Examples Of Victim In Othello

In Shakespeare's Othello, Othello's pride prevents him from finding the truth, eventually leading to his demise. Initially, Othello and Desdemona are deeply in love, despite her father's disapproval of their marriage. However, when Othello promotes Cassio instead of Iago to Lieutenant, Iago has his revenge by convincing Othello that Desdemona cheats on him with Cassio, destroying the marriage between Othello and Desdemona. Othello grows to meet his downfall when his trusted friend Iago causes him to think that his wife Desdemona is unfaithful.

In William Shakespeare’s drama, Othello, a reader does not need to search tirelessly to find one of the numerous victims of the tale. While it is true to state that many characters in this story endure great suffering and sorrow during their arcs, it is natural to wonder, “Who is the ultimate victim of this tragedy?” Is it the title character himself? Othello, mercilessly betrayed and emotionally tormented by his friend, Iago. Perhaps, it is Othello’s wife, Desdemona; she pays the ultimate price for Iago’s deeds at the hands of her beloved. Emilia, Desdemona’s handmaiden, could also be considered the most tragic character. Still, there is one man who rises above the others in his suffering; a man whose own daughter was stolen from him before he even knew she had been taken. Ultimately succumbing to his grief, only one character can truly be deemed the ultimate victim of this play, Desdemona’s father, Brabantio.

The relationship between Desdemona and Othello in the play ‘Othello’ is used to express and observe the way that humans are selfish by nature. Although both Desdemona and Othello do sincerely love each other, both of them find great personal gain in their marriage, which clearly contributes to their feelings for one another. Othello, who is a black leader in an overwhelmingly white, Christian society, has come from a troubled and difficult background, being “sold to slavery” and working in the military all his life. In finding a good Christian wife in Desdemona, he finds someone to always support him in hard times, as evidenced in his summary of their romance, “she loved me for the dangers I had passed, and I loved her that she did pity them”. This quote suggests that their love is more self-serving than he lets on; Desdemona loves Othello for the adventures he has been on and the stories he tells, and Othello loves Desdemona because she listens and devotes herself to what he has to say. When Desdemona gets a chance to explain their relationship herself, she is particularly proud of the fact that she “did love the Moor to live with him; my downright violence and storms of fortunes may trumpet to the world”. We note that she mentions her ‘violence’, the way she deliberately disobeyed her father and fled his company to secretly marry a man who is not one of her father’s approved suitors. This furthers the idea that Desdemona seems to be in love with Othello because of the adventures he has been on, and the excitement and liberty of her being with such a man; she is seeking her own freedom in a misogynistic society by defying her father to marry Othello. Their relationship is

The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.

Shakespeare mocks society’s extreme measures by suggesting death as the sole option for Othello when he fails to understand that Desdemona may not fit female stereotypes. Without the ability to label her, Othello fails to “assert Desdemona’s chastity and corruptibility simultaneously” and “murders Desdemona to redeem her from degradation” (Neely). The characters, like many people, struggle to alter views that have been so firmly pressed into their minds. In this way, Shakespeare negatively comments on humans’ inabilities to see beyond what society tells them and to comprehend truths unique to a specific person rather than his gender roles. Shakespeare uses the characters Desdemona and Othello to display how people become accustomed to the gender identities that society defines for them. Therefore, both characters, as depicted by their deaths, fail to understand each other personally as individuals instead of as the stereotypical man or woman that is being presented.

Othello believes that Desdemona is his possession, an object in his life which is supposed to show he honour and reputation as a man, therefore the belief that Desdemona has broken that honour and nobility forces Othello to destroy her.

At this time, Othello has killed Desdemona and has forever ruined his own life. By her trying to stop the madness, her husband, who is still filled with hatred and jealousy, kills her.

Othello is not hurt because of a failing love, but because of how it makes him look and hurts his pride. This is when things get ugly. Othello puts more trust in Iago than in his own wife. This is due, in part, to Iago's manipulative skills, but mostly to Othello's lack of communication skills, especially with his wife. But Desdemona does not do anything to mediate the situation and lets the condition escalate, and her self-blaming attitude only perpetuates Othello's misgiven notion that she has been falsely accused . After Othello strikes her in front of the whole dinner party, and orders her around like a peasant,

Othello’s love for Desdemona was so deep he could not bear the thought of another being with her; “If she be false, O! Then heaven mocks itself. I’ll not believe’t.” Iago uses the characters of Cassio and the obsessive Roderigo as his weapons in his cunning plan. Iago drives the idea into Othello’s mind that Desdemona has been unfaithful, inciting him into a state of jealousy. “Excellent wretch! Perdition catch my soul, but I do love thee; and when I love thee not, chaos is come again.” Othello growing insecurities about his wife’s faithfulness only adds to his psychological suffering which in turn acts as a catalyst towards the suffering of other characters involved in the play.Iago tells these lies with the intention of driving Othello insane as well as establish his dominance and influence the situations of those characters close to Othello. Evidence of this comes in one of Iago’s soliloquies from act two, scene one; “That Cassio loves her, I do well Believe’t: That she loves him, ‘tis apt and of great credit.” This section shows that he is trying to convince himself that his own manipulative lies are true and is trying to reassure his motives by justifying his own actions. By convincing Othello

"You don't love someone because they're perfect, you love them in spite of the fact that they're not” (Picoult, 384). This quote is the definition of true love, something the two protagonists of this play sadly never had. The tragedy Othello is about a general of the Venetian army, and his beautiful wife Desdemona, whose lives are completely ruined by the deceitful, cunning, and cowardly Iago. One of Iago’s biggest accomplishments was breaking up Othello and Desdemona's relationship by getting it into Othello’s head that Desdemona was cheating on him. This really made the reader question Othello’s feelings towards Desdemona as for someone who claimed to have love Desdemona with a passion, Othello sure was quick to believe Iago’s lies and turn on Desdemona. Based on his actions towards Desdemona, Othello proved that he does not truly love Desdemona because he is insecure, lacks trust, and is a very jealous person.

It is here that the audience begins seeing a different identity of Othello. Who was once regarded as so valiant and courageous, was now beginning to show signs of severe insecurities dealing with matters, most importantly, such as his lack of experience in love and marriage causing shadows of doubt over his confidence in himself and his ability to be loved by and worthy of someone like Desdemona. Desdemona, although not intentionally, seems to be the reason for all the unrest in Othello. This is an instance in the play when irony shines it's smiling face upon Shakespeare's most tragic characters. Othello feels truly happy with the presence of Desdemona in his life (Act II.1, 181-187):

The traits of the tragic hero lead the audience to feel compassion for the helpless victim. However, for Othello this is not the case. His demise was of his own doing. The moment he showed violence towards Desdemona, the audience lost interest in comforting Othello. Instead, they blame him for his own ultimate ruin.

As it was stated earlier, one of the features of a classical tragedy is that an innocent character suffers. However, it seems that this also appears in ‘Othello’, as Desdemona’s suffering is very prominent. In act 4, scene 3, Desdemona is talking to Emilia about all that she is worried about, and thinking about. One of the most emotional things that Desdemona talks about was her “mother had a maid called Barbary: / She was in love, and he she loved proved mad / And did forsake her” (4.3.25-27). She then has a premonition of death and requests Emilia, if she should die, to wrap her body in one of her wedding sheets, which are now on the bed, “If I do die before thee, prithee shroud me / In one of those same sheets” (4.3.23-24). Desdemona sings the “Willow Song,” and, in this indirect way, she faces the real possibility that Othello is going mad and will

Othello’s tragic flaw can be viewed as jealously which ultimately leads to his downfall. When Othello is manipulated by Iago to believe that Desdemona is having an affair with Desdemona, Othello does not change from his good person mentality. However, Othello carries out with the plan for murder for which he believes is a fine reason to end Desdemona’s once previous life to preserve her innocence. Othello is the tragic hero within the play titled after him and because of his title, because of this Othello, the Moor of Venice follows one of Aristotle’s requirements.

Although Othello is a victim he is not entirely innocent. In the play, Othello is convinced by Iago that Desdemona was cheating on him with Cassio but if he stopped and thought about it rationally, he may have been able to talk out the problem and half the cast would live to the end of the play. In the start of the play, Desdemona and Othello are in love and trusted each other but Rodrico was in love with Desdemona and hated Othello because he was with her. Iago used his hatred of Othello and desperation to get Desdemona to get money from him.