Examples Of Spousal Betrayal In Half Of A Yellow Sun

Nwoye's understanding of masculinity and femininity and how they related to him and his culture created a disconnect. Nwoye describes his

In "The Wife of Bath" Alisoun challenges the society’s views on women’s sexuality and advocates for women to take control over and have ownership over their own bodies. Throughout the tale, Alisoun defends herself and all women by arguing

A familial bond cannot be broken. As genetics pass from one end of the family tree to another, a series of exchanged physical and–more significant in terms of the story–behavioral traits, moreover, make themselves apparent. From each member of the complicated maternal chain consisting of three narrators, their behavioral traits and tendencies are easily taken advantage of, along with making them prone to grievous mistakes and overall actions. The topics of betrayal and subsequent neglect are present in an almost unavoidable continuous cycle throughout Michael Dorris’ A Yellow Raft on Blue Water, as each generation of women faced a series of abrupt and unforeseen deceptions by those either in an influential position in their lives or those possessing their trust, leading to damaged and unresolved relationships.

2. In the novel, women in Annawadi don’t have lots of freedom and rights. They are mistreated and every family living in Annawadi dislikes each other because they are corrupted by greed and money. Even in the urban slums, women like Zehrunisa and Asha wouldn’t have more freedom because women can’t have a voice for themselves unless they have connections to other, more powerful people. Other women dislike and spit hate at Zehrunisa and Asha because they are more successful than them, rather than trying to work with them to be successful together. Since the people in Annawadi are so corrupted by money, they disregard for others wellbeing and resort to fighting or trash talk each other. For women, they are a burden for parents because of marriage and dowry. That is why mothers and fathers want their daughters to be perfect, with no scars or anything that would prevent them to get married. All the engagement is determined at a young age, so girls can not find love for themselves. “Meena’s future in-laws might not come to hear that they’d chosen an impetuous bride.” (Boo 188). When Meena, a young Annawadi girl, tried to commit suicide with rat poison because she hated the life she was living, her brother beat her up because now there would be less chance for Meena to get married. Rather than the townspeople helping Meena, the were ashamed of her and worried for her reputation than her health. In my view, the freedoms that the women in Annawadi lack is a voice. The women cannot

The literary piece is set in a place where men and women are separated and do not experience interaction except at the Palace of Mating, where men or women have sex, without any emotional connection or relationship. The separation of men and women insinuates there would be less control over the

The novel also explores the negative impact that inequality has on the lives of Nigerians. Characters experience both gender inequality and inequality between different classes of society. In the story ‘Tomorrow Is Too Far’ the author highlights that how her grandmamma treats her and brother differently. Her grandmamma taught her brother Nonso how to pluck the coconuts but not her. Because ‘girls never plucked coconuts’. Nonso was always given the first sip of coconuts and grandmamma cooked meals with him in mind, not his sister. Nonso’s sister was told instead ‘this is how you will take care of your husband one day’. And also her mother used to end her brother’s nightly goodnight ‘ho-ho-ho’ laughing, but never left her room laughing. That’s all because Nonso is grandmama’s ‘sons only son, who would carry on the Nnabuisi’ name. This demonstrates that the importance of name and that these beliefs lead to gender inequality. The author also shows the negative impact of gender inequality.

One quotation that expresses Okonkwo’s view of manliness states Okonkwo “was always happy when he heard [Nwoye] grumbling about women. That showed that in time he would be able to control his womenfolk” (53). This quotation shows that Oknonkwo feels pleasure when his son displays signs of power, such as the control of the perceived weaker gender. Ergo, Okonkwo views the subordination of others by his son as an example of “masculinity.” This idea is further supported by the quotation: “No matter how prosperous a man was, if he was unable to rule his women and his children… he was not really a man” (53). Oknonkwo clearly considers utter authority of one’s nuclear family as a prerequisite to meet “manhood.” He literally states that a man without patriarchy in his family is not a man. Therefore, when Nwoye displays the early signs of this dominance, like the grumbling about his subordinate women’s issues, Okonkwo is finally considering his son “masculine” as shown by his happiness.

Okonkwo illustrates the use of gender roles and lack of feminism in his daughter, Ezinma and his regret of her being a girl (Achebe 137). Okonkwo’s desire for his daughter to be a man is problematic and represents the patriarch’s refusal to view women as equal to men. Throughout Ezinma’s life time, Okonkwo expresses his desires for Ezinma to be born a boy ( Achebe 137). He explictly states to himself that he, “wishes she were a boy,” because she “understands him perfectly” (Achebe 136). Okonkwo expands on this desire as he continue to express how Ezinma is his favorite among the daughters and that she understands the ways of his consciousness and his moods (Achebe 137) . Although these expressions are subtle, Okonkwo’s regret of Ezinma’s gender plays a role in the patriarchal induced gender roles that women are socially lesser than men. Society’s standards

Things Fall Apart is a novel written by Chinua Achebe about the fictional people of the Ibo tribe in Umuofia. The practices of this African tribal society are depicted through the third person limited point of view that follows the main protagonist of the novel known as Okonkwo. The novel illustrates practices and values that are sanctioned by the society as they end up struggling to maintain their prevalence once colonists arrive. As a culture, the Ibo people of Things Fall Apart have practices that shape their society by showcasing what is seen as important. This includes their invaluable idea of masculinity in which they see to require strength and success. The patriarchal rule of Ibo society establishes the framework that leads to the perceived inadequacy of females and

This ideal is a part of the village that women aren’t of high value and important in the village of Umuofia. It states “Without looking at the man Okonkwo had said. “This meeting is for men.” The man who had contradicted him had no titles. That was why he had called him a woman. Okonkwo knew how to kill a man’s spirit.” This shows that being a women or being called a woman is a very bad insult that can “Kill a man’s spirit”. Unoka is Okonkwo’s father, who is much different from Okonkwo that he is a peaceful care-free soul and a musician but because of this care-free way of life, doesn’t provide for the family and is lazy. Unoka is a caring man and cared for his son in the book when Okonkwo had a bad harvesting month. Unoka consoled Okonkwo by saying “Do not despair. I know you will not despair. You have a manly and a proud heart. A proud heart can survive a general failure because such a failure does not prick its pride. It is more difficult and bitter when a man fails alone.” Obierika is Okonkwo’s best friend who is a compassionate friend that gives reasonable help to Okonkwo’s decisions and actions. One example of this is when Okonkwo kills Ikemefuna, Obierika tells him “And let me tell you one thing, my friend. If I were you I would have stayed home. What you have done will not please the

Things Fall Apart, written by Chinua Achebe, depicts the life of a clansman of Umuofia, known as Okonkwo. Okonkwo was one of the wealthiest and respected men of his tribe. He gained respect as a great wrestler in his clan, and worked to surpass his father, Unoka’s image, which had been sullied by unpaid debts, and his work-shy attitude. Unoka was no man to Okonkwo, for Unoka had not taken any titles in his clan, therefore, he was nothing more than a woman in Okonkwo’s eyes. In such a patriarchal society being called a woman was disgraceful, and Okonkwo wanted nothing to do with anything womanly, and in turn he wanted nothing of his father, including any traits he carried, righteous or not. Okonkwo’s twisted view of masculinity and lack of compassion creates high expectations. When Okonkwo begins to see that his clan, family, and he himself cannot reach his expectations of strength, he will have nothing the turn to, but the noose that fate has made for him. The Igbo proverb “The thought that led a man to truncate his own existence was not conceived in a day” applies to Okonkwo’s suicide, which had begun with his twisted ideology of masculinity. The thoughts that led Okonkwo to commit suicide originate within his perception of weakness tied to his father; he sees this weakness in his son, in his tribe, and in himself. Okonkwo is disappointed in his son Nwoye for becoming so much like Unoka, he is ashamed of his clan for conforming to the views of the Christians, and he is

Birdsong is centered on a young woman working in Lagos, Nigeria. She is one of few women working in her office and she differs from them greatly. While her coworkers are overly religious and focused on finding husbands, she rebels against these norms and begins an affair with a married man. The theme of marriage is obviously a topic that Adichie deems important to the perpetuation of patriarchy in Nigerian society. In her 2012 TEDtalk title “We Should All Be feminists”, Adichie says “Because I am female, I am expected to aspire to marriage. I am expected to make my life choices always keeping in mind that marriage is the most important. Now, marriage can be a good thing. It can be a source of joy and love and mutual support, but why do we teach girls to aspire to marriage and we don’t teach boys the same?” (Adichie 2013)

There are signs of a clearly male dominated society. With women being defined in terms of the males in their lives. For example, “The Cinnamon Peelers wife”, “the Lime Burner's daughter” and “The Grass Cutters wife”. Michael Ondaatje tries to convince the reader that women are just women. Not individual unique girls. He explains how they are labelled by their male husbands, brothers or fathers. He portrays women as non-competitive, cooperative, and peace-loving. He does not define them as fearless, powerful and independent. Another example is when Michael says “You touched your belly to my hands in the dry air and said I am the cinnamon Peeler's wife. Smell me.” This is another example of labelling a woman. By touching her, he makes her, his. She is no longer an individual, she is only considered “the Cinnamon Peeler’s wife”. This is a sign of sexual domination. He makes it sound like he owns her.

Among the people of this society, the condition of weakness is strongly associated with the state of being female. The worst insult that a man can receive is to be called a woman. The novel's main character, Okonkwo, is often obsessed with proving his strength as a man because he seeks to escape the reputation of his father who was considered by his fellow

Domination and authority over women are reflected by the male characters in Things Fall Apart, specially the protagonist Okonkwo, as he oppresses his wives and overly abuse his power as the male dominator. At the beginning of the novel Okonkwo displayed, this trait as the monarch of the household “He ruled his household with a heavy hand. His wives, especially the youngest, lived in perpetual fear of his fiery temper, and so did his little children” (Acebe, 10). In the Igbo community men were the domineering sex and ruled over their families especially their wives. They treated their wives with disrespect and continuously let women live in fear. As stated above, males being more powerful than women limit woman capabilities and let them fear their husband. Throughout the book the author gives a clear idea that within the Igbo culture they live in a patriarchy society and as proven above the males continuously withhold this dominate role in their household.