Examples Of Reputation In Othello

Reputation as extremely important thing for some of Shakespeare’s characters. What Shakespeare might have been communicating to his audience about it?

Shakespeare is prominent in his use of recurring themes throughout his works, particularly those of love, death, and betrayal. All these themes are present in Othello. Most dominant, however, are manipulation and jealousy. Jealousy runs the characters’ lives in Othello from the beginning of the play, when Roderigo is jealous of Othello because he wishes to be with Desdemona, and to the end of the play, when Othello is furious with jealousy because he believes Cassio and Desdemona have been engaging in an affair, but manipulation the prominent action that fuels the jealousy within Othello. Some characters’ jealousy is fashioned by other characters. Iago is involved in much of this, creating lies and implementing confusing situations.

    In the Tragedy of Othello, by William Shakespeare, a great injustice is done to the main character, Othello the Moor. Othello is manipulated by the villain Iago to satiate Iago’s need for control and his desire for revenge. Othello the General has promoted another, Cassio, to hold the position that Iago feels he deserves. For the injustice that Iago feels has been committed against him, he brings about the destruction of Othello and his wife, Desdemona, using Cassio as his tool for doing so.

Throughout history, the reputation of men and women has been defined by society in a

Iago, who presents himself as Othello’s confidante, signifies the antithesis of the virtues of the play, and Othello’s belief in the lies this villain tells destroy these values and lead to his demise.  Iago is disloyal from the start.  From the beginning he tells us, “In following him [Othello], I follow but myself. / … I am not what I am” (I, I, 55-62).  Iago feigns devotion to Othello only to bring him down, and in doing so he makes himself seem virtuous and turns the true virtue, in Desdemona, to vice.  When scheming to make Othello think that Desdemona is having an affair with Cassio, Othello’s lieutenant, he plays on her concern for people, and her willingness to help Cassio come back into Othello’s favor: “So will I turn her virtue into pitch, / And out of her goodness make the net/ That shall enmesh them all” (II, iii, 360-62).  As the opposite of all that is valued in the play, Iago is able to make the virtue of the other characters into their downfalls without them suspecting it.  He observes of Othello, “The Moor…Is of a constant, loving, and noble nature” (II, I, 288-89).  He then plans to use this nature to “Make the Moor thank me, love me, and reward me / … Even to madness” (II, I, 308-11).  Iago uses Othello’s trusting nature and Desdemona’s goodness to create the

"Othello is essentially an noble character, flawed by insecurity and a nature that is naive and unsophisticated". Looking at William Shakespeare's Othello The Moor Of Venice, the central character, Othello is revered as the tragic hero. He is a character of high stature that is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by all of the participants. Othello is first shown as a hero of war and a man of

Reputation is very important to Shakespeare, and he shows that very clearly in "Othello: The Moor of Venice". Iago's reputation as an honest man, Othello's reputation as a just hero, Cassio's changing reputation throughout the play, and Desdemona's reputation play a key role in the outcome of the play.

The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.

It accentuates that the nobility of Othello, and the favour and love towards his wife, Desdemona. Othello has many positive character traits as he wants to make his own way in the world. He had idealist beliefs and his beliefs stem from believing the truth, and his belief is noble. Both his social status and character traits demonstrate his nobility and presents him as a sympathetic character.

Human as the main body stream of the society, their spiritual world is extremely complex and rich, these varieties of human nature shape us unique and distinct from each other. Real human nature has both human creativity and limitations, the imperfections in a person’s characteristics sometimes will perform negatively but in some cases, it won’t harm the whole character’s image. The Shakespearean play Othello reflects the profound social contradictions of the Renaissance, and William Shakespeare develops the idea of one’s ruling passion would falsely leading to the tragic path and creating misunderstandings between loved ones which will act as a double-edged sword that not only harms other but later on will harm oneself. This idea is showing through three main characters of the play, Othello, Iago, and Desdemona; Othello’s ruling passion leading to his jealousy which blinds his logic and gentle nature, Iago’s cruelty in order accomplishes his intelligence which gives him a weapon of language to manipulate people with his ruling passion, Desdemona and her sweet kindness motivates her ruling passion for helping Cassio without noticing her husband's transformation which later caused her own death.

Othello is at his essence a deeply insecure man, and his narcissistic tendencies make him vulnerable to influence by Iago. According to literary critic Rosenberg, Othello is “self-deceiving, irritable, hasty, dependant and insecure”, all traits of a classic narcissist. Although a successful soldier, Othello believes himself to lack in all other areas of life as he exemplifies himself when he claims “haply for I am black / and have not the soft parts of conversation…. I am declined / into the vale of years”. Due to these insecurities, Othello has an inflated sense of self importance and is obsessed with his status in Venetian society. He clearly views himself as the honourable and noble man we

The tragedy of Othello is not just a story of jealousy but rather a clash of two worlds. In Shakespearean plays we many times see the protagonist fall due to deceit, human flaws, and corruption of their society. We specifically see the hero fall in Shakespeare's Othello as a man trying to be himself with a corrupt friendship in Iago. Othello is seen to be the noble moor of Venice. He is respected by society for his many actions of nobility and bravery. Iago on the other hand is the villain plotting around Othello and others in his society he lives in. The noble moor of Venice Othello is shown to be very brave and courageous of all of the city and the army he leads. Their inconsistent characteristics is what separate the two from each

In Othello by William Shakespeare, the villainous Iago devises a plot with the hopes that Othello and his wife, Desdemona, will be separated so that he can take Othello’s position as head of the Venetian Military. Iago’s scheme consists of him convincing Othello that Desdemona is cheating on him with his lieutenant, Cassio. Iago has told no one else about his ploy so while everyone else’s actions remain true, he manipulates their every move for his benefit. While their actions may not lead to results that they expected, exploring the reasoning behind everyone’s actions, can give insight to their values since the actions were based on what they believed was the best thing to do. To the characters of Othello, honor is more important than

The opening act of Othello establishes that Othello takes an important position in Venice that gives him high status and the privileges that come from it. However,

William Shakespeare presents the character Othello as an excellent leader in the play, Othello. The hero has strength, charisma, and eloquence. Yet Othello cannot reason. The battlefield and Senate are, at least in Othello, depicted as places of honor, where men speak truly. In addition, the matters of war and state are relatively simple; no one lies to Othello, all seem to respect him. He never even has to fight in the play, with the enemy disappearing by themselves. This simplistic view does not help him in matters of the heart. His marriage is based on tall tales and pity and his friendships are never examined; he thinks that anyone who knows him love him. Thus the ultimate evaluation of