Expectations Of Society In Frankenstein

In the novel Frankenstein by Mary Shelley, Victor Frankenstein puts the monster in a predicament that victimizes the monster. Victor creates the monster to be an “ugly wretch”(Shelley 141) therefore causing the monster grief for his entire life. The monster experiences severe loneliness for being an outcast. The monster is the greatest victim in this novel because of his creation, his loneliness, and everyone’s general fear or lack of concern for him.

   Mary Shelley's novel, Frankenstein, sheds light on the importance of appearance through the tale of an unwanted creation that is never given a chance by society. Ironically, the supposed beast was initially much more compassionate and thoughtful than his creator, until his romantic and innocent view of the human race was diminished by the cruelty and injustice he unduly bore. Not only does the creature suffer the prejudice of an appearance-based society, but other situations and characters in the novel force the reader to reflect their own hasty judgment. The semi- gothic novel includes several instances of societal prejudice that include the isolation and outcast of Frankenstein's creation,

Therefore, when the monster was ‘born' it did not know the meaning of love; his creator fled from him, leaving him alone in the world. When he comes upon the cottage and the family residing there he glimpses his first exposure to love.

Introduction: Frankenstein, a novel written by Mary Shelley, is one of the most popular representations of the romantic era. The romantic aspects of the book allow for a unique analysis of the human personality and its emotions and potentials. This includes many interpretations of a human personality based on one’s socioeconomic status. Using this perspective one can easily analyze the interclass and intraclass social power imbalances and interactions. It is also possible to survey the novel through the unbalanced justice provided to each class. Through various events and trials in Frankenstein, Mary Shelley shows that one’s lack of social power leads to vulnerability because it forces the person to have less of an advantage when compared to others with more power.

The monster- unattractive appearance; starts with really good intentions that turn bad because of how people react to him; lonely; sad that Frankenstein doesn’t want him; angry that he is the only one of his kind; vengeful (towards the end of the novel);

The monster is forced to develop a neolithic mindset as opposed to modern day ideals after its maturation occurs in the wilderness. His savagery can be seen when he “silenced” Frankenstein’s son after realizing he “[belonged] to the enemy” (102). The daemon also “discovers” a fire for the first time, drawing a parallel to cavemen (72). Unfortunately, due to the lack of contact with the outside human world, the monster is unable to

  One of the main themes in Mary Shelley's Frankenstein is the importance of appearance and acceptance in modern society. In today's society, and also in the society of Frankenstein, people judge one often solely on their looks. Social prejudice is often based on looks, whether it be the color of someone's skin, the clothes that a person wears, the facial features that one has and even the way one stands. People make snap judgments based on these and other considerations and they affect the way that they present themselves to one, and also the way that the treat the judged person. In Frankenstein the society of that time is much like our own today. It is an appearance

The “Frankenstein” society only upholds and esteem those who are of “high and unsullied descent united with riches” (Shelley 386), these privileges commanding reverence and respect. Here, Shelley articulates a distinct class hierarchy prevalent within society, wherein disadvantaged figures like the creature, who does not possess sufficient wealth or honourable descend, will be condescendingly dismissed or even loathed upon. The creature who is perpetually the less powerful (given that it has neither family nor riches) will forever remain “a blot upon the earth” (Shelley 386), the stain as an analogy which reiterates its unwanted and undesirable position. Further accentuating such class inequalities is the juxtaposition of the monster’s status with that of Victor and his family. Termed a “savage inhabitant of some undiscovered island” (Shelley 280), the monster is alluded to be a wild and obscure figure whose acute lack of stable power and identity shapes it into a strange and terrifying Other dwelling within an incomprehensible realm, a manifestation “representing the dispossessed” (Vlasopolos 130). In contrast, Victor’s family, who originates from the aristocratic upper class, belongs within society and is highly-regarded. The superiority enjoyed by their status is exemplified from how they are already well-established as a family whose ancestors “had been for many years counsellors and syndics” (Shelley 289), their father gloriously securing much “honour and reputation” (Shelley 289) in numerous public domains. The creature who is part of the inferior class is comparatively neglected and remains the outcast, relegated to the isolated sphere of the Other. The collective contempt demonstrated towards the creature builds and affirms its distinct status as the Other, whose victimisation then works to expose class inequalities hidden behind the façade of

In Frankenstein, by Mary Shelley, Victor Frankenstein creates a creature, stronger and better than humans in every way except his looks. After Frankenstein abandons him, the Creature meets the De Lacey’s, a nice little family that indirectly teach him how to read and write. In truth, the Creature only becomes a monster after the hatred that Felix, one of the De Lacey’s, shows him. Before, he had done nothing wrong, but afterwards, all he did was fall down a slippery slope.

Like most horror stories, Mary Shelley’s Frankenstein has a wretched monster who terrorizes and kills his victims with ease. However, the story is not as simple as it seems. One increasingly popular view of the true nature of the creature is one of understanding. This sympathetic view is often strengthened by looking at the upbringing of the creature in the harsh world in which he matures much as a child would. With no friends or even a true father, the creature can be said to be a product of society and its negative views and constant rejections of him. Although this popular view serves to lessen the severity of his crimes in most people’s eyes, the fact remains that the creature is in fact a cold-hearted wretch whose vindictive nature

This example of the significance of appearance in modern society is also echoed in Frankenstein. The parallel between the society in the novel and modern society is that of snap judgements based solely on appearances. In the novel, Victor Frankenstein is a perpetrator of such judgements. Victor “selected his features as beautiful.” Here it is seen Victor’s shallowness as he picked the most perfect body parts and beauteous features, all to be pieced together in great anticipation. However as one can see, the result is horrific and due to the hideousness of the wretch that he has created, he abandons him. This same shallowness of judgement due to appearance again surfaces when Victor accuses the creature of murdering William

Knowing social opinion, the monster explained after his agonizing shock of self-discovery, "All men hate the wretched" (95). An irony emerges, however, in Frankenstein's own abhorrence of the creature, evident when the brute proclaims, "You accuse me of murder, and yet you would, with a satisfied conscience, destroy your own creature. Oh, praise the eternal justice of man!" (96). This fictitious novel, occurring in the early nineteenth century, only years after the Declaration of Independence, Bill of Rights, and the Constitution of the Rights of Man commissioned equality among people, exposes inequitable sentiment remaining in mankind. The brute fiend, which had commiserated with kind cottagers early on in his existence, aspired to acquire their friendship by degrees, but foretold his predestined misery by recounting, "Alas! I did not entirely know the fatal effects of this miserable deformity" (108). He had not pre-meditated his future crimes and is portrayed as a victim of appearance, circumstance, and naïveté.

Over the years, the monster in Mary Shelley’s Frankenstein has become universally portrayed in one way: a tall, green-skinned, dumb brute with no language or reasoning abilities. Society has turned the story of Frankenstein into a mere horror story, dehumanizing the monster more than was intended in Shelley’s novel. However, the message of Frankenstein is a far cry from the freak show displayed by the media. While many people may only see Frankenstein as a grotesque story meant to thrill its audience, its purpose goes much deeper as it advocates for the equal rights of women in society.

Although humanity prides itself on its continuous societal improvements, superficial judgment continues to thrive, especially between those who differ in looks. The art of physiognomy dates back to the beginning of mankind and has continued to evolve with humanity, negatively impacting those who are categorized into unfavorable stereotypes. In Frankenstein by Mary Shelley, there are flagrant displays of the upsetting role appearance plays in society, as modern-day racism parallels the prejudice the monster experiences due to his exterior. Despite its publication year of 1818, the novel is still pertinent, especially as the world struggles to override unconscious biases correlating to race or unorthodox physicality.

Beauty and prejudice have become commonplace in today’s society; the tiring cycle of living up to impossible beauty standards and facing the constant criticism of one’s image seems never-ending. However, this incessant obsessiveness over image has been around for thousands of years. In Mary Shelley’s novel Frankenstein, a prominent struggle between beauty and hideousness occurs throughout the book. Shelley uses the motif of undesirable appearances and the constant praise of beauty throughout Frankenstein to establish the theme of prejudice.