Comparative Essay: Explore the theme of danger with reference to the extracts from ‘Heart of Darkness’ and ‘Blood River’.
Joseph Conrad’s ‘Heart of Darkness’ and Tim Butcher’s ‘Blood River’ both explore the theme of danger throughout. This is achieved through Conrad and Butcher’s choice of lexis. The extract from ‘Heart of Darkness’ is taken from chapter eleven. In this extract, Marlow and the rest of the crew of the steamboat are being attacked by the natives of the Congo. The extract from ‘Blood River’ is taken from chapter ten (Bend in the River). In this extract, Butcher describes how a child pickpocket is being attacked by an African mob. Both novels are written in 1st person, but ‘Heart of Darkness’ is fiction, whereas ‘Blood
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The social, moral and political agendas of both texts are very different in the sense that the authors treat certain situations different morally. In ‘Heart of Darkness’, Marlow shows that he has morals when he navigates the steamboat to safety and tries to help his fellow crew members: “He stood before the wide opening, glaring, and I yelled at him to come back, while I straightened the sudden twist out of that steamboat.” This suggests to the reader that Marlow is heroic as he saves many lives during the attack on the steamboat. In ‘Blood River’, however, Tim Bucher seems to abandon his moral standards even though to help people in the Congo is considered pointless: “I was too preoccupied by my own emergency to worry about the boy’s plight.” This too emphasises the futility of the crisis in the Congo and highlights the dangerous nature of the Congo environment.
The features of language change in the extracts are only slight. In ‘Heart of Darkness’, when Marlow and the steamboat crew are attacked by the natives, the language seems archaic to a
Joseph Conrad's short novel Heart of Darkness (first published in 1902) is undoubtedly critically acclaimed, moreover, it is considered to be one of the greatest English novels. Conrad, who is of Polish ancestry, is as well considered to be an outstanding storyteller and a great stylist of modern fiction (Achebe 2). Even though this novel was written more than hundred years ago, it still draws many people's attention. The plot of the novel revolves around the main character, Marlow, and his journey to the heart of Africa (the Congo River). Marlow accepts to work as a steamship captain for a Belgian ivory-trade company and seeks to meet Kurtz, another important character in the novel whom many people admired, including, to a point, Marlow. On
Heart of Darkness written by Joseph Conrad is dramatic tale of an arduous trek into the darkest part of Africa at the turn of the twentieth century. The story follows the protagonist Marlow, an English marine merchant, as he travels through the African jungle up the Congo river in search for a mysterious man named Kurtz. Through Marlow's narration, Conrad provides a searing indictment of European colonial exploitation inflicted upon African natives. Through his use of irony, characters, and symbolism in the novel, Conrad aims to unveil the underlying horrors of colonialism. By shedding light on the brutality of colonialism in Heart of Darkness, Conrad shows that European values have been irrevocably eclipsed by darkness.
The works I have studied and will be exploring in this essay are Mary Shelly’s ‘Frankenstein’ and Joseph Conrad’s ‘Heart of Darkness’. In ‘Frankenstein’ the abuse of power is most clearly exhibited by the protagonist of the story Frankenstein himself, his abuse of power results in his isolation and could serve as a warning to people, telling them not to play with forces that they can not control. In ‘Heart of Darkness’, Conrad abuses his power as the author to distance himself from the novella and in a sense absolve himself from any racist criticism the book may induce. The abuse of power is also a key theme in the novella itself. Firstly there is a sense of hypocrisy in
Heart of Darkness relies heavily on lengthy philosophical and expository passages, as well as some very unusual and complex imagery; “not the easiest material to rewrite as a screenplay” (Canby, 18). However, rewrite it Francis Ford
1. The setting of the story begins on the Nellie, a ship. The turn of the tide is significant because it gives the men on board extra time to talk, and Marlow begins telling his story. In addition, symbolically, the turning of the tide conveys a change, and perhaps, foreshadowing of the story. The author spends a lot of time dealing with light because it is the main symbol in the novella. Light and darkness are universal symbols that represent good and evil. Although not explicitly stated, those who have the light are those who are “civilized”, and those who have the darkness are those who remain “uncivilized”, particularly the people living in Africa.
Heart of Darkness. The Norton Anthology of English Literature. Gen. ed. Stephen Greenblatt. 9th ed. New York: Norton, 2013. 2407-2465. Print.
There is an abundance of literature in which characters become caught between colliding cultures. Often, these characters experience a period of growth from their exposure to a culture that’s dissimilar to their own. Such is the case with Marlow, Joseph Conrad’s infamous protagonist from ‘Heart of Darkness’. Marlow sets off to Africa on an ivory conquest and promptly found himself sailing into the heart of the Congo River. Along the way he is faced with disgruntled natives, cannibals, and the ominous and foreboding landscape. Marlow’s response to these tribulations is an introspective one, in which he calls into question his identity. This transcending of his former self renders the work as a whole a
Joseph Conrad 's Heart of Darkness is both a dramatic tale of an arduous trek into the Belgian Congo at the turn of the twentieth century and a symbolic journey into the deepest recesses of human nature. On a literal level, through Marlow 's narration, Conrad provides a searing indictment of European colonial exploitation inflicted upon African natives. By employing several allegoric symbols this account depicts the futility of the European presence in Africa.
After living in the Congo and witnessing what the demands and desires of the sophisticated world can do to a less educated people, Marlow can not stand the capitalistic entitlement that allows the citizens of Brussels egos to float like the gods of Olympus. Marlow’s description of Brussels as ‘sepulchral’ animates the turning of his back on the society that the River Thames once symbolised. Marlow becomes dramatically more understanding of the Congo as his disgust of his once perceived ‘orthodox’ society eats away at him. This altering of opinion highlights the stark change in the meanings of light and dark within Heart of Darkness.
Zeitler, Michael. “Isolation in Heart of Darkness.” Encyclopedia of Themes in Literature, 3-Volume Set, Facts on File, 2010. Bloom's Literature, online.infobase.com/HRC/Search/Details/38721?q=heart of darkness. Accessed 30 Nov. 2017.
In Heart of Darkness, Charlie Marlow’s melancholy tone sets the mood for severity of the abhorrent occurrences he witnessed while in the interior of the Congo Free State, and as the intermediate narrator, is able to re-explore this dreadful experience during his narration, that allows him to represent his thoughts and gives reader’s direct access to his conscious. As the central consciousness of the novella, Marlow is first presented directly by our anonymous first person narrator (a passenger on the ship), but because of the story’s interweaving plot structure, a flashback occurs and Marlow steps in as the narrator, and it becomes our job as readers to understand Marlow through his actions as he himself analyzes his inner-self. Conrad follows
Heart of Darkness by Joseph Conrad is a story about a man named Marlow and his Journey into the African Congo. By reading the novel and understanding all the imagery Conrad has inserted, we can get a better understanding of the
These two images show a direct contrast to one another. The Congo image (Fig.1) has more nature surrounding its river, so in essence, the river will be much darker than Thames River. On the other hand, the Thames River (Fig.2) has been industrialized. As the image shows, there is a road and a bridge. There are not enough trees as the Congo and you see there is much more light in this area. As I mentioned before, Heart of Darkness is a product of its time. When Conrad compares the two rivers, Conrad is right about the Congo because “going up that river was like traveling back to the earliest beginnings of the world.” There is no technological advances to its surroundings like the Thames River, so Conrad is not wrong for that comment or comparison.
Within the text of Heart of Darkness, the reader is presented with many metaphors. Those that recur, and are most arresting and notable, are light and dark, nature and Kurtz and Marlow. The repeated use of light and dark imagery represents civilization and primitiveness, and of course the eternal meaning of good and evil. However, the more in depth the reader goes the more complex it becomes. Complex also are the meanings behind the metaphors of nature included within the text. It represents a challenge for the colonists, often also signifying decay and degeneration. Finally Kurtz and Marlow represent imperialism and the colonists. All these metaphors come together and contribute not only to
“No man ever steps into the same river twice, for it's not the same river, and he’s not the same man” -Heraclitus. This quote accurately depicts the protagonist, Charles Marlow in the novella Heart of Darkness written by Joseph Conrad. Heart of Darkness is read from the narration of Marlow, an ivory transporter who travels down the Congo. Throughout his journey, Marlow develops an intense interest in the famous ivory trader Kurtz, who is portrayed as a powerful, sage, and evil man. The story is based on Marlows experiences with the encounters he's faced with and his ability to be fickle based in these encounterments. In Heart of Darkness, we see Conrad use the river to symbolize movement throughout the novella.