Examples Of Rejection In Metamorphosis By Kafka

society. Kafka shows his fear of rejection. He tries to meet others but fails constantly because of his own perceptions of society and thier thoughts of him. He displays that he is, “struggling, “if possible more fiercely,”” (Kafka, 7) to get out of bed and get out into the world where society is, as he perceives, treating him so poorly. Gregor exhibits these emotions by being stuck in bed or staying in his room, by choice, until his death. The motif comes through for the reader in this quote when Gregor is stuck in bed because he is a bug and Kafka thinks he himself is a bug. This is how Kafka sees himself vs. society. He does not realize that their is always someone to bring him in and accept him. All he knows is family and so he thinks that is what society is. He shows the irony of the situation, in the novella, is the fact that he could easily leave and find new accepting people but his view of society is narrow. Gregor wants his family to accept and praise him while Kafka wants society to praise and accept him. He wants to show the damages society has done to him in the same way that Gregor reminds, “his father that “Gregor was part of the family”” (Kafka 38). Kafka wanted to remind even society that he is a person and needed acceptance like everyone else. This explains to the reader that family has a large influence on the people that are a part of it. It also shows them to accept others for who they are and help them instead of ridiculing or ignoring them. He becomes antisocial and turns away at the sight of others or the thought of having to see others all because of his appearance. appearance becomes another factor in why he does not want society to see him as he is. He might not want society to see him because he believes things will only get worse after he saw the reaction his family had toward him. Even his sister, who he still paints in a

“His mother was not used to the sight of Gregor, he might have made her ill, so Gregor hurried backwards to the far end of the couch”(Kafka 28). Even though they know he is an insect, they feel so repulsed by Gregor’s new form that their disgust completely outweighs the love they felt for Gregor. Kafka’s writing about the family’s reaction to Gregor’s new appearance can be compared to how people are often isolated in the real world for reasons beyond their control like social caste, physical unattractiveness, race, gender, and other factors that may be seen as unappealing to some people, but are all traits that are really only on the outside. These traits do not define a person, similarly to how Gregor is still human inside, but is a disgusting insect on the outside.

He was just a pest, a nuisance, a cockroach. The analogy that he was not intimidating, such as a spider or snake, but just really an insect that people tried to rid themselves of, like a cockroach, drove deeper into his self-condemnation. Kafka chose Gregor to be the cockroach as he was the only one working in the family, yet he still felt unappreciated and miserable. The moral is that self-loathing can make you an outcast, even if you started out far from it. You will become what you think of yourself, if you do not take necessary steps to improve your reality. Gregor felt like he had no freedom and was trapped in his life caring for and doing everything for everyone else except himself.

In the beginning of the novella, Gregor undergoes a transformation. Many readers view his transformation as he turns into a bug because of the way Kafka describes Gregor. Kafka may have been undergoing a transformation of his own. Kafka dealt with many issues growing up such as self doubt, issues with his father, and eventually, health issues. Like Kafka, Gregor deals with issues with his father and within himself and begins to feel less and less like himself as the novella continues. He awakes from his sleep to ask himself, “What’s happened to me (Kafka, 3)?” With the conflicts Gregor has with his family, especially his father, he begins to feel unwanted and unappreciated. Gregor also feels that he is becoming less sensitive when that used to be one of his main traits as a human (Kafka, 24). Seeing that Gregor is losing his sensitivity, that shows that he is truly losing himself since he is losing one of his main traits. Feeling less like himself, Gregor becomes more distant with his close

Kafka describes the tedious, murky and muggy environment that foreshadows the decomposition and fall of Gregor’s life. When Gregor opens his eyes, he finds himself changed into a grotesque vermin or an enormous insect, an insignificant creature. Gregor does not scream. He does not panic at least not until he worries about going to work, that a gigantic insect doesn’t need to bother showing up for work doesn’t cross his mind. It seems as though Gregor accepts his fate so willingly. With this striking opening, Kafka sets his mystifying psychological fantasy in motion. Kafka’s diaries and letters point out that he considered “Gregor’s fate no worse, or better, than that of any person.” The prior life of a traveling salesman vs. the one-room Gregor occupies, as an insect are both lives of solitude. Kafka wrote that “the cares we have to struggle with every day” are emotional anguish. Kafka lived a sad life. He was persistently haunted by the oppressive image of his father. This could be clearly seen in Gregor’s attempts to get out of the bed. But, since his door was locked, he would need to call for help, which he does not favor. This shows Kafka’s fear of his father. He would rather lay on the bed forever than call his father to help him. Kafka’s fear estimated here as Gregor’s fear

The thesis of this essay is to illustrate the life of Gregor Samsa; a Traveler Salesman who overnight transform into an insect. As a consequence, his life changes significantly. Gregor was financially responsible and sole provider for his parents and sister.

Kafka utilizes a new narrative perspective in the last passage of his work to expose the one-sided love between Gregor and the rest of his family. The majority of the story had been told in a free indirect discourse restricted to the mind of Gregor. In this position, Gregor’s humanity —despite his inhuman exterior— and his genuine love for family is revealed. As the only source of income for the family, he works with every fiber in his being to overcome the debt that plagues them, as “He felt great pride at having been able to give his parents and sister a life like this in such a beautiful apartment” (411). This compassion is clearly not reciprocated when the narration shifts to the remaining family following Gregor’s demise. Instead they critique the shelter that Gregor

Gregor allowed his family to harass, bully and degrade him, in the same manner that Kafka had allowed his family to do. The similarity of Kafka’s relationship with his father was also portrayed with Gregor and his relationship with his father. Kafka intended to reflect and highlight the decisions that were made by Gregor being influenced by his family, by making them important protagonists within the novel. Gregor expresses from the beginning of the novel how his father intended on raising him, “from the first day of his new life that his father considered only the strictest treatment called for in dealing with him”38, much like Kafka’s father had. Gregor’s father was rather tough on him and his duties, and would take no clear- minded steps into understanding what Gregor, as a bug, did or tried to communicate through the actions he took. As he jumped to conclusions the second he saw Gregor out of his room, and would beat him with a cane trying to pressure him back to staying in his room as if he wasn’t even his son, or throwing apples at him. This provokes Gregor, allowing him to think more rationally, becoming more introverted, yet inside he was suffering with such sadness and crying desperately for some kind of recognition, much like Kafka did.

Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First,

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Franz Kafka uses metaphors in the story to show the readers that Gregor’s worthless and useless as a human bug. By doing so, Franz is able to show the readers how Gregor human life is really similar to a bug life.

In the novella, Gregor transforms into an insect; he and his family must navigate his new life as a bug. As Gregor undergoes a physical transformation, there is also a shift in financial power in his family. Kafka shows that a capitalist society dehumanizes the working class, this is seen through the characterization of Gregor, the symbolism of food, and diction surrounding Gregor’s father

Kafka certainly starts the novella off strong by explaining the situation Gregor is randomly put into. The ridiculousness of the circumstance is enough to hook the reader into the story. Gregor is transformed into a giant insect, but dismisses it as him being tired. The first part is quite enjoyable as the reader has the suspense of his family and boss seeing Gregor’s new appearance and the humor of Gregor saying that he will be leaving for work soon while getting accustomed to his new body. The amount of work Gregor put into explaining that he will be leaving for work soon is ironic as well since the reader later finds out that his speech is incomprehensible to humans. However, one must wonder how Gregor planned to go to work as a giant insect to begin with. Even when he fully realized he actually transformed into a giant insect,

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