Exploration Notes- as Level Drama and Theatre Studies- Metamorphosis and a Doll's House
4285 WordsJan 31, 201318 Pages
1) Discuss and compare the exploration of characterisation in Metamorphosis by Steven Berkoff and (A Doll’s House).
Draw your own practical understanding of the skills used including use of language and voice to portray character.
In our practical sessions of Modelling Gregor in “Metamorphosis”, we thought about how we would physically see Gregor. To do this, we had to individually create the shape of Gregor with our bodies. We all started off thinking about it really literally- “How would a beetle look?” rather than thinking about how our body represented Gregor and his feelings towards society. We then expanded on our thoughts about Gregor and then tried to empathise with him and think about how we would look…show more content…
The legs of Gregor were made up of society, but reaching out and away from the beetle and from Gregor.
We also (as a practical exercise) held hands as a whole group and twisted ourselves into a character from the play each… this ended up looking abnormal, as the family’s situation is and a lot of it also looked quite painful but we were as one as a unit, as the family is.
In order to characterise Nora in a Doll’s House, we used the techniques of Stanislavski because A Doll’s House is a much more naturalistic play compared to Metamorphosis.
We started with a focus exercise in which we lay down on the floor and concentrated only on our breathing and our body contact with the floor. We then got thought about some key words to describe Nora’s character and tried to focus on each of them individually, letting each emotion overwhelm our bodies. We then were counted down to stand up and walk around the room as Nora, showing her feelings through non- verbal communication.
We also created some tableaux of the family in a dolls house. For this we used visual, aural and spatial techniques.
2) Discuss and compare the Visual, Aural and Spatial elements and the use of non-verbal communication techniques to present issues and ideas in both plays studied. Make reference to your practical work.
Visual, aural and spatial elements either have an iconic or symbolic reference. Iconic is always visual, for example a prop;