Examples Of Social Class In Wuthering Heights

The culture of set societal rules and conventions urges Catherine to be with Edgar, compelling her to be ‘the greatest woman of the neighbourhood’ due to them being relatively firm in their gentry’s status. This suggests the importance of her social status against the nature of her love for Heathcliff stating, ‘we would be beggars’, through employing the word ‘beggars’ the reader crafts the idea of her belief that she won’t survive without her status. Catherine admits ‘It would degrade me to marry Heathcliff now; so he shall never know how I love him’ Thus implying a swelling sense of her vanity and pride; enough to enjoy the position she gains from being married to Edgar despite her admiration for Heathcliff, being ‘more than (herself) than (she is)’and

Creating a haven from the cruel outside world, families ideally provide protection and support for each of their members. In Emily Brontë’s Wuthering Heights, however, bitterness grows between the Earnshaws and the Lintons. Within these two families, siblings rival for power and parents fail to fulfill their roles as caregivers. The intertwining relationships of the Earnshaws and the Lintons are marked by physical abuse, degradation, and emotional negligence. These reduce each of the family members’ life to a lonely and meaningless journey though the cold and misty moors.

Catherine was bitten and Heathcliff was sent back to Wuthering Heights. According to the Linton’s he was uncivilized and his bad behavior was not accepted in their household. Catherine was accepted into their house and welcomed even though she was not respectful. Luckily for her she knew when to turn it off and not let them see that side of her, but are polite. Thrushcross Grange is actually a house where its members of the Linton family are civilized. The Linton’s are rich and have many luxuries that Catherine is not using to but she wants to become a esteemed lady. Thrushcross is an elegant house that the Linton’s own and love to hang out in the parlor. Later on when Catherine returned home to Wuthering Heights the Linton’s came over but Edgar had spoken to Heathcliff, which was not part of the agreement. Hindley had sent Heathcliff away for his actions with Edgar. Edgar saw how Hindley treated Heathcliff and he was fearful of him. Edgar was fond of Catherine but he was not willing to visit Wuthering Heights because of Mr. Earnshaw. Edgar was eager to marry Catherine and move her to the ThrushCross Grange, which is more lavish then the callous, dreary, and desolate Wuthering

However Catherine lured Heathcliff into a relationship, brain washed him into thinking that she truely loved him and was going to marry him one fine day. Instead she discarded their relationship and decided to marry Edgar Linton, a wealthy man. Catherine discarded her relationship with Heathcliff, for one main reason and that was because he was not a wealthy man. It was obvious that Catherine married Edgar so she could be the greatest woman of the neighbourhood and if she married Heathcliff it would degrade her and they would both end up as beggars . This a good example of how Heathcliff was a victim of class hatred.

Heathcliff resents her scorn. He desires to regain her approval. He attempts to be “decent” and “good” for her sake (Brontë 40). However, his attempt to be decent fails miserably. He resents the attentions that Catherine gives to Edgar. Catherine would rather wear a “silly frock” and have dinner with “silly friends” than ramble about the moors with him (Brontë 50). Heathcliff keeps track of the evenings Catherine spends with Edgar and those that she spends with him. He desperately wants to be with Catherine. When Catherine announces to Nelly her engagement to Edgar, Heathcliff eavesdrops, but leaves the room when he “heard Catherine say it would degrade her to marry him” (Brontë 59). Catherine has spurned his love, choosing Edgar over him. Heathcliff cannot bear this rejection. The love he possesses for her transcends romantic and filial love (Mitchell 124). He feels that he is one with her (Mitchell 123).

In Wuthering Heights, Emily Bronte uses the setting of the English Moors, a setting she is familiar with, to place two manors, Wuthering Heights and Thrushcross Grange. The first symbolizes man's dark side while the latter symbolizes an artificial utopia. This 19th century setting allows the reader to see the destructive nature of love when one loves the wrong person.

The disorderly atmosphere of Wuthering Heights, generated by Heathcliff’s raucous behavior causes Catherine to gravitate towards a more uncivilized and mannerless version of herself. Several times, Catherine snaps at others and throws furious tantrums, as she scolds and even slaps Nelly for cleaning in Edgar’s prescence. The rambunctious setting of Wuthering Heights conjures a different Catherine, where, “to pracise politeness...would only be laughed at,” influencing her to act on rebellious

In this chapter, we see that Catherine has changed drastically from being a wild savage to a young mannered lady. Shockingly, we can see the distinctive difference between Heathcliff and Catherine's character. They were once the same, but this chapter serves as the platform to highlight the contrasting differences between these lovers. On one hand, one can argue that it develops their relationship immensely.

During his multiple visitations to her new residence, Thrushcross Grange, he meticulously tries to make her feel ashamed of her marriage to Edgar Linton. For example, in his second visit to Thrushcross Grange he states that “[she has] treated [him] infernally” and that she should expect “[his revenge] ... in a very [short] while” (105-106). Correspondingly, Catherine responds saying that she is in shock by “his [new phase of character]” and is curious as to how he will get his “[so called ‘revenge’] ... [on her supposed ‘infernal’ treatment]” (106). Infuriated by her calling his sense of judgment, and revenge a bluff, he starts his master plan by aiming his affections at Edgar’s sister, Isabella Linton. Wantonly, Heathcliff manages to win Isabella’s heart and as such “[takes her away on horseback]” for Catherine to find out (122). Once again at hearing the disappearance of Heathcliff, this time with another woman, Catherine slips into another round of hallucinations. Yet, unlike the last time, her condition becomes life threatening. Catherine, in the time of her ailment, believes that “[her old life, and self are gone because of how Heathcliff treats her now]” (151). At the same time of when Catherine thinks this, Heathcliff, returns once again, to inform that “[he has not changed in how he treats her, but she has changed in how

Another aspect which is relevant today and forever it shall remain relevant is selfishness. Catherine's selfish character was depicted when she wanted both Edgar and Heathcliff at the same time. In the beginning, she was introduced as a 'high spirited' character who was wild. However, she drastically changes throughout the book. When she hurts her leg and is forced to stay at Thrushcross Grange, she returns to Wuthering Heights as a well dressed and dignified lady. She was easily swayed to the superior lifestyle of the Lintons and began to look down upon Heathcliff. She even laughs at his rough and dirty appearance and says "I didn't mean to laugh at you. I could not hinder myself Heathcliff. Shake hands at least! What are you sulky for? It was only that you looked odd. If you wash you face and brush your hair, it would be alright. But you are

Human beings can be truly deranged creatures. Often times they are seen as elevating and putting themselves on a pedestal. They will treat people who are not the same as them as they are garbage and worthless. Although it is not their fault to simply put it, it is human nature. More specifically the ugliness of human nature. The complex characters in Wuthering Heights are guilty of this. Their circumstances drive them to do unthinkable things which unfortunately have drastic outcomes. Emily Bronte’s Wuthering Heights is a beautifully written novel that shows the ugliness of human nature as seen through the depiction of toxic relationships, displaying revenge and vengeance in the differentiation of social class.

In both texts; Jane Austen and Charlotte Bronte explore social class in a number of different ways. They do this through the use of their stylistic devices and this in turn appeals to their different audiences. Both Jane and Charlotte are notable writers for their remarkable texts. Jane Austen is known for playing a revolutionary role in the generation of English female literature, which was counteracted by this piece- and Charlotte Bronte further developed her feminist thoughts, which have been displayed throughout her novels also. By analysing social class in Pride and Prejudice and Jane Eyre this essay will compare these two women writers’ texts and display how social class is presented through the use of stylistic devices and how the different perspectives help appeal to the audience.

Social Classes in Wuthering Heights Wuthering Heights, a gothic novel written by Emily Bronte in the early nineteenth century, describes the conflict and the passionate bond between Catherine Earnshaw and her rough but romantic lover, Heathcliff. In the beginning of the book, Heathcliff, an orphan is made a part of the Earnshaw family. This adoption is not readily accepted by the older brother, Hindley, who sees the new child as a rival to his claim of dominance in the family. However, Catherine, the sister is quickly attracted to young Heathcliff, so different from anyone she had ever known. As the two grow older, Heathcliff finds himself falling in love with Catherine.

The novel ‘Wuthering Heights’ (1847) by Emily Brontë and the film adaptation ‘Wuthering Heights’ (2011) by Andrea Arnold each convey respective values and perspectives reflective of the contrasting contexts and forms of each text. The novel, set in the Romantic period, is centred around two families living on the isolated, Yorkshire moors, and the explosive interactions between them. The concept of confinement contrasts against the freedom of nature throughout the novel. Nature is another key theme and a fundamental aspect of the Romantic period, used to present ideas such as rebellion and freedom. Finally, passion within human relationships is thoroughly explored through Catherine and Heathcliff’s relationship within the novel. However, as the film adaptation is a product of a contemporary post-feminist, post-colonial time period, these themes can now be explored through lenses such as racial discrimination, feminism, and human connection.

This essay will analyse how gender roles are represented in Bronte’s ‘Wuthering Height’s by looking at the characters of Cathy and Heathcliff. By analysing these two characters it will be clear that the protagonists challenge social conformity during the Victorian period in England. To fully realise this it is important to first understand what the prescribed roles were that they were challenging. This will be achieved through close readings of the text and references made to secondary sources to provide evidence that this opinion has been fully investigated. It will be clear by the end to see that the characters challenge the roles expected of their sex during this time and together they challenge social norms. This essay will answer ‘yes’