Examples Of Tyranny In Agamemnon

In the first section of Odyssey, mortal women are presented to us as controlled by the stereotypes and expectations of the culture of the day, and it is only within that context that we can consider the examples Homer provides of women to be admired or despised. He provides us with clear contrasts, between Penelope and Eurycleia on the one hand, and Helen and Clytemnaestra on the other.

Sophocles’ Theban tragedy, Oedipus the King, is not sexist. The prominent play portrays both men and women justly. The events presented by Sophocles exemplifies a level of admiration and respect for women that was not ordinary in ancient Greece. This is predominantly achieved through the dialogue of Jocasta and Oedipus, illustrating a corresponding relationship. In addition, the behavior of Jocasta, analysis of other literature, as well as the bad fortune of the male characters reaffirm that the Oedipus the King is not sexist.

Misogyny pervades the picture Aeschylus, Aristophanes, and Sophocles paint of Athenian society. In their literature, however, female characters catalyze plot by challenging this picture. Such characters--from Sophocles’ Antigone to Aristophanes’ Lysistrata--face grim consequences for acting independently. Clytemnestra and Cassandra from Aeschylus’s Agamemnon exemplify this archetype of autonomy and destruction. When they confront injustice, male characters perceive them as vindictive and hysterical. This paper will compare the standards of justice Aeschylus’s society imposes on men and women. I will argue that Clytemnestra and Cassandra are protectors of divine justice who reject subservience and thereby transcend the sexism of their society.

INTRO: Despite difference of around 400 years between them Greek poet Homer and tragedian playwright Euripides explore many of the same themes in their works the Odyssey and Trojan Women (written by each respectively). Both works are inspired by the events of 12th Century BCE Trojan War that Homer previously explored in the Iliad. The two examine the worth of cunning over brute strength, the dangers of temptation and the role of women in their respective time periods. Despite having extremely similar central ideas, the techniques employed by each are markedly different. These differences arise as the result of changes in socio-historical contexts and format of each work’s presentation, for example the critical shift of the 5th century which saw the rise of sophistry and a certain scepticism in regard to Athenian leadership and the very existence of the gods.

Throughout The Iliad, Homer displays the influence of a women’s beauty on the affairs of men during war. For instance, Agamemnon, the king of the Achaean’s, is forced to return the women he has conquered, Chryseis, in order to save his army from the plague of Apollo. However, he refuses to be deprived of a prize and says, “But fetch me another prize, and straight off too, / else I alone of the Argives go without my honor” (Homer 81). Agamemnon’s command demonstrates his reliance on a prize for nobility and glory. Without a physical representation of his strength and war victories, Agamemnon is left with nothing to uphold his jurisdiction.

Antigone is an ancient Greek play, originally written by tragedian Sophocles, that has been adapted by the French playwright and dramatist, Jean Anouilh. This well-regarded interpretation of the play retains its classical plotline but explores theories of tragedy and how tragedy has moulded this classical play. During this theatrical piece, the protagonist, Antigone, ignites disastrous events that gravely impact not only her family, but the city of Thebes. Furthermore, A World Enclosed is an archetype of tragedy that perfectly represents Antigone. This archetype of tragedy is demonstrated in a plethora of ways throughout the play: Antigone’s stubbornness and determination, her over willingness and persistence to obey the gods, and how the chorus, essential and solitary figures in Greek plays, comment on how tragedy functions within the play.

Achilles’ shield holds engravings of common life during his time: farmers plowing the land, young men and women dancing in the vineyards, scenes of the countryside, slaves working for their kings, and armies fighting each other. On the other hand, Aeneas’

The Iliad, by Homer, is an epic poem set in the era of the Trojan War, accounting the battle logs during the time of conflict between Agamemnon and Achilles, the text’s tragic protagonist. The heroic outlook on life, in Iliadic terms, is exemplified through the construction of one’s honor through hard work. Being an aspect of the heroic outlook of life, this value is demonstrated through his contribution and dedication to the Trojan War, his experience with neglect from the deities, Achilles’ overall disdain towards Agamemnon, and, lastly, his longingness towards Briseis, his dear lover.

In “The Trojan Women,” there are four enduring women who dominate the play and only two men who say anything at all. Moving us with their rants and dramatic reactions, these women engulf the audience in overwhelming grief and irresistible pride. Euripides emphasizes these four women to help us understand one of his main themes. Hecuba with her pride, Cassandra with her virginity and uncanny wisdom, Andromache with her misery and heartache, and Helen with her powerful, seductive reasoning all represent superior illustrations of feminism throughout the play.

In the ancient world, views of women were often derogatory, yet some viewed women as intelligent and powerful. The Epic of Gilgamesh and Lysistrata both display the complex opinions towards women of the time. In The Epic of Gilgamesh, the characters Shamhat and Ishtar provide the audience with a biased view towards women, but this work also provides a more positive opinion of women through Siduri, Utnapishtim's wife, and Aruru. As paralleled in Aristophanes’s Lysistrata, Calonice and Peace represent negative perspectives of women, but this play also portrays women positively with Lysistrata and Myrrhine. The ancient texts of The Epic of Gilgamesh and Lysistrata simultaneously depict women as inferior, equal to, and superior to men to represent the complex views of women that were present during ancient times.

The classic Greek play “The Bacchae” by Euripides, explores the concepts of the restraint of human convention as opposed to the liberty of nature.

Peripeteia or plot reversal is a tragic element that can be found in two tragic plays “Agamemnon”, “Hamlet” and “John F. Kennedy’s Secret Society Speech.” Main Points Both Agamemnon and Hamlet fulfill Aristotle’s definition of tragedy as they both depict the downfall of a good person through a fatal error and judgement which causes suffering on the part of the protagonists (Hamlet and Agamemnon and the audience in Secret Society Speech) Both Agamemnon and Hamlet are Kings, their personalities contribute to their downfall. Kennedy on the other hand is the President of the United States. He is basically lecturing the media.

The book one hundred and twenty eight page book entitled On Tyranny by author Timonthy Snyder plublished in New York in 2017 is not Timothy Snyder’s first book in the area of politics. Timothy Snyder also has written books on politics entitled Nationalism, Marxism and Modern Central Europe: A Biography of Kazimierz Kelles-Krauz, A Wall Around the West: State Borders and Immigration and Controls in the United States and Europe just to name of few of his political works. However in this work I will be analysing Timothy Snyder’s work entitled On Tyranny and the various arguments set forth by the book as well as the narration, setting, themes, plot and my opinion of the book.

Act I, Scene III of Troilus and Cressida by Shakespeare features members from the Greek army. From lines 22 to 54, Nestor further applies a previous speech by Agamemnon. The condition of the Greek army is stressed, as the war is not going the way the Greeks would like. This is a dire situation in the Greek camp, and these speeches aim to rally the troops to fight back in this war with the Trojans. This excerpt is significant in that there is a good use of literary techniques to demonstrate the importance of the war, and key themes are portrayed in this passage. In Troilus and Cressida, Shakespeare expresses the importance of themes of order and struggle through the use of literary devices such as metaphors, word choice, tone, and

In this paper, I will discuss the different ways Clytemnestra isn't your typical female character. In most of Greek mythology women were mostly seen as passive, weak, and constantly taking orders from men. She was the complete opposite, she was really a one of a kind. More masculine than some of the men in the stories, and definitely more masculine than feminine she was a very strong, solid, independent, powerful character throughout Agamemnon. The story definitely wouldn’t be as controversial as it was if it weren't for the boldness, extremely deceptive tactics, manipulative ways, and ruthless acts of Clytemnestra. She constantly defied the role that was given to women in the art of ancient Greece, she paved the way for powerful women characters for the future.