Examples Of Social Pressure In The Crucible

Miller’s concept of not allowing the individual escape from his social obligations into his private self applies to Proctor in terms of his past affair with Abigail Williams. As he tries to move on from this dark piece of his past, it only seems to come back and haunt him. When he has a run-in with Abby towards the start of the play while he goes to check on Betty, he establishes that he “may think of [Abby] softly from time to time. But [he] will cut off [his] hand before [he’ll] ever reach for [her] again” (22). He confesses to thinking of Abby, but by no means does he wish for them to be together from that point forward. His love and respect for his wife stands stronger than any childish temptation Abby throws his way, even after all that

Innocent people were being accused of witchery. One reason, all the young ladies shouted out names of innocent people saying they saw them with the devil. The young girls were accused so they confessed and lied to the about other people to save themselves. Another, Mary Warren then accused John Proctor of being the Devil's man. Mary Warren said that John was the one that controlled the women. Innocent people are being accused by young women that are just trying to save themselves.

The Crucible is a play that revolves around the witchcraft trials in Salem, Massachusetts. In any trial, it takes a lot of persuasion for a lawyer to convince the courtroom to favor their side. There is one character in particular that strongly uses the three rhetoric devices; ethos, pathos, and logos. Deputy Governor Danforth’s life revolves around public opinion and his reputation. To protect him and other government officials, he persuades the town to believe his opinion. By analyzing Danforth’s use of rhetoric in the courtroom scene, it is evident that the use of ethos, pathos, and logos can successfully win any case.

What is Social Influence Theory? Social Influence Theory is the change in behavior that another person causes, intentionally or unintentionally. Social Influence Theory has to deal with the social situations of people, and how they affect, persuade, or influence each other. This is especially relevant in today's society in the teenage generation with all their social medias and having high standards for social status that most people follow. Social Influence Theory has three areas that are evident in the story The Crucible by Arthur Miller. The characters Abigail and Tituba are good examples of being impacted or showing Social Influence.

People believe that actions happen for many different reasons and tend to blame others before themselves. Some believe that the devil is doing the work in the body of someone else, and some believe that the devil does not, and some even believe in witchcraft. In Arthur Miller’s play, The Crucible, nineteen innocent people are hung for accusations of performing witchcraft in Salem, Massachusetts. A group of young girls go out into the woods which is forbidden in Salem. They are sent into a frenzy when the town’s reverend, Parris, spots them dancing in the woods. The girls are led by Abigail Williams, a young teenage girl who lives with her uncle, reverend Parris. Abigail is not the most truthful girl, which ends up causing 19 innocent people their lives. Previous to these events, Abigail was a servant in the Proctor household, but was sent off after Elizabeth Proctor found out about the affair between Abigail and her husband, John Proctor. In Abigail’s case the more lies she told, the more lives she ended.

Usually in short stories , peer pressure is almost always involved. Peer pressure is the influence to do something by your friends. In the Crucible, Mary Warren was John Proctor’s maid and she gave into peer pressure when she was forced to plead murder on Abigail in court. This can relate to many occurrences in our world today.

The noose evokes death, fear, and hysteria between the Puritans. Arthur Miller used the noose to show the theme of The Crucible as honesty and truth versus scapegoat. “I’ll not hang with you! I love God, I love God! (Mary Warren 118). As Mary Warren states pointing at Proctor: You’re the Devil’s man! (Mary 118). This quote points out the fact of fear and death towards Mary Warren and Proctor. As Mary Warren realizes that she is going deeper into death’s grasp her only choice is to accept a lie and make John Proctor the scapegoat. Calling Proctor a Devil’s man is a distraction towards the court into neglecting Mary’s offense and focusing more on John Proctor’s. In Mary’s quote there still lays honesty and truth. Mary loves God and the church which cannot be denied. Mary’s statement prevents her from facing death, but another crime was in place on religious and cultural terms, lies. Even the word “hang” spoken from a man creates a scene of death within the culprit’s mind.

When an entire crowd is choosing to go down the same path it makes it easy for us to follow the leader, even if the outcome may be against our morals or not truly what we believe is right. In The Crucible, by Arthur Miller, we see people follow one false accusation with more. Sadly, it’s human nature to choose to make the same decisions and behave similarly as those we are surrounded by. This is distinguished in two ways: mob mentality and mass hysteria. Mob mentality is the behavior of a large crowd who are solely followers. Mass hysteria is a condition affecting a large group, characterized by anxiety, irrational beliefs or behavior, and inexplicable symptoms of illness. All of these signs are very much present in the Salem mass, but when it comes down to it, who was the person that started all of this? Abigail Williams is the one responsible for creating the mass hysteria in Salem, Massachusetts.

American playwright Arthur Miller, in his play The Crucible (1952) displays to us that which hunt still exists in American society. Miller supports this claim by drawing parallels between the Salem Witch trials and the senator Joseph McCarthy. His purpose is to warn his readers of the dangers of mass hysteria. He uses emotional appeals and logic to convince the readers that mass “hunts” are still a danger to Americans today. The crucial way however, that Miller achieves his supreme objective of revealing the risks of reputation vs. integrity is through a fascinating character, John Proctor. John is an example of an internally conflicted character because he had a huge argument with Elizabeth over Abigail, Proctor also had an affair with Abigail, and lastly John had a choice between life and death at the end of the play.

The year is 1692. Throughout the small, Puritan, seaside community of Salem, rumors and accusations fly like gusts of ocean wind. Neighbors turn on neighbors, and even the most holy church-goers are accused of being the devil’s servants. The Crucible details this real-life tragedy of the Salem witch trials, in which nineteen members of the Salem community were hanged for alleged witchcraft. Abigail Williams, a seemingly innocent girl, accuses dozens of Salem’s citizens of witchcraft through the support of her mob of girls and the complicity of the court officials. The title of this play gives significant insight into the experiences of several of these Salem citizens. Although a crucible is often used in chemistry for heating up substances, the title of the play carries a much greater weight. In his famous play The Crucible, Arthur Miller uses the title of “crucible” to signify the severe and unrelenting tests of faith and character that many of the community members endure throughout the Salem witch trials, which he achieves through the use of figurative language and fallacies of relevance and insufficiency.

In Arthur Miller's play The Crucible, Arthur intrigues audience time and time again with the historical context, social implications, and the Salem, Massachusetts Witchcraft Trials of 1962. Most members in Salem feel the need to prove their authority in ways such as accusing those who have done nothing or hanging them without proving their innocence first. The thing is authority is not made up by an authority figure, but by society. Miller’s The Crucible, demonstrates how people misuse their authority for cruel purposes through a fascinating plot, well-crafted characters, and well-set theme. During the hysteria of witchcraft trials in Salem, there were multiple figures of authority or per say the community who abused their power, Reverend Hale, Abigail Williams, Reverend Parris and Judge Danforth.

We all have fear. Fear is on display everywhere in today’s world, often through television, and then spread to our family and friends. Fear is a part of our lives, and something we can only hope to control. In The Crucible, by Arthur Miller, a group of girls put lives in danger, by accusing people of witchcraft. This causes a fervor of fear in the town, and we watch it spread throughout the play. In The Crucible, fear enables dishonestly in the town, people to be accused, and lives to be lost.

A smart few saw through the deception and lies of the girls. One such person was John Proctor, he refused to accept the “evidence” that was charged against his wife and many other honorable people in Salem. When the girls cried Mary Warren’s name in accusation of witchcraft she began to panic, but Proctor saw through it and remained calm, “What is it, child? But Abigail, pointing with fear, is now raising up her frightened eyes, her awed face, toward the ceiling—the girls are doing the same—and now Hathorne, Hale,Putnam, Cheever, Herrick, and Danforth do the same. What’s there?

There's not many things going on in this image, it's simple but strong. It's not meant to persuade or inform anyone, it's only purpose is to get into one's conscious and it does this in a very particular way. The image was taken in the early 1800’s and only reflects black and white shades. The shadows of black in

Superstition, panic and rumor make for a deadly concoction, especially when spurred by religious zeal. While the actual trials may have only lasted for less than a year, Salem was indeed previously entrapped in a dangerous illusion of their own making for decades. Such as the nature of superstition and rumor, they curate an atmosphere of distrust, breeding paranoia because they are puzzles waiting to be fully realized. If they are not, then the paranoia only festers into madness and panic—growing anxiety. The divided colony of Salem devolves into a dramatic opera of fabrications, bent on exposing the most convenient of culprits. The dramatics become a glorious piece of abject theatre—a perverse freakshow—that coils into the roots of a frightened and tedious society, spreading like a sickness. It is a virus bred from the ugly convenience of rivalry, intolerance and pity quarrels.