanks to her slightly alternative lifestyle, she is able to reconstruct gender norms that society has set by depicting the different ways women resist them. “Do Muslim Women Really Need Saving? Anthropological Reflections on Cultural Relativism and Its Others” by Lila Abu-Lughod is an essay detailing the misconceptions surrounding the veil. Through this essay we can see how colonial feminism, the form of feminism in which western women push for a western way of living on their third world counterparts, has shined a negative light on cultures all around the world - particularly Islamic women. The essay shows how women who don’t conform to American societal structures are labeled as women who urgently require saving. Through this essay one can develop a thorough understanding of the veil itself and the many representations it holds to different entities. Although in Persepolis: The Story of a Childhood Satrapi

In Lolita in Tehran, a memoir by Azar Nafisi, he states,”We follow Sanaz down the stairs, out the door and into the street. You might notice that her gait and her gestures have changed. It is in her best interest not to be seen, not be heard or noticed. She doesn’t walk upright, but bends her head towards the ground and doesn’t look at passersby. She walks quickly and with a sense of determination. The streets of Tehran and other Iranian cities are patrolled by the militia, who ride in white Toyota patrols, four gun-carrying men and women, sometimes followed by a minibus. They are called the Blood of God. They patrol the streets to make sure that women like Sanaz wear their veils properly, do not wear makeup, do not walk in public with men who are not their fathers, brothers or husbands” (Nafisi 82). By looking at Nafisi’s quote, readers can assume that Muslim women are being victims of sexist actions, how they can’t show any sort of personality, unless they want to be hunted down by the Blood of God. This is matters to the idea that freedom should be given to all humans with no base of race or culture in behalf of when freedom is not given, then the country is more of a tyranny rather than a

At some point in their lives, everyone goes through that archetypal phase of teenage rebellion. While this may be slightly different from person to person, almost all kids rebel at some point in their childhood. Their rebellion, however, will differ and depend on their own personal situation or environment. Even when talking about one single person, rebellion changes with the situation. This is exhibited in many ways in real life and literature. In Persepolis, Marjane Satrapi employs graphic and textual elements and strategies on pages 3 and 117 to illustrate how the increasing amount of pressure and violence that is put on Marji and her living environment cause her to rebel more frequently and in more severe ways.

Women’s rights in the Middle East have always been a controversial issue. Although the rights of women have changed over the years, they have never really been equal to the rights of a man. This poses a threat on Iran because women have very limited options when it comes to labor, marriage and other aspects of their culture. I believe that equal treatment for women and men is a fundamental principal of international human rights standards. Yet, in some places like Iran, discriminatory practices against women are not only prevalent, but in some cases, required by law. In this essay I will explain to you the every day life of an every day Islamic woman living in Iran. You will be astonished by what these women

Revolution and acts of rebellion are seen all throughout Marjane Satrapi’s graphic novel, Persepolis. The model (Online) to the right shows citizens rebelling and standing up for what they believe is honorable and just or revolution. This image relates to Persepolis by Marjane Satrapi because in the graphic novel, Marji, her mother and father go out daily to the demonstrations to protest the Iranian government. There are also small acts of rebellion such as when Marji steals her uncle’s cigarette to disobey her mother.

Frederick Douglas once stated, “if there is no struggle, there is no progress”. This means that to get what people deserve there will always be a struggle or conflict on the way. It has been said that freedom is the power of a human being. The graphic novel “ Persepolis 2: The Story of a Return” by Marjane Satrapi demonstrates the struggle of freedom by not being able to be one’s own self. Freedom must be demanded because everyone deserves a

women that needed to cover up. The women of Iran are dress restricted, well depending what area they happen to be in. Women in Iran are superior to their man, view more as a piece of property that belong to a man for pleasure.

Rebellion: an act of armed resistance to an established government or ruler (“Rebellion”). The book, Persepolis, follows the main character, Marji, as she grows up during the Islamic Revolution and the Iran-Iraq war. She and her family participate in rebelling against the monarchy and religious leaders for a democratic republic, whether in the street or in their home. In Marjane Satrapi’s graphic novel Persepolis, the author explores Marji’s evolution from being a confused girl who listens to what she is told to a confident young woman who stands away from social norms, in order to illustrate society’s participation in rebellion against religious leaders who want to create an oppressed society.

Evident in the abundant arguments regarding freedom and to the extent of which these freedoms are protected by legislation, Americans typically believe that their fellow citizens can be trusted with almost unlimited freedom. Americans exercise many privileges such as speaking freely and having access to news media (whether true or fictitious) that we assume are our basic human rights. We believe that the more freedom we have the better and that we can control ourselves rather than relying on external pressures on freedom However, these are not given to all people and were in fact punishable offenses for Marjane Satrapi in her childhood and young adulthood as a woman in Iran as revealed in Persepolis. While at first she despises the constraints on her freedoms put in place by the government and her family, after struggling on her own with virtually unlimited freedom she goes back to the more restrictive environment in Iran. Satrapi argues that while we should not allow extreme government control of freedom, so restraints made by parents and other family members is crucial in the development and bettering of a person’s upbringing. With too strong of governement restriction of freedom, one has no outlet of self expression or individuality and with too much freedom Satrapi is unable to create a safe environment for herself and remains emotionally unstable and she therefore argues that an environment with some restrictions is best.

Iranians and people from the east are often look upon as terrorists and extreme fundamentalists. Before reading this book, I even saw Iran and the culture from that viewpoint. I saw the women of Iran as being passively oppressed and as Muslim women who had no voice.