Examples Of Threes In Dante's Inferno

Dante was of one the major poets to come out of the Middle Ages.

We see Dante’s first step is to acknowledge his inferiority to Virgil; it is to him he owes his modest authorial prowess. This sentiment is understandable indeed. It is only natural for Dante to have nothing but the utmost respect for the great poet who, having preceded him by thirteen hundred years, merits such treatment.

Domenico di Michelino (1417-1491), an Italian painter and medieval poet was known best for his epic poem, The Divine Comedy, which includes sections representing the three tiers of the Christian afterlife: Purgatory (Purgatorio), Hell (Inferno), and Paradise (Paradiso). This poem was a great work of medieval literature and was considered the greatest work of literature composed in Italian. The Divine Comedy was a Christian vision of mankind’s eternal fate. When The Divine Comedy was written, Dante made a cathedral painting that represents his poem called Dante and His Poem. In the painting, the Dante shows the 3 tiers related to the Christian afterlife. Dante was standing in a red robed colossus, revealing his poem to the city of Florence. The painting was full of great meaning, inspiring so many artists from Rodin to Robert Rauschenberg.

The inferno by Dante is a story of faith, religious and moral beliefs with various elements, symbols and themes. Through this journey Dante is guided through hell and back by Virgil a symbolism of his teacher and a comrade philosopher like him. The three elements through out this story that seemed to stand out the most are the perfection of God's justice, evil as a contradiction to God's will, and the style of language.

Numbers have played a significant role in literature for thousands of years, and Dante’s Inferno is certainly no deviation. In fact, it shows an exceptional amount of numerological symbols compared to other pieces of literature, especially for the time period. The numbers three and nine show up frequently throughout the poem, three representing the biblical holy trinity and nine servicing as a symbol of finality and completion. His usage of these symbols could exemplify his perception of catholicism and holy figures. It can also be interpreted that he uses particularly religious numbers to create a feel of irony and connection to a largely catholic audience.

Dante’s Inferno begins in a dark forest, a place of confusion, because he lost his way on the “true path”. Seeking an escape, Dante finds a hill where the sun glares down on him. This light seen in Dante’s Inferno symbolizes clarity as the sun represents God. After encountering three beasts and turning back to the murky forest, Dante crosses paths with the great Roman Poet, Virgil. Virgil is an aid and guide to Dante to Heaven, the ultimate Paradise. He warns Dante he must pass through Hell and Purgatory in order to reach his salvation in heaven. Virgil is depicted as nature or human reason perfected by virtue. It is strongly emphasized that Virgil can only take Dante so far in his journey by guiding him to heaven. Much like St. Thomas Aquinas’ reasoning, nature or human reason can only bring you so far in the journey to God. As Virgil and Dante approach the mouth of Hell, Virgil preaches to Dante about a woman in Heaven who took pity upon Dante when he was lost in hell. The woman Virgil speaks of is Dante’s departed love Beatrice. After Dante hears that Beatrice is heaven he now sheds the fear of traveling through Hell and Purgatorio.

His writings have been hailed “the pillars on which the European literary tradition has been built'; (Dante: The Divine… Internet). The Divine Comedy is very influential and is considered as the greatest piece of poetry in early European literature. “Dante’s Divine Comedy has rightly been regarded as the supreme literary expression of a crucial stage in European thought'; (Holmes 1). Dante also influenced the style of poetry by introducing a format that consisted of three canticles each divided into 33 or 34 cantos. Many poets after him have copied this format (Wilkins 12).

Soon after his encounter with the three beasts Dante meets the spirit of his idol a poet named Virgil. It is h ere that we see another three. Virgil informs him that three women sent him to be Dante's guide. As his guide Virgil leads Dante through the nine circles of hell often with the words

how can Dante's work be depicted into different aspects of religions? The best way to understand the words of Dante is to relate religions to the text, by researching backgrounds of three diverse religions, analyzing the different aspects throughout Dante; we then can correlate his works with a deeper religious sense.

Dante is a poet who wrote an epic poem called The Divine Comedy. This epic poem is about Dante’s journey as he goes through 3 levels, which he calls Inferno, Purgatory and Paradise. In the Inferno, he meets Virgil, his guide throughout his voyage. They both pass through the nine circles of Hell, where they witness many different punishments for those who have done awful things in their past. Good versus evil is a major theme that occurred throughout Hell. In the Inferno, there are times where Dante sees good and evil and also represents it himself.

     Dante's Inferno, itself one piece of a literary trilogy, repeatedly deploys the leitmotif of the number three as a metaphor for ambiguity, compromise, and transition. A work in terza rima that details a descent through Nine Circles of Hell, The Inferno encompasses temporal, literary, and political bridges and chasms that link Dante's inspired Centaur work between the autobiographical and the fictive, the mundane and the divine and, from a contemporary viewpoint, the Medieval and the Modern‹Dante's recognition of the Renaissance as our millennium's metamorphic period and of himself as its poetic forerunner (until deposition by Shakespeare).

With his writing style and the implementation of some literature firsts, Dante assured his name in history. His mastery of language, his sensitivity to the sights and sounds of nature, and his infinite store of information allow him to capture and draw the reader into the realm of the terrestrial Hell. His vast store of knowledge of Greek mythology and the history of his society assists Dante in the

Dante however proves himself to be a hypocrite and often reflects his own sins and hubris in his work. His guide throughout hell, and later purgatory, is none other than Virgil, one of history’s finest and most accomplished epic poets. In the very first circle of hell, Limbo, he places himself among the other great epic poets: “He is Homer, sovereign poet, next comes Horace the satirist, Ovid is third, the last is Lucan. ‘Since each is joined to me in the name the one voice uttered, they do me honor and doing so, do well.’ There I saw assembled the fair school of the lord of loftiest song, soaring like an eagle far above the rest. After they conversed a while, they turned to me with signs of greeting, and my master smiled at this. And then they showed me greater honor still, for they made me one of their company, so I became the sixth amidst such wisdom.”-Divine Comedy, Dante’s Inferno, Canto IV, lines 88-102.

As Dante makes his ascent through hell and purgatory, he is guided by two figures. The first is Virgil, who saves him from peril and accompanies him, as a friend, through the layers of both afterlifes. The second is Beatrice, who inspired Dante’s journey of salvation in the first place, and who he longs to be reunited with. Yet although these guides are leading him towards God, Dante mistakes their guiding as the end itself. He makes a God of Beatrice, sees her as the ultimate good towards which one strives, and makes a Jesus of Virgil, the man through whom this ultimate good is reached. In this way, Dante creates his own trinity, much to the detriment of his ascent to the True God.