Exhibition Rhetorics Analysis

Art galleries are essential to the art world, however, is not the only source for audiences to view art. To begin with, art and artwork is defined as the application of human skill, creativity and imagination. Taking this into consideration, individuals need to examine the nature and purpose of art galleries as a facility to collaborate, organize and display a collection of artworks. As art however, is any expression of human creativity, its presence is not bound to art galleries and is evidently present in the world around us be it in photographs, the internet or even in graffiti.

I hope to see museums make more concerted efforts to educate the public. Too many exhibits are of the “passive, didactic looking” than like the engaging Object Stories program (Dartt, Murawski). Exhibits should seek to tell untold narratives, and programs should be places of communication and cross-cultural encounters. For too long, difficult confrontations have been avoided, both inside the museum, and by dominant communities

In the Robyn Autry article, it mainly focuses on the national conflict of museums mainly focusing towards African American. The author travel to 15 museums around the United States that focuses towards African American. She mainly talks about how the African American were facing numerous hardships in the U.S and how the museum represents those issues to the general public. She believes the way to tell the hardship of African Americans is by exhibiting through a museum. When traveling through these museums she focused towards “centered on three traumatic episodes: capture and displacement from Africa, enslavement, and racial segregation” (Autry 64). The author of the articles wants to show that over time that museums meanings has changed over

The idea of art being a unique interpretation of what an artist’s feels towards a particular thing has always been a given when talking about art. However, where is the line drawn on what art truly is and what it means to its audience? To do this, the idea of what art means must be applied to the idea of what art is. In Dorothy Allison’s This is Our World, the author touches on points of what art is and what it means to its viewers. These points and supporting stories point to the idea that art is subjective, personal, and provocative. This allows Allison to draw her conclusion that arts purpose is to depict the deeper meaning into situations and incidents that occur in our world. In Dorothy Allison’s journal, one can see how the author effectively conveys the ideas of art being personal and subjective, but fails at detailing how art can be subjective.

The Art of Rhetoric is when a speaker or author tries to persuade a specific audience to their point of view. The Art of Rhetoric can be found in many places: advertisements, documentaries, commercials, politicians on the campaign trail, and even teenagers trying to get out of trouble. The Art of Rhetoric consists of Ethos, Logos, and Pathos.

For this essay, we were required to go to the Getty Villa in Malibu and look for specific works of art in the J. Paul Getty Museum. The Getty Villa is on a hill adjacent to Malibu beach and requires a reservation to get inside. They do not allow pedestrian entrances, so I had to take public transportation and show proof of my Metro bus receipt to get in. Once inside, I took a shuttle up a curvy hill to the actual museum. When I got to the actual entrance, I was taken aback by how beautiful not only the view was, but the Villa was as well. It did not take me long to find the five artworks.

According to an article written by Lou Solomon, Two-Thirds of managers are uncomfortable communication with employees. As someone in a position in which you are overseeing any number of individuals this is a problem. As a manager it is very important to be respected and trusted and effective communication can play a key role in just how smoothly a business can run. The managerial position is seen as the position in which employees can go to seek help or direction, the problem here is that not enough managers are trained to overcome the challenges of communication.

Recalling my inability to understand art, you can just imagine how much fun I had in the museum. When I walked into the little area I was immediately stopped by a collection of commemorative plates, each with names of famous civil rights activists on them. The plates looked very elegant, but I couldn’t figure out why the artist would want to create them. “Irony”, I thought, “it must be ironic somehow. Artists love irony – but how is this ironic?” Maybe because the names were in black on white plates? Maybe because they didn’t lead extravagant lifestyles but yet were commemorated on extravagant plates? Or maybe that their names, and all that they have stood for, have been reduced to a cheap souvenir-like object, that may or may not be available at the gift shop. I decided to shake off all the thoughts that were running through my head when I saw a giant sign that described the purpose of the exhibit, and what Brown v Board meant. Beneath it I found a pamphlet describing each work. “Spectacular”, I thought. “Now this is my kind of art museum – one with answers”.

The Cinema of Attractions is based on an exhibitionist paradigm (Gunning, 2004: 44), where it seeks to knowingly addressing the spectator and provide its spectator with a series of views or selective information (Strauven, 1999: 49). The cinema of attractions existed primarily between the years 1895 and 1906 (Strauven, 1999: 38).

Public relations practitioners have to cautioned because the demographics of the United States is not monolithic, instead it is very diverse and complex in aspects as geography, history, economics, ethnicity, generational, socio-economic status. The PR practitioners must understand and act base on those aspects to positive approach the audience. Otherwise, the communication with the audience will be not effective and the channel use may be not the adequate for the specific

The Open-Call Student Exhibition on Authority intends to provide a community center for art students by acting as a showcase for critical responses to authority. The gallery is located on the first floor of Kroeber Hall, and aims to be free and accessible to the public. However, the experience leading up to the exhibition seemed to be contrary to the gallery’s motive towards public accessibility. The gallery sign affixed on the sandwich board that stands outside Kroeber Hall contains a densely-packed 51-person list of student artists. With careful inspection, I was able to find the room number of the exhibition, which took up a small corner of the poster. Upon entering Kroeber Hall, I was quite surprised by how enshrouded the gallery was within the building. It seemed to be a hidden alcove among the sea of classrooms that populated the dimly-lit hallway. Thus, the entrance to the exhibition was quite a bleak and secluded experience.

The public gallery experience is one that encourages art at a trot” (Winterson 7). People look at paintings and receive fleeting pleasure but people who deeply consider and analyze paintings and art may achieve happiness in the longer sense because they connect with pieces as well as take

time to visit museums. When public art is funded by the government, the artist’s imagination is

In The United States of America, thanks to the first amendment, activism is very much so alive in today's society as well as throughout our history. In this paper I will discuss how the public can interface physically with Ai Weiwei’s Arch as opposed to works of art in a museum. For example, in the majority of cases, museums require people to stand behind a line and simply observe a creation on display. However, Ai’s approach through the statues tangibility allows for the viewer to more easily connect to its true meaning and formulate an opinion. I will convey the significance of creativity through describing the arch, discussing its passageway, as well as analyzing the potential link to Arch’s location and the overall theme of Ai’s exhibit: refugees.

According to the American Alliance of Museums, community engagement in museums includes the use of this facility as “a center where people gather to meet and converse and an active, visible player in civic life, a safe haven, and a trusted incubator of change” (Long 141). Different museums