Explication Of Her Kind By Anne Sexton

1. “It may serve, let us hope, to symbolize some sweet moral blossom that may be found along the track, or relieve the darkening close of a tale of human frailty and sorrow.” In this quote the author is referring to the rose bush by the prison as being a symbol of the sweet moral lesson offered by Anne Hutchinson, a woman who preached to the Puritans without the male-dominated permission of the Puritan church. Like Hester Prynne, Anne was punished. She was sent to the prison. No matter how small an action is, the culture of a society can respond in rage, loathing disgust, even fear. It is behavior that is learned and passed on through religion and community. In colonial Puritan society people were socialized to be very strict and religious and to punish anyone who behaved in a way that was considered improper. Any kind of sin had an exaggerated evil in the Puritan’s eyes, especially ones regarding marriage and sex. Hester Prynne and Anne Hutchinson are both character representations of women who stood up for the rights of women to live their own lives in a strict society.

A vampire is defined as “a prenatural being of a malignant nature, supposed to seek nourishment, or do harm, by sucking the blood of sleeping persons;” (1). Whereas a parasite is defined as “a person who lives at the expense of another, or society in general;” (2). A sleeping persons can be interpreted as an innocent person, this is due to countless stories and lore depicting vampires stealing the blood of conscious innocent persons. Therefore, by doing harm to the innocent, a vampire is living at the expense of the humans whose blood it steals, making vampires a form of parasite. In The Good Lady Ducayne, by Mary Elizabeth Braddon, Lady Ducayne is genetically a human, but her mind has become fixated on life. By exploiting technology, her moral and ethical standards change, allowing for her personal relationships to become meaningless in her search for an elongated life. She goes so far as to steal the blood of young girls; this act of stealing innocent girls blood at their own expense, makes her a special parasite, human vampire.

In the first stanza he uses the words “dead, fled, and led” which implies that she forced him to pursue her. At the end he writes “Nay, nay! Mistress!” implying that he should not have let her

Anne Sexton was a poet and a woman, but most importantly, she was an outcast. Subjected to nervous breakdowns and admitted to a neuropsychiatry hospital, Sexton must have been all too familiar with the staring eyes and the judging minds of the public. Just being a woman in today's world often can be enough to degrade a person in the public's eye, let alone being labeled as a crazy woman. But Anne Sexton did not let society remain unchallenged in its views. She voiced a different opinion of women through poetry. In Anne Sexton's "Her Kind" the speaker of the poem embraces society's negative stereotype of modern, liberated women and transforms it into a positive image. Two voices, the voice of

The poem hints that a woman lived with the man in the old farmhouse and that she appeared to be a homemaker. Kooser makes this known when the speaker mentions “the bedroom wall papered with lilacs and the kitchen shelves covered with oilcloth” (10-11). The food choices that the woman had available to feed the family really makes the reader think about the poverty that they may have lived: “money was scarce say the jars of plum preserves and canned tomatoes sealed in the cellar hole” (13-14). What food they had needed to last, as the man had failed to produce any food for his family in his untended fields.

In stanza 12, she tells us that he has “bit her pretty red heart in two.” Next, she states that he died when she was ten, and when she was twenty years old, she attempted suicide - “…I tried to die, to get back back back to you.” In stanza 13 is where she starts talking about her husband. She says that instead of dying, her friends “stuck her together with glue,” and since she could not die to get back to her father, she would marry someone who was similar.

In the third stanza it states that “If she wants to grill anything, it's her husband spitted over a slow fire. This quote makes me feel that she want to kill her husband because he is probably not helping her at home and making her his slave. I believe that this person is tired of cooking and being a slave to her husband. In the end of the poem, it also states “During dinner is not incompetence but war”. This means that this happened for a long time I believe that women all over the world are being mistreated and they should stand up for what they believe in. Therefore women should be treated the same way men are being

Mothers are pictured as the care giver of the families and the ones who love their children unconditionally no matter the situation. They’ll do anything to support their family and raise their children right. In “The Queen of Mold” by Ruth Reichl, the mother in the story is pictured as the one who makes a meal almost out of nothing, just to provide and have something on the table for her family. Even though the food she cooks is moldy, this is how she demonstrates her motherly love.. In “Everyday Use” by Alice Walker, the mother is portrayed at first as an over excited mother waiting for her over achieving daughter Dee. As the story progresses the excitement for the daughter starts to go away and her motherly love towards Dee becomes complicated because Dee thinks she is greater and much smarter than the rest. Both of the stories depict complex motherhood, in Reichl story her mother’s love becomes complicated when she cooks food for the guest and her daughter tries to save the guest from being killed, while by the end of Walker story she only has love for the one daughter that has always been by her side and that’s Maggie.

Through literary devices such as simile, repetition and symbolism, Anne Sexton delivers the message that there is no way to live "happily ever after." Using four short stories as a lead in, Sexton makes powerful arguments about society by creating the symbol of the dove and alluding to the story of Cinderella. For Sexton there is no Cinderella, there is no prince charming, and there is no happy ending. However, through "Cinderella," she argues that the "happy ever after" ending remains an illusion society chases.

The current generation is quizzical of the importance that religious teachings hold in our evolving pro-choice society. In past generations, spiritualism was a method of uniting the community and nurturing the young. However, we find that faith has the adverse effect. While separate from other religions, a rise in hate fueled discrimination and separatism is observable between different communities in all corners of the globe. In this generation, it is only logical that as religion is taught, after learning from present and past events, the very essence of the teachings is skewed and put into question.

Linda Pastan made this poem include various forms of figurative language to hide the literal message that it's trying to portray. Figurative language is using figures of speech to make the text be more powerful, persuasive, and meaningful. Figures of speech such as, similes and metaphors, go beyond the literal meanings to give the readers a new way of looking at the text. It can come in multiple ways with different literacy and rhetorical devices such as: alliteration, imageries, onomatopoeias, and etc. With the usage of the literary devices Pastan has used, it introduced the relationship between the mother and the daughter. It shows the memories of how the mother helped her daughter grow from a little girl to a young adult getting ready to go her own way in life.

Edna St. Vincent Millay’s sonnet, “I, Being Born a Woman and Distressed,” serves as an excellent example of a multi-faceted piece. From one angle, it is simply a Petrarchan sonnet, written with a slight variation on rhyme scheme – but that variation, taken deeper, reveals new layers of meaning. Added to Millay’s choice of meter and end-stop, along with a background of Millay’s person, this sonnet seems not so “simple” after all.

Society’s voice in this stanza suggests that witches like the speaker are evil and have no place in their idyllic world. The speaker mocks society’s opinion of her, by agreeing with it in

In contrast to her children, who simply “growl” at her when they are hungry, the ingredients in the kitchen actually assist her in making the “soup.” The “salt” is particularly important, as we only notice it when it is absent from food rather than when it is present. When it is not in the food, its omission is strongly reflected in the taste of the food. Hence, it is taken for granted. Similarly, this housewife is criminally underappreciated and if she was not around, her family would instantly feel her absence from the household. She also compares herself to “the celery and the parsnip”, who are regularly “forgotten” and seen as “bit players.” The housewife knows “exactly” this feeling, as she is similarly overlooked and seen as playing a more minor role in the household than the man, who is traditionally the breadwinner. Overall, although the poem is essentially a parody and uses plenty of humour, there is an overbearing feeling of underappreciation, loneliness and frustration towards her family on the part of the speaker. While at the beginning of the poem the speaker’s tone is mocking towards her family for having many expectations of her yet taking her for granted, at the end of the poem there is a sense of isolation, as the only “applause” she gets is the “blue” flame of the stove.

In this society, they believe women to be obedient, quiet, and timid. In the poem, she is writing about a witch who is dark and timid, twelve-fingered, and outcast in her community. In the first stanza, it states "I have gone out, possessed witch"