Examples Of Tragic Flaw In Antigone By Sophocles

Antigone lost both of her brothers, but only one, Eteocles, was allowed by Creon to receive a proper burial. No matter what shame someone may have caused, they are deserving of a respectful and proper burial. This is especially important, for the afterlife and respect for the dead are of great importance and significance Ancient Greek culture. Antigone should have been able to bury both brothers with equal consideration and honor. Creon degrees that the burial of Polynices is prohibited. Regarding Creon’s decree, Antigone says that there is “a city-wide proclamation, rumor has it, forbids anyone to bury him, even mourn him,” (Sophocles, lines 33-34). Creon declares that Polynices

In the play Antigone, Creon starts off as the loyal king of Thebes. He is loyal to the gods and loyal to the welfare of Thebes. However, over the course of the play, Creon degenerates into a tyrant. His degeneration is showing his character development. Creon’s pride about the human law also develops throughout the play, creating conflict with the divine law. When Antigone rebels against his law, he becomes stubborn, and makes myopic decisions and grows into his hamartia. Besides his hamartia, Creon’s position as the king makes him a power hungry man. His power madness degenerates him into becoming a ruthless and vindictive man, even to his family. However, over the course of the play, Creon begins to see that because of the laws of men, he was being blinded of what’s

Second, Creon’s faults brought an endless life of pain upon himself. He carried an easily describable tragic flaw. Of course, this defect is a vital trait of the tragic hero of any work. Creon’s flaw was that he was stubborn. I could not reason what Antigone’s tragic flaw could be. I believe that if Sophocles wanted Antigone to be the tragic heroine, he would have stated it more clearly in the story. I am convinced that she was simply a victim of Creon’s stubbornness, therefore leading her away from the role of the tragic heroine. I would simply consider her as a type of “puppet” character that Sophocles ingenuously used to emphasize Creon’s flaw. Creon’s defect brings misery to his life, for that his stubbornness indirectly kills Antigone, Haemon, and Eurydice. This, of course, fits the definition of a tragic hero. This can be easily reasoned by simply reading the work.

Antigone 's tragic flaw does not lead to her downfall, because of this Antigone does not meet the characteristic of reversal in fate otherwise known as a downfall. Creon’s pride is what causes Antigone 's death. For example when Teiresias tells Creon to let Antigone go and to give Polyneices a proper burial because the gods are upset he does not listen. Instead he says to Teiresias, "doddering fortune tellers...if your birds-if the great eagles of God himself- should carry him bit by bit to heaven, I would not yield"( 44- 47). Creon is insulting Teiresias, a respected prophet, and says that he wouldn 't do as Teiresias says even if the birds carried Polyneices body bit by bit to heaven. It is obvious that Creon is prideful because he has a high opinion of his superiority. This is shown when he refers to Teiresias, a highly respected prophet who has never been wrong, as

Antigone, Creon, and Teiresias. All three of them have a part of ethos, pathos, or logos. In Sophocles The Oedipus Cycle, Antigone, by Dudley Fitts and Robert Fitzgerald, Antigone, the protagonist, has the rhetorical appeal of pathos. Creon, the antagonist, has the rhetorical appeals of ethos and logos. Teiresias, a prophet, has the rhetorical appeal of logos. Antigone needs to bury her brother Polyneices, while Creon is purposely not burying him, and Teiresias is trying to convince Creon that he is the wrong this time.

Tragic heroes have identifiable flaws which cause their destruction. In this situation Creon’s major flaw was that he was self-centered, and never listened he thought he was always right. Haemon points out that Creon needs to stop being narrow-minded and stubborn, "...Not far off when you shall pay back corpse for corpse..." (Scene 5, 72-73). Teiresias the fortune teller warns Creon that his inflexible ways

Creon has no toleration for people who place personal beliefs over the common good. He believes that government and law is the supreme authority, and civil disobedience is worst form of sin. The problem with Creon’s argument is he approaches He approaches every dilemma that requires judgement through descriptive generalizations. In contrast to the morality defined by Aristotle in his Nicomachaean Ethics, Creon shows that he is deaf to the knowledge of particulars--of place, time, manner, and persons, which is essential for moral reasoning. In short, he does not effectively bring together general principles and specific situations Creon does not acknowledge that emotion, and perception are as critical to proper moral consideration as reason. This explains why he does not respond accordingly with the reasoning of the guard, Tiresias the prophet, Antigone, her sister Ismene, or even his own son Haemon. Throughout the whole play, Creon emphasizes the importance of practical judgement over a sick, illogical mind, when in fact it is him who has the sick, illogical mind. He too exhibits pride in his argument. To Antigone and most of the Athenians, possessing a wise and logical mind means acknowledging human limitations and behaving piously towards the gods. Humans must take a humble attitude towards fate and the power of the gods, yet Creon mocks death throughout the play. He doest not learn his lesson until the end of the play when he speaks respectfully of

In Antigone, Antigone and her sister Ismene return to Thebes in an attempt to reconcile their brothers—Eteocles, who was defending the city and his crown, and Polyneices, who was attacking Thebes. However, both brothers were killed, and their uncle Creon became the king. He forbade burial is the corpse of Polyneices, declaring him a traitor. Antigone, moved by love for her brother and convinced that the command went against the law of the gods, she buried Polyneices secretly. Antigone lines 72-74 “And if I have to die for this pure crime,/ I am content, for I shall rest beside him;/ His love will answer mine”. It was Antigone’s fate to die after burying her brother. It also was her fate to be Oedipus’ daughter/sister.

Creon not allowing Polynecies to have a proper burial is when the real tragedy of the play takes place. As a result of Creon’s orders, Antigone defies him and buries her brother. When Creon discovers what Antigone did, he sentenced her to death.

Every Greek tragedy must have a tragic hero. In Sophocle’s play, Antigone, the most tragic hero is Creon. He is an essentially good man of high position who takes pride in his role as king. He possesses the tragic flaws of excessive pride and an oversized ego. This causes the tragic reversal that leads to his emotional ruin and eventual remorse and repentance.

In the play Creon goes against the Gods by making it illegal to bury Polyneices, Antigone’s brother because he is deemed a traitor. The burying of a dead body is seen as a necessity by all of

Aristotle, an ancient Greek philosopher, defines a tragic figure as one who represents goodness, superiority, a tragic flaw, and a realization of their tragic flaw and inevitability. A tragic figure is normally someone of royalty, or importance, and also experiences a great devastation. A big flaw of a tragic hero is usually their pride. The figure will experience an ironic plot twist, where they realize things are not what they expected, and then are to face the reality of their fate. In, The Theban Plays, by Sophocles (translated by E. F. Watling), the characters Creon and Antigone represent tragic figures. In the play “Antigone,” Sophocles depicts the character Creon as a tragic hero. Creon portrays many characteristics of a tragic figure. His tragic story begins when makes the decision of becoming a hubris. A hubris is one who ignores the gods, and follows their own path. When Creon does this, his decisions greatly affect the fate of his loved ones; his son, wife and Antigone. Along with Creon, Antigone portrays a tragic hero in as well. Antigone’s tragic fate comes from her loyalty to her family and the gods. She chooses to stick to her own beliefs, rather than having obedience towards the king, and this was the cause of her downfall.

The play Antigone, based in 441 B.C. in Thebes, Greece, told a tale about a fictional family. At the commencement of the play, main character Antigone and her sister, Ismene, travel to Thebes. Upon arrival, the two discover that both of their brothers, Eteocles and Polyneices, are dead. Eteocles has been given the proper burial, but Creon, Antigone’s uncle who had just attained the throne, banned the burial of Polyneices, because he deemed him to be a traitor. Antigone believed that this was unfair, so she buried her brother and was locked away in prison by Creon. Then, blind prophet Teiresias, Haemon (Creon’s son and Antigone’s fiancé), and the Chorus plead for Creon to release her. When Creon finally changed his mind it was too late,

The main conflict in Antigone focuses on an unjust law promulgated by Creon. After Creon’s nephew Polyneices attempts to take power (resulting in his death), the king decrees that Polyneices is not allowed to be buried. In ancient Greek culture, this would

Antigone says, “I will do my part,-and thine, if thou wilt not,-to a brother. False to him will I never be found,” as well as that it is wrong for her brother to have been left above ground, “unwept, unsepulchred, a welcome store for the birds, as they espy him, to feast on at will.” In Greek times, these customs of burial were even more important than they are today, because of beliefs about luck, religion, and what would happen to the spirit or the family if the body was left unburied. This is why it was used as a punishment by Creon, and was so hurtful to Antigone that she was willing to risk her life to undo it. Ismene explains to Antigone the reasons that she will not take part in such a proceeding. Herein lies another example of the tragedy aspect of this play, as Ismene reminds Antigone of how her father, mother, and both her brothers had already died. Anyway, Ismene said she wouldn’t go with Antigone to bury her brother, and initially tries to talk Antigone out of it, but then simply wishes her luck and promises she won’t tell anyone. In the next scene, Creon explains, “Polynices,-who came back from exile, and sought to consume utterly with fire the city of his fathers and the shrines of his fathers' gods,-sought to taste of kindred blood, and to lead the remnant into slavery,” and that is why no one can grace him