Explore the Way in Which Williams Presents and Uses the Relationship of Blanche and Mitch in "A Streetcar Named Desire"

Blanche needs Mitch as a stabilizing force in her life; if her relationship with him fails, she knows she faces a world that offers few prospects for a financially challenged, unmarried woman approaching middle age. She tacitly admits to Mitch that she needs him when she accepts his embrace, but her fears of acknowledging her past and current situation overpower her and prevent her from telling the full truth. She hides her past not only from Mitch, but also from herself because to acknowledge it is to also admit the unhealthy choices she has made. When Stanley tells Mitch about Blanche’s blemished past Mitch recognizes that Blanche’s deceptions have relied on a symbolic and literal darkness which obscures reality. When Mitch asks Blanche to be honest about herself she says, “I don’t want realism. I want Magic! I don’t tell truth, I tell what ought to be the truth” (145). In these lines Blanche clearly expresses her desire not to deal with reality; this inability to face her circumstances signifies that Blanche is not recovering from her mental stress, but rather descending further into it. Blanche becomes desperate and delusional and her descent into mental

Whiteness is also evoked by Mitch, and Stella. Mitch wants a replacement for his aging mother. Yet, Mitch feels hurt when he finds out about Blanche's prior sexual experiences from Stanley and takes his feelings of sexual rejection, and eventually forces himself on her against her will. The culmination comes when Blanche asks Mitch to marry him and he responds, "I don't think I want to marry you anymore… you're not clean enough to bring home to my mother."(120-121). Stella also demonstrates her cruelty at the end of the story when she decides to let the doctor bring her sister to a mental ward, going along with Stanley's plan to get rid of her. Stella evokes a kind of social norm of acceptable sane behavior.

The reader may view Blanche as someone who tried to escape her sordid past in Laurel and wanted to start a new life with her sister, yet due to the continuous investigations from Stanley, was unable to do so. Stanley reveals Blanches’ lies and deceits, commenting on them as her ‘same old act, same old hooey!’ This tells the reader that his research of Blanches’ past is way of stopping her from finding a new life. Blanche attempts to redeem her life by finding love with Mitch, yet Stanley again reveals to Mitch that she was not ‘straight’, resulting in Mitch not wanting to be with her and also contributing to her fate. Stanley, after mercilessly divulging all her truths and bringing her to the edge of her mental capacity, rapes Blanche which brought about her final collapse. The reader may view Stella as someone at blame for her sisters’ fate, as though she shows some moral support of Blanches’ situation and listens to what she has to say, Stella continuously throughout the play neglects to notice Blanches slow mental deterioration and ignores Blanches’ outcries and incessant need for attention. Stella chooses Stanley over Blanche, despite her warnings about him being ‘volatile, violent and sub-human which represents not

Each character is shown to live their life in either the way of illusion or reality. Harold Mitchell, also known as Mitch buys into Blanches illusions. He is overtaken by her charm, but in the end finally faces reality. Stella who is Blanches sister is always wishing for everything to be perfect with her and Stanley even though he abuses her. She overlooks Stanley’s downfalls to escape her reality. Blanche is the center of all illusion.

She even tells Mitch that she doesn’t tell the truth, she tells what ought to be truth. So Blanche is aware that she is lying and continues to do it, which end the end causes grief for her.

From the moment Mitch and Blanche met it was a strong connection, it had the sense of love, but that feeling of love changed to a feeling of betrayal and disgust; Once Mitch was informed of Blanche's web of lies and her horrible past. It started off with a little “fib” as Blanches says, about her age. From there it got worse, she betrayed Mitch by breaking his trust because she never told him about her dirty past. Blanche tried to cover it up by putting a filter over her personality, and that filter was her long gone southern morals. She had tried to hide her bad past from just lying to Mitch and deceiving him, acting as if he wasn't smart enough to find out. But the time did come for Mitch to find out about this ultimate betrayal of his trust, and once mitch confirmed the information about Blanche's past ; that feeling of love transformed to rear its ugly head of deception to symbolize what his relationship with Miss Blanche Dubois really was; just a

Unlike Stanley, Mitch has learned to be sympathetic towards Blanche and her representation of femininity. Mitch however, still cultivates toxic masculinity when he does not bring correction to his friend, Stanley, when he sees him being openly abusive. He also allows Stanley to ruin his chances at happiness with Blanche.

She tries to hold on to him but is unable to keep him attracted. Blanche is lost, confused, conflicted, lashing out in sexual ways, and living in her out own fantasies. She has no concern for anyone’s well being, including her own. Thus, this is her utter most harmful demise. She has no realistic outlook for the future.

Mitch has a very courteous and gregarious perspective on life. He basically believes that everyone deserves a chance. When he first meets Blanche, he begins to fall in love with her but soon after Stanley reveals the true Blanche to Mitch, he feels betrayed. At that point, his perspective changed because, he begins to become a little more like Stanley. An example of this is when he finds out and comes to meet Blanche and tells her

due to her past blanche’s actions are unusual and to many they are considered inappropriate. Blanche lives through some very dark and intense incidents before the play takes place, she witnesses the death of her entire family, she loses her family home, and to add to the misery she believes she is the reason her husband killed himself. In an act to move on she retreats into illusion acting as if these incidents never happened. Blanche decides to lie to everyone, from her sister to the man she potentially wanted to marry, she does not give them the truth. She wants to marry mitch but does not tell him about her past, mitch had all right to know, yet she led him on, actions like these in an environment of connection is inappropriate beyond a doubt. Because of her lies and illusions Blanche ends up losing everything, she loses her only chance at a future with Mitch and her freedom when she is sent to the mental institution. Blanches motivation by the past caused her life around her dissolve.

In scene nine, Blanche is confronted by Mitch, who has learned the truth about her past. Mitch tells Blanche that he has never seen her in the light. He tears Blanche's paper lantern off of the plain, bright light bulb, and tries to see her as she really is, and not in a view warped by Blanche's efforts to make herself seem more innocent, young, and beautiful than she is. Blanche responds to

     Furthermore, Blanche claims to have an old friendship with a man who is now a millionaire, a certain Mr. Shep Huntleigh. She believes that if she needs help at any m point in time, especially monetary aid, “darling Shep” will be there to cable in some money. Shep Huntleigh represents Blanche’s idea of the perfect man, a rich, debonair, suave gentleman. She sees Stanley as everything but that perfect man, cruel to her sister and even crueler to herself. Blanche constantly claims she is going to go off and see Shep, and after Mitch reveals his knowledge of the truth about her, she claims she is going to spend a month or so abroad. “I received a telegram from an old admirer of mine,” she claims, “A cruise of the Caribbean on a yacht!” However, Stanley crushes her spirit almost immediately, tearing her fanciful dreams apart into ragged threads. “There isn’t a goddam thing but imagination!” he screams. It is Stanley who refuses to let Blanche live in a dream world.

Both Blanche and the grandmother shelter themselves from threats––verbal, physical, or reputational––by using their gender as a shield. In a conversation with Stanley, Blanche claims that “a woman’s charm is fifty per cent illusion” (91). She hides behind her identity as a woman to vindicate her deceit. Alone and heartbroken, she desperately attempts to marry Mitch for financial security, yet again utilizing her femininity for

Mitch are having their big conflict of the play, she even tells him that "I

While drinking heavily after Mitch’s refusal to marry her, her delusional madness worsens. With very little self esteem left Blanche begins to pretend that there are people