Exploration Of Good And Evil In Rashomon

The film techniques used in this film changes the entire landscape and changes the mood during the scene. The colour reflects on a charters feelings and the camera angles and

The book To Kill a Mockingbird by Harper Lee is often associated with a various number of themes such as racism, social inequality, the importance of family values, and much more. But one of the more hidden messages of the book centers around the idea that there is a coexistence of good and evil. This theme is really brought to life the more the reader is able to understand the book. Through sub themes such as coming of age, perspective, and intense characterization of many important characters the idea of good and evil is really brought to light.

Akira Kurowasa’s film, Rashomon, (released in 1951) is a remarkable detective/crime film which revolutionized the film making industry and won many prestigious awards, and was said to the best foreign film out there. The scene took place in the Ancient Japan. The story of murder talked and showed a Japanese woman who got raped, and her husband getting killed in a sword fight. The Woodcutter who was one of the protagonists claimed that he saw the testimony through his very own eyes. However, there are four distinctive points of view, each telling their own side of the murder. Unfortunately, many of the Western movie critics misunderstood the film, or just simply oversimplified its meaning. They believed the true meaning of the story was the subjectivity of the truth, which is not what the story talked about but rather it’s about the quicksand of ego. The quicksand of ego is an important term since its one of the many moral implications shown in Rashomon which ties nicely with philosophical topics as well as moral dialogue itself. Rashomon effect which is defined as Kurosawa saying the film is not about the truth, but the quicksand of ego, which Priest who was another main character refused to accept. The true and pure meaning behind the Rashomon effect is that we cannot see the truth in everything, because we as a society are questioning our true believes and goals in life. It is very difficult to find truth, especially when

The creation and consumption of films are a common favorite pastime for many people and have been for hundreds of years, but while some films can seem deceptively simple, many elements go into creating a scene, much less an entire movie. Directors use these elements which include, but are not limited to style, mood, composition and special effects to create a product that we often don’t acknowledge without looking deeper into the film. These components together are called Mise en Scène (Ebert). Of course, film can be enjoyed leisurely but there are so many more aspects of film to be explored and analyzed such as the composition of camera movement, lighting, color, sounds and music. In this case, I chose to analyze the “Redrum” scene from the renowned film, The Shining directed by Stanley Kubrick. In this scene, Danny Torrence, a five year old boy wanders around his mother’s room with a knife in hand, muttering the word “Redrum” over and over again before scrawling it across the door. I feel that a lot of this scene’s mood and style relies heavily on the camera work of the scene, the lighting and colors, and the music incorporated into the segment.

Throughout The Rape of Nanking, the brutal massacre of thousands of innocent Chinese citizens is brought forth through the invasion of this ancient city taken over by the Imperial Japanese army. Iris Chang illustrates the graphic details of the murder and rape of these victims through the perspectives of different sides of the attack. Chang; furthermore, ties in the mass genocide and destruction displayed throughout the book with the example of the Japanese government’s desperate attempt to cover up the incident and the reluctance of the survivors to discuss it. In addition, the horrifying events of The Rape of Nanking only further motivated an uncontrollable desire for aggression, violence, and imperialism in the Asian community evidently

“Inside each of us, there is the seed of both good and evil. It's a constant struggle as to which one will win. And one cannot exist without the other.” - Eric Burdon. The theme of good versus evil can be applied to almost every novel but in different aspects. In the novel, All the Light We Cannot See by Anthony Doerr, plays a good and evil side at the same time. This book is in the time period of WWII in Paris, France following a blind girl and an intellectual boy. The girl, Marie-Laure, is our good side of the story, for instance, always wanting to help her father with what she can, listening and knowing what the right thing to do is, and taking action when needed, adding to her blindness to not let that stop her. The German boy we follow, Werner, he is wanting to help others as well, but not for the right reasons, he lets the evil, in this case, the Nazis, take control of him and use him for his brain.

The camera movement from one side of the street to the unknown neighbor's house illustrated how unwilling they were to listen to Will’s reasoning yet determined to inflict violence upon a presumed “terrorist family”. The previous examples revealed that with the correct camera movement you can enhance feelings, and foretell them too. In specificity to these scenes, the reoccurring slanted motion appealed to the feeling of disarray and foreshadowed the mayhem to come. While the camera movement from one house to another depicted the wrath of the mob; proves that the cam movement allowed the viewer to receive a better sense of what unreasonable fear the characters are feeling.

In the film an atmosphere of suspense is created using various film techniques such as lighting, music and through the plot itself. The film also takes on a Gothic tone using different characteristics and techniques such as the settings, symbolism, emotions such as fear and the different atmospheres in the film. The director explores the theme of good vs evil through different elements and characters in the film generally following normal good vs evil stereotypes with some exceptions.

In Giles Milton’s novel, Samurai William, the reader is taken to the other side of the globe to experience the history of old world Japan. Though out the book, Milton provides reason for complex historical events and actions, while still communicating the subtleties and mysterious customs of the Japanese. The novel also closely examines the wide range of relationships between different groups of Europeans and Asians, predominantly revolving around the protagonist, William Adams. The book documents the successes and failures that occur between the two civilizations, then links them back to either the positive or negative relationship they have. As the book goes on, the correlation is obvious. Milton shows us the extreme role that religion,

Anger and evil are main emotion that are portrayed in the book Wicked. These emotions are clear in Gregory Maguire's famous novel, Wicked, which was published in 1995 and takes place in the Land of Oz. This novel is one of Maguire’s bestselling books and in 2003 they decided to turn it into a musical and to this day it still gets performed to this day. Now Wicked is based on Oz therefor in the book there are many things that tie together the two books. Wicked is supposed to be a better version of The Wizard of Oz. The Wizard of Oz was written many years before Wicked even though when looking at a timeline it shows Wicked should be first, then Oz. The book revolves around these two main Character Elphaba and Glinda, there are other characters

The purpose of Kurosawa’s Dreams (Yume) is to warn viewers that no matter what, consequences happen. For example, in the scene “Sunshine Through the Rain”, a boy is warned against going out into the rain to not disturb the foxes’ wedding procession. The boy travels to the forest and when he disturbs the foxes, they ask him to commit suicide, and he is forced from his home. The scene demonstrates the negative consequences of his action. Another example, in the scene “Mount Fuji in Red”, a nuclear power plant located close to Mount Fuji started to melt down, with its reactors exploding and releasing dangerous radioactive chemicals into the air. A man dressed in a suit admits his blame to the actions that helped contributed to the meltdown of the nuclear power plant. He jumps into the sea and dies as his consequence. The last example is in the final scene “Village of the Watermills”. Which shows a picturesque village who was cut off from the dangerous influence of modern technology and changing the landscape through pollution. The old man of the village’s consequence to living a simple life is that he has already lived to be 103.

Akira Kurosawa's Rashomon tells the story of a murder. It flashes back to the event four times, each time as told by a different person. The present-time section of the plot occurs at a gate under which some characters take shelter from the rain. Three men can be found there - a woodcutter who repeatedly proclaims his misunderstanding, a priest who says that

In Beyond Good and Evil, Nietzsche discusses how he is not a believer in democracy. The principles of democracy were put together by levelers, or people that believe in democracy. These principles lead to equality that restrains life to one universal truth and Nietzsche did not agree with this idea at all. He believed that these principles caused people to form into one large herd. In this herd, people follow one another with no will to power, which results in the downfall of individual rights and instincts. This makes the herd the definition of morality in society, which Nietzsche disagrees with. But he brings up the idea of neighbor love. Neighbor love is the idea that we are all in one herd so we are all equal which creates us to all

Many directors use their films as a means of glorifying, criticizing, or simply depicting, a particular ideological system. These ideologies are especially visible in foreign films, as the viewer is forced to assess the film from outside his or her culture and ideology, and consider the film in its proper context. Director Akira Kurosawa’s Japanese film Seven Samurai allows the viewer to understand several important aspects of Japanese culture and ideology. First, the film depicts the Japanese social class structure and its acceptance by the masses. Seven Samurai also reveals the pride of the Japanese, as well as the utilitarian, collectivist nature of their society.

A sociological thought piece, Chris McKinney’s The Tattoo is bursting with toxic relationships. Amongst these, McKinney uses the strained kinship between Ken Hideyoshi and his father to partially explain how people fall into cycles of violent behaviour. To understand the richness of the text, violence will be characterised as the intentional or unintentional application of force, and/or power resulting in psychological, emotional and/or physical harm, whether it is for the perpetrator’s advantage or not. Thus, a wide definition is given to encompass the numerous acts of harm occurring throughout the novel. Ken’s father is a man instilled with traditional values and beliefs. Therefore, strength and fearlessness are expected to be in Ken to make him tough and prepared to face the world. The reader witnesses these notions take root and unfurl into his father’s ideas of the epitome of hegemonic masculinity. Consequently, this essay will analyse the connection between Ken Hideyoshi and his father as it progresses throughout the novel by looking at how socialisation, hegemonic masculinity and family violence lead impressionable people into deviant lifestyles.