Examples Of The Class Based Ideal Of Daisy In The Great Gatsby

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An Analysis of the Class-Based Ideal of Daisy in The Great Gatsby by F. Scott Fitzgerald

This literary study will define the class-based ideal of Daisy in The Great Gatsby by F. Scott Fitzgerald. Jay Gatsby’s obsession with Daisy is based on her upper class appearance, which represents the “ideal” of external purity. The external nature of Daisy’s appearance provides a context for her upper class sensibilities that seem to float above the nouveau riche and the lower classes. Daisy often appears as an angelic figure dressed in white that seduces Gatsby through high society mannerisms. However, Daisy is a materialistic and selfish woman that enjoys the benefits of wealth over true love, since she allows her husband, Tom Buchanan, to have extramarital affairs. Jay’s obsession with Daisy is based on a delusion of purity through the external beauty of a wealthy woman. In essence, a literary analysis of the class-based ideal of Daisy will be defined in The Great Gatsby by F. Scot Fitzgerald. The first images of Daisy as an ideal image of purity occurs when Nick Caraway first sees her at the Buchanan household the angelic nature of Daisy’s image is based on her white dress and the elitist image that she conveys as a woman of the upper classes. Upon entering a room, Nick observes the ideal image of Daisy and her friend, Jordan Baker, sitting on a luxurious couch: “They were both in white, and their dresses were fluttering and rippling” (Fitzgerald 10). In this instance, Nick
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