Examples Of Struggles In The Piano Lesson By August Wilson

life in the mid to late twentieth century and the strains of society on African Americans. Set in a small neighborhood of a big city, this play holds much conflict between a father, Troy Maxson, and his two sons, Lyons and Cory. By analyzing the sources of this conflict, one can better appreciate and understand the way the conflict contributes to the meaning of the work.

August Wilson’s The Piano Lesson, tells a story of a family haunted by the pain of their past and their struggle to find peace to move forward. The story begins with character Boy Willie coming up from the south visiting his sister Bernice. Boy Willie introduces the idea of selling the family’s heirloom, a piano, to raise enough money to buy the land on which his ancestors were enslaved. However, both Boy Willie and his sister Berniece own half a half of the piano and she refuses to let Boy Willie sell it. Through the use of symbolism, Wilson uses his characters, the piano and the family’s situation to provide his intended audience with the lesson of exorcising our past in order to move forward in our lives. Our past will always be a

A recurring theme in American history has been that of the American Dream, the idea that anyone, regardless of race, can achieve success through hard work. In his stirring 1990 play The Piano Lesson, August Wilson uses African-American characters to embody the American Dream. Throughout the play, set in Pittsburgh in 1936, Wilson traces the economic successes of several African-American characters, such as Boy Willie and Lymon. However, Wilson’s portrayal of this apparent progress conflicts with the true historical setting. The reality between 1877 and the 1930s was that social barriers, such as Jim Crow laws and sharecropping, precluded economic progress for most African-Americans. A few black Americans such as Madam Walker, an Indiana businesswoman, made some progress, but in general there was stagnation in terms of pecuniary growth during this time period. August Wilson’s interpretation of African-American economic progress through fictional characters in The Piano Lesson is flawed because it represents a few economically successful African-Americans of the time, but fails to capture the lack of progress made by the majority between 1877 and 1930.

Wilson highlights the fact the piano is full of stories that are directly linked to Berniece, which affect her current negative feeling towards it. Also, as a young girl, Berniece had to play the piano for her mom, so she could talk to her dead father. This demonstrates that not only is her family physically depicted on it, but also spiritually connected to it.

The apparitions in this play are The Ghosts of the Yellow Dogs and Sutter. Both these ghosts have the motivation of revenge. Having two separate motives for the piano; Berenice values the piano's history while her brother, Boy Willie, wants to sell the piano and use the money to buy the land his family was enslaved on. The Charles family is being haunted by the ghost of Sutter, whose family once owned theirs. Sutter's ghost appears after he falls down his well and the cause could be the Ghosts of the Yellow Dogs, the spirits of the Charles family's ancestors. The ghost's appearance causes conflict within brother and sister to rise. Sutter comes back after his death as a ghost to avenge his murder and reclaim his piano. In act 1 scene 1, Berniece states, “Just go on and leave. Let Sutter go somewhere else looking for you”. Berniece thinks that Sutter's ghost appeared because her brother, Boy Willie, killed him. In reality, the ghost of Sutter just reminds Berniece about her family's history and the piano. The piano represents her family’s past, struggles, and history. Berniece cannot accept her family’s past and move on. “Mama ola polished this piano with her tears for seventeen years. For seventeen years she rubbed on it till her hands bled. Then she rubbed the blood in… mixed it up with the rest of the blood on it.” This shows

Hans Christian Anderson one said that where words fail, music speaks. Nowhere is this truer than in The Piano Lesson by August Wilson. The Piano Lesson tells the story of family that struggles in the side and what do with a family heirloom that takes the form of an ornately carved upright piano. Bernice wishes to keep the piano but her brother, Boy Willie, wishes to sell the piano for land because according to him Bernice is not doing anything but letting it sit there and rot because no one is playing it. Yet despite what Boy Willie says the piano actually gets quite a bit of use in the play. Along with playing the piano the characters can also be seen singing in the play. The songs the characters sing and perform does a good job of relating the characters thoughts and actions to a more musical medium. From songs such as Maretha's beginners piece on the piano to Wining Boy's more experienced yet melancholic tune the music of The Piano Lesson tells us about the character's pasts and presents.

     Any person that can rise up from the bottom rung of the ladder to the top is able to achieve great things in life. Renowned playwright August Wilson, a winner of two Pulitzer Prizes, and other awards for his work, is an example of such persons. He grew up in a lower class black family, faced the difficulties of an African American, and turned himself into the great writer he is.

wrote the play Fences about his life: the heartbreaking reality of racism in his own life and the

Boy Willie states, “Papa Boy Charles brought that piano into the house. Now I’m supposed to build on what they left me. You can’t do nothing with that piano siting up here in the house” (Wilson 51). If he sells the piano, Boy Willie will be able to build a life for himself. Berniece says, “Money can’t buy what that piano cost. You can’t sell your soul for money” (Wilson 50). She believes if they sell the piano, she risks losing part of her identity. With tender sentiment, Berniece relishes the determination of her ancestors to appreciate life and the love they had for one another in the face of slavery. Boy Willie says, “See, you just looking at the sentimental value…You can sit up here and look at that piano for the next hundred years and it’s just gonna be a piano” (Wilson 51). Berniece’s pertinacious refusal to part with the piano emanates from her sentimental devotion to it and the memory of her ancestors. Therefore, Berniece characterizes herself through the piano as it brings the beauty of the past generations to their lives (Wilson 50, 52). Boy Willie defines himself as an African American who declares his equality as a man and seeks to enhance his self-worth by becoming a land owner (Wilson 51, 94). Therefore, he values the piano for its potential to raise his personal quality of life through a financial gain. The significance of the piano resides in the differing viewpoints of each sibling.

In the middle of Bernice Charles's parlor it sits, unmoved and wooden. How it came to be there is a story which her uncle Doaker tells well. Her father Willie Boy used to work as a slave under the ownership of Mr. Sutter. He was an amazing wood crafter and continued to bring cash in for his "superior". But Willie Boy didn't always belong to Sutter, instead he used to belong to a certain Nolander, whose wife owned the very piano that he was traded to Mr. Sutter for. When Mrs. Nolander wanted to buy him back as her slave, the new owner refused. Instead he allowed Willie Boy to take his talents into their house and carve a picture into the wood of their piano. He was only supposed to carve himself and Mama Bernice, but instead continued to carve pictures of his whole family that he stored in his memory. After the piano was finished Boy Charles, Willie Boy's father, felt that he should take the piano because he would "say it was the story of [their] whole family and as long as Sutter had it…he had [them]"(Wilson 45). On the fourth of July in 1911, it was done. But sadly, Boy Charles was killed, hiding in a box car afterwards. After his death, Bernice's mother broke down and brought in a woman to teach Bernice how to play. She said that when Bernice played she could hear her father talk to her, and so Bernice continued to play, until her mother's death. Now she won't touch the piano, yet refuses to

Boy Willie, however, wants to release the past and sell the family piano so he can have a new start in life and forget the painful past. "The Piano Lesson" is both unique to the plight of African-Americans and universal in its depiction of the human condition (Gale, 2000, p249). The sibling rivalry, past history versus present time and future, storytelling and gender relationships all cross both unique and universal boundaries. To illustrate, even in today's society there are sibling rivalry that pit brother against sister, brother against brother or sister against sister together to the point of bitter battle. In addition, there are still people in today's society that have difficulties in resolving painful past experiences with the present and future. In regards to gender relationships, there are still a lot of mysteries in the realm of love between two people. Bernice is the African-American way, staying true to her roots and not parting with the heritage. Although she finds this painful, she will not part with her heritage. Her heritage is “tangible in the presence of the piano itself” (Sparknotes, 2014). Therefore, even though the theme of this play surrounds itself around African-Americans, the situation can easily be applied to all races and time periods.

We see in the story that the ghost of Sutter is still haunting the family, through the piano. At the same time the piano is a symbol of family history, it is also a link to the slavery that the family had to endure. It is only through playing the piano, not through some christian exorcism, nor by physically fighting Sutter that they are able to drive off the ghost of Sutter. Boy Willie says "Hey Berniece… if you and Maretha don't keep playing on that piano… ain't no telling… me and Sutter both liable to be back." (108) By continuing to play the piano, Berniece and her daughter can continue to keep these dark links to their past away. Just like Mama Ola tendered the piano and taught Berniece about it, Berniece can teach Maretha about the importance of

As an adult, Jing-mei’s mother offers her the piano once more, and Jing-mei accepts the gift. Appreciating the encouragement and faith her mother bestows upon her Jing-mei decides to care for the piano. The piano piece

As Avery says, she is carrying stones with her, letting the piano weight her down, keeping it as a grave reminder of her family?s history. If Berniece were able to touch the piano, she would be able to accept and overcome her fear and disgrace of the violent past, but she is not ready to do that.

Director Jane Campion places a motif throughout her film The Piano that is preoccupied by power struggles between males and females and European colonists and indigenous people. The "Prospero" syndrome is seen in attitudes of the Europeans regarding their belief that European culture, ideology, and religious practices are the only standards of behavior deemed acceptable for human beings, women in particular. The piano then becomes a symbol for the taboos that are placed on the Europeans and their lives. The character of Ada is placed at the center of a struggle between a male character who fully embodies the Kurtz persona with tattoos, close friendships with the Maori, and uninhibited sexual overtures, and one who clings to English ways. Harvey Keitel portrays this character, named Baines, while Sam Neill plays his foil. The character of Stewart embodies the Prospero persona by maintaining an ever-present "businesslike" relationship with the Maori and punishing those who transgress his code of conduct. The punishment of Flora, Ada’s daughter for misbehaving and simulating her mother’s sexual behavior and of Ada herself for loving Baines while conducting and affair at he same time with Stewart himself places a black mark