Examples Of Unshakable Willpower In Antigone

Full of drama and tragedy, Antigone can be used to relate to current conflicts. One such conflict is that between Haemon and his father Creon. Haemon looks up to Creon with honor and pride, but as conflict arises, that relation is disassociated and new feelings grow. The first conversation between them is what initiates the downfall of their bond. While it seems that Creon is the most important person in Haemon’s life, Antigone is in fact the one that has won Haemon over.

Haemon shows his love to Antigone by revolting his father 's authority and committing suicide. Haemon is the son of Creon and Eurydice and is engaged to Antigone. He always respects and obeys Creon, taking Creon for a model. However, the decree of killing Antigone causes his violent controversy with his father because he is afraid of losing his fiancé—Antigone. Haemon defends the moral behavior of Antigone and reasons with Creon to change

Haemon stated that his father had dishonored the gods by sending Antigone off to her death, but Creon responded by saying, “You, you soul of corruption, rotten through-/ woman’s accomplice!” (836-37) Creon refused to acknowledge his son’s point, therefore, not changing his mind on Antigone’s fate. In another scene, Creon showed his independence by refusing to listen to Tiresias’ prophecy. Knowing that Tiresias’ prophecies were never wrong, Creon still ignored him. Creon stated, “You and the whole breed of seers are mad for money!” (1171) He claimed that Tiresias was wrong, and he was doing the right thing. In this scene Creon showed his independence in a cruel manner by disrespecting Tiresias. Antigone and Creon both showed that they wanted to be independent. Antigone’s will to be independent ultimately caused her death, and Creon’s caused him to lose his son, niece, and wife.

Antigone’s words, actions and ideas contrast with Creon’s characters to the point of these two characters having conflicting motivations. These Conflicting motivations cause the characteristics of abomination, discourteous, and egocentric to be highlighted within Creon’s character. Ultimately, these conflicting motivations develop Creon a tragic hero by his downfalls, how he’s been aggressive, and also when Haemon and Antigone killed their selves.

“Tell me briefly—not in some lengthy speech— were you aware there was a proclamation forbidding what you did?” (503-505). The actions, context of Antigone’s words, and also the ideas she proposed, very indepthly contrasted with Creon’s character. Thus resulting in there being a verbal confrontation between the two characters. The conflict between the two caused conflicting motivations such as stubbornness, disrespect, and anger to be projected with Creon’s character. Ultimately, these conflicting motivations develop Creon as a tragic hero by portraying that he knew, the decisions he made were of error, and the character interactions advance the plot by causing conflict throughout the play. Creon had also begun to change throughout the play,

“Am I to rule this land at someone else’s whim or by myself?” (Lines 836-837) says Creon, angrily to his son Haemon, who is attempting to reason with him about the execution of his fiance, Antigone. This causes an uproar between the two and brings out Creon's selfish intentions. Throughout the story the conflict with the ideals and motivations between the two change the theme of the story from love and loyalty to hatred and betrayal. This not only contributes to Creon’s characteristics of a tragic hero, but also to the suicide of both, Antigone and Haemon.

Even though Antigone exhibits a blamable pride and a hunger for glory, her disobedience is less serious than those of Creon. It is evident that Antigone’s actions are driven by a love for her brother, and a desire to please the gods. While Creon’s actions are

Haemon insists he is trying to prevent his father from pursuing an injustice while Creon accuses his son of siding with a reckless traitorous woman over his own father, to whom he owes obedience. In fact, Creon is more devoted to his laws than he is to even his own son Haemon’s happiness, refusing to pardon Antigone for burying Polynices even though she is Haemon’s fiancée. Antigone, on the other hand, places long held traditions and loyalty to her family above obedience to the city or to its ruler. In doing so, she makes the case that there are loyalties to both the gods and one’s own family that outweigh one’s loyalty to a

In the play Creon rejects the burial of Polyneices but still seems to value family heavily. When Creon speaks with Haemon he expresses that he should listen to his father’s choice over anything else “Stand by your father’s ideas in all things.” (Page 37), showing that Creon values family honor. Sophocles shows moments of family love throughout the play, Creon knows letting Antigone go after burying her brother is the right thing to do so he makes the decision to let her go free for the action she performed “I myself, since my judgement has turned and seen better ways, I bound her up and I will go and release her.” (Page 54), this shows that Creon truly loves Antigone and chose family over authority by freeing her. As Haemon finds out Antigone has hanged herself, in

In the play, Haemon is brought to his father to be informed off the news of his soon to be wife. In the discussion between Creon and Haemon, they speak of Haemon's obedience and Antigone's disobedience to Creon. Creon says, "So I must guard the men who yield to order, not let myself be beaten by a woman. Better, if it must happen that a man should overset me. I won't be called weaker than womankind" (Sophocles 211). Creon makes it clear that his reasoning relies on sexism and not what is truly just. Women are often downgraded to the status of a secondary role as shown in the story.

He then states he (Creon) alone can’t be right and “other men who can reason, too; and their opinions might be helpful. You are not in a position to know everything” (Sophocles 218). By jogging Creon’s memory that he can’t have an overview of everything, Haemon is endeavoring to help Creon reason and to be open mind. In haemon’s next assertion he describes how, “she kept him from dogs and vultures. Is this a crime? Death- she should have all the honor that we can give her!” this tells the readers that if she would have died it would be unjust to die in shame for what was an act of glory, justice and that she should deserve a crown of gold and glory(218). At the end Haemon uses a plan to make threats against his father, after his father says Antigone must die, Haemon responded with an ultimatum answer “then she must die, but her death will cause another” (222). As Haemon dashing off in anger, Creon knows that if Antigone were to be executed, so will his son. Having no choose but Creon didn’t want Haemon to save Antigone so he carried Antigone into a living tomb (the cave) all locked up and supplied her with food just enough food to clear of its guilt of

Out of imprudence, Antigone does not realize the negative effects of antagonizing Creon. After being captured by the guard and brought to Creon, she reveals her intentions to Creon and even belittles him by indicating that his orders is not so strong that he, “a mortal man”,

Each individual in Antigone had a predetermined fate although by the portrayal of his or her free will that fate may be changed. Creon, by displaying appalling acts such as enslaving Antigone despite warnings, showed he had the most free will. Tirasias, as the spokesmen of the gods, warns Creon about the consequences of his actions (Sophocles, 112). By ignoring Tirasias’s cautions, Creon portrays his free will. Creon is confident that through his determination he will be able to rule Thebes and create his own laws. Through these laws, Creon punishes Antigone, after she disobeys his rulings and buries her brother. Antigone reveals her free will by choosing death as her fate and life for her sister Ismene. When Ismene proclaims she will die with Antigone, Antigone refutes it. Antigone says that they should not both die, especially for an act that only she committed and Ismene had no part in (Sophocles, 88). Ultimately, Haemon shows the least free will

Haemon, much like his father, has his own tragic flaws of his loyalty and undying love for his would be wife Antigone. Who at the end of the story ends up making a tragic exit and Haemon after failing to convince his father, Creon, to release her chooses instead to hastily follow suit and meet his own tragic demise next to his lover. He makes a emotional and heartbroken choice out of pure desperation for his lost love, without considering how it would affect the people he left behind. Unlike Creon, he didn’t have to face the fact that he caused his mother to kill herself out of despair for her lost son and left his father surrounded by the dead bodies of his loved ones. Haemon had to bear the weight of Creon’s and Antigone’s impetuous decisions after he could not stop and ended up losing to his tragic flaw of love and killing himself.

Creon views the father-son relationship as one of submission. This view is evident when Creon says to Haemon, “stand behind fatherly advice on all counts/Keep [the son] at home, and have him listen to what he’s told” (Antigone 640/42). This view makes it blatant that Creon believes that a son should stand behind his father and not interfere with the father’s actions. Similarly, the son should obey the father under any circumstances. Obedience under any circumstance connotes a sense of submissiveness on the part of the son because the son has to obey his father's actions whether the actions are ethical or unethical. Creon expects Haemon’s submission, on all circumstances, especially when he subjects Haemon’s bride-to-be, Antigone, to her death. However, Haemon believes that her death sentence is unethical and harsh. Therefore, he attempts to sway